""Artist Confidential: Secret Guidelines of Professionals"" is the first in a series of new self-help, motivational books being offered by Senkarik Publishing. Very few top flight artists are willing to share their secrets. Jack White happily imparts knowledge and valuable techniques learned in the School of Hard Knocks over a long, successful art career. In this book he peels back the layers of the onion allowing the reader to reach the vital core. The book is full of ideas and useful hints that are sure to help you increase both your skills and art sales. Jack discusses studio setup, palettes, hard and soft edges, as well as warm and cool colors. He explains the four values in the landscape and how it's divided into color zones along with offering beneficial advice for artists working 'en Plein Aire'. Vital tips on painting portraits are revealed. ""Artist Confidential: Secret Guidelines of Professionals"" is chock full of hidden gems and practical ideas you won't find in workshops.
“Behind almost every painting is a fortune and behind that a sin or a crime.” With these words as a starting point, Michael Gross, leading chronicler of the American rich, begins the first independent, unauthorized look at the saga of the nation’s greatest museum, the Metropolitan Museum of Art. In this endlessly entertaining follow-up to his bestselling social history 740 Park, Gross pulls back the shades of secrecy that have long shrouded the upper class’s cultural and philanthropic ambitions and maneuvers. And he paints a revealing portrait of a previously hidden face of American wealth and power. The Metropolitan, Gross writes, “is a huge alchemical experiment, turning the worst of man’s attributes—extravagance, lust, gluttony, acquisitiveness, envy, avarice, greed, egotism, and pride—into the very best, transmuting deadly sins into priceless treasure.” The book covers the entire 138-year history of the Met, focusing on the museum’s most colorful characters. Opening with the lame-duck director Philippe de Montebello, the museum’s longest-serving leader who finally stepped down in 2008, Rogues’ Gallery then goes back to the very beginning, highlighting, among many others: the first director, Luigi Palma di Cesnola, an Italian-born epic phony, whose legacy is a trove of plundered ancient relics, some of which remain on display today; John Pierpont Morgan, the greatest capitalist and art collector of his day, who turned the museum from the plaything of a handful of rich amateurs into a professional operation dedicated, sort of, to the public good; John D. Rockefeller Jr., who never served the Met in any official capacity but who, during the Great Depression, proved the only man willing and rich enough to be its benefactor, which made him its behind-the-scenes puppeteer; the controversial Thomas Hoving, whose tenure as director during the sixties and seventies revolutionized museums around the world but left the Met in chaos; and Jane Engelhard and Annette de la Renta, a mother-daughter trustee tag team whose stories will astonish you (think Casablanca rewritten by Edith Wharton). With a supporting cast that includes artists, forgers, and looters, financial geniuses and scoundrels, museum officers (like its chairman Arthur Amory Houghton, head of Corning Glass, who once ripped apart a priceless and ancient Islamic book in order to sell it off piecemeal), trustees (like Jayne Wrightsman, the Hollywood party girl turned society grand dame), curators (like the aging Dietrich von Bothmer, a refugee from Nazi Germany with a Bronze Star for heroism whose greatest acquisitions turned out to be looted), and donors (like Irwin Untermyer, whose collecting obsession drove his wife and children to suicide), and with cameo appearances by everyone from Vogue editors Anna Wintour and Diana Vreeland to Sex Pistols front man Johnny Rotten, Rogues’ Gallery is a rich, satisfying, alternately hilarious and horrifying look at America’s upper class, and what is perhaps its greatest creation.
Basic Contract Drafting Assignments: A Narrative Approach is a unique supplement of contract drafting exercises designed to be used with any contracts or drafting course book. Instructors who want to incorporate drafting exercises into the classroom experience will find an invaluable asset in his supplement, which provides students with the tools necessary to develop skills that can be applied to various types of advanced transactional work. Divided into four interest-catching sequences, this concise paperback takes a narrative approach, and gives students the opportunity to learn by doing: The first assignment in each sequence introduces the clients, their businesses, and their needs. In the second and third assignments those clients evolve and grow, and their business needs change. Each sequence features assignments of varying lengths and types, including gathering information, interviewing the client, outlining the issues that need to be considered from both sides of the table, and drafting the necessary memos, letters, and final contract. The assignments focus on methodologies in four areas: How to conceptualize in writing the parties rights, duties, risks, and protections. How to organize a contract on both the macro and the micro levels. How to draft for clarity and enforceability. How to express boilerplate terms. Additional resources for students and instructors include: Entertaining and informative appendices, among them What Deal Lawyers Say to Each Other: A Dictionary of Contract Negotiation and Drafting Slang Ten Tips for Interviewing a Client about a Transaction Decoding the Comments on Student Contracts: Some Samples with Illustrations Basic Contract DraftingAssignments will augment and enhance any book you are currently using by providing a wealth exercises that will help students learn real-world drafting techniques and skills.
