Named an ALA Quick Pick, an exciting thriller by the author of the best-seller I Know What You Did Last Summer features a seventeen-year-old girl who becomes a clairvoyant and is branded a witch, in a repeat of the Salem witch trials. Reprint. AB.
It's time to come home... The Hull family has owned the Gallows Hill Winery for generations. Their wine wins awards. Their business prospers. Their family thrives. People whisper that the curse has awakened once more. The sprawling old house has long been perched on top of a hill overlooking the nearby town, jealously guarding the estate's secrets. It's been more than a decade since Margot Hull last saw her childhood home. She was young enough when she was sent away that she barely remembers its dark passageways and secret corners. But now she's returned to bury her parents and reconnect with the winery that is her family's legacy―and the bloody truth of exactly what lies buried beneath the crumbling estate. Alone in the sprawling, dilapidated building, Margot is forced to come face to face with the horrors of the past―and realize that she may be the next victim of a house that never rests...
Role-playing takes on a terrifying cast when 17-year-old Sarah, who is posing as a fortune-teller for a school fair, begins to see actual visions that can predict the future. Frightened, the other students brand her a witch, setting off a chain of events that mirror the centuries-old Salem witch trials in more ways than one. From the Paperback edition.
A woman lies dead in an abandoned shed, but skeletons have lain undisturbed for centuries here at Gallows Hill, where Cape Town's gibbets once stood. Police profiler Dr Clare Hart soon discovers that a deadly, more recent secret lies hidden among those long-buried bones. Who was the woman in the green silk dress? Who wanted her dead? Who buried her body among these ancient graves?
Remy is a tour guide for the notoriously haunted Carrow House. The old place is a haunt for the superstitious, but Remy hasn't seen any proof of the paranormal yet. So when she's asked to host guests for a week-long stay in order to research Carrow's phenomena, she hopes to finally experience some of the sightings that made the house famous. At first, it's everything they hoped for. Then a storm moves in, cutting off their contact with the outside world, and things quickly take a sinister turn. Doors open on their own. Séances go disastrously wrong. Their spirit medium wanders through the house at night, seemingly in a trance. But it isn't until one of the guests dies under strange circumstances that Remy is forced to consider the possibility that the ghost of the house's original owner―a twisted serial killer―still walks the halls. And by then it's too late to escape…
Massachusetts and weird: not too much of a stretch, some would say. But the authors dug a little deeper and found all kinds of local legends, bizarre beasts, surprising cemeteries, and uncovered the best kept secrets from all over the Bay State. If it's unusual or unexplainable or fantastic, and in the Bay State, you'll find it all here.
"A pleasingly original contribution to the paranormal-romance genre.” —Kirkus Reviews A simple but forgotten truth: Where harbingers of death appear, the morgues will soon be full. Angie Dovage can tell there’s more to Reece Fernandez than just the tall, brooding athlete who has her classmates swooning, but she can’t imagine his presence signals a tragedy that will devastate her small town. When something supernatural tries to attack her, Angie is thrown into a battle between good and evil she never saw coming. Right in the center of it is Reece—and he’s not human. What's more, she knows something most don't. That the secrets her town holds could kill them all. But that’s only half as dangerous as falling in love with a harbinger of death. Each book in the Black Bird of the Gallows series is STANDALONE: * Cleaner of Bones (Prequel) * Black Bird of the Gallows * Keeper of the Bees
Tormented girls writhing in agony, stern judges meting out harsh verdicts, nineteen bodies swinging on Gallows Hill. The stark immediacy of what happened in 1692 has obscured the complex web of human passion, individual and organized, which had been growing for more than a generation before the witch trials. Salem Possessed explores the lives of the men and women who helped spin that web and who in the end found themselves entangled in it. From rich and varied sources—many previously neglected or unknown—Paul Boyer and Stephen Nissenbaum give us a picture of the events of 1692 more intricate and more fascinating than any other in the already massive literature on Salem. “Salem Possessed,” wrote Robin Briggs in The Times Literary Supplement, “reinterprets a world-famous episode so completely and convincingly that virtually all the previous treatments can be consigned to the historical lumber-room.” Not simply a dramatic and isolated event, the Salem outbreak has wider implications for our understanding of developments central to the American experience: the breakup of Puritanism, the pressures of land and population in New England towns, the problems besetting farmer and householder, the shifting role of the church, and the powerful impact of commercial capitalism.
Twenty individuals were executed and more than 150 imprisoned. The historical body of evidence that remains from the Salem witch trials of 1692 touched the hands, mind, and imagination of poet Nicole Cooley, compelling her to seek entry to an inaccessible past of lies. The Afflicted Girls, so named after the young women who claimed to be victims of witchcraft, spans the centuries to give voice to those both audible and silent on history’s pages—accusers and accused of several kinds: wife and husband, servant and master, congregant and minister, and, not least, bewitched and witch. Piercing, enchanting, Cooley’s poems form a remarkable narrative, one that displays the enormous cultural power the Salem witch trials retain in twenty-first-century America.