Between 1608 and 1610 the canopy of the night sky was ripped open by an object created almost by accident: a cylinder with lenses at both ends. Galileo’s Telescope tells how this ingenious device evolved into a precision instrument that would transcend the limits of human vision and transform humanity’s view of its place in the cosmos.
An innovative exploration of the development of a revolutionary optical device and how it changed the world. Between 1608 and 1610 the canopy of the night sky changed forever, ripped open by an object created almost by accident: a cylinder with lenses at both ends. Galileo’s Telescope tells the story of how an ingenious optical device evolved from a toy-like curiosity into a precision scientific instrument, all in a few years. In transcending the limits of human vision, the telescope transformed humanity’s view of itself and knowledge of the cosmos. Galileo plays a leading—but by no means solo—part in this riveting tale. He shares the stage with mathematicians, astronomers, and theologians from Paolo Sarpi to Johannes Kepler and Cardinal Bellarmine, sovereigns such as Rudolph II and James I, as well as craftsmen, courtiers, poets, and painters. Starting in the Netherlands, where a spectacle-maker created a spyglass with the modest magnifying power of three, the telescope spread like technological wildfire to Venice, Rome, Prague, Paris, London, and ultimately India and China. Galileo’s celestial discoveries—hundreds of stars previously invisible to the naked eye, lunar mountains, and moons orbiting Jupiter—were announced to the world in his revolutionary