What's really happening behind the scenes in the high-stakes art world? Steven Maier shares his hair-raising and often hilarious stories from his 40] years as an art dealer to the stars and to the not-so-starry. From Janet Jackson to Anthony Quinn, from Dali to Picasso, he's seen it all and shares his true-life encounters and rollicking adventures in a no-holds-barred expose. "Like One Thousand and One Nights, Maier's 100 stories of the art world are part audacious expose, part memoir, and part history of four crazy decades filled with Hollywood stars, scoundrels, artistic geniuses, and hustlers. For a thrilling, sometimes sad, and always entertaining inside look at the art world, read Gallery Confidential." -Charles Levin, Amazon Bestselling Author of the NOT SO DEAD Trilogy How does a creative young man go from being a decorative house painter to becoming a successful art dealer traveling the world and then finding a third career as the artist Sonny Pops, Hawaii's Ambassador of Nu'u Pop? As Maier says, Gallery Confidential is a dog-eared survival manual. A must-read for anyone that buys, sells, or looks at art or just wants to hop on an irreverent roller-coaster ride of a new age story. What does it mean to be an artist and sell your work? What do you do when you face adversity, like opening your dream art gallery a week before 9/11, and fail? How do you pick yourself back up? How do you carry $200,000 in cash on an airplane? The answer to these questions and more resonate in the lively anecdotes that make up the life of a man well-lived. Pick up your copy of Gallery Confidential today. Pour yourself a drink, sit back, and explore the art world most of us have never seen.
Tailored specifically to the business and legal needs of illustrators, this important edition is expanded and thoroughly updated to include electronic rights. Also provided is a CD-ROM with electronic versions of each form.
More secrets from the private sketches of 38 master artists The idea may be derived from anything really--a flash of sunlight, the tilt of a head, a glass on the table...but the sketch is where it all begins, the point where inspiration meets artist. Gloriously free of the need to get it "right," the sketch is where possibilities are explored, compositions are found, and visions come to life. A brilliant follow-up to the first Sketchbook Confidential, this book grants you access to 38 of art's most creative minds via their sketchbooks. Whether created in studios, subways or the middle of a farmyard, these sketches represent art in its raw form. Up until now, this work has been tucked inside drawers or on studio bookshelves. Now the artists lay it out for all to see, along with intimate musings on the art of sketching and how it helps them commune with a subject, find their path to a finished piece or discover even greater rewards in the journey itself.
Journalists and Confidential Sources explores the fraught and widespread reliance by journalists on anonymous sources, whistleblowers, and others to whom they owe an obligation of confidentiality. It examines the difficulties afflicting such relationships; analyses the deteriorating "right to know" and freedom of expression frameworks; and explores solutions and reforms. The book discusses key Australian and international source protection ethics rules, statutes, court cases, law enforcement actions, and case studies. It highlights weakness in journalists’ professional practice codes governing confidentiality obligations; discusses inadequate journalistic appreciation of the importance of establishing clear terms and conditions underpinning confidentiality obligations; and identifies shortcomings in the law governing source protection. The book argues that despite source protection being widely recognised as an important ideal, source protection is under sustained assault, thereby undermining public access to information, and democracy itself. The work focusses on Australia but takes into account source protection in the United Kingdom, the United States, Canada, and New Zealand. This timely contribution to the global discussion on the subject will greatly interest journalists, scholars, educators, and students especially in the areas of media law and policy, journalism, media and communication studies, and public relations; the legal fraternity; and anyone who communicates with journalists.
Corporate Privileges and Confidential Information is designed to assist inside and outside counsel in negotiating obstacles to maintaining corporate secrecy.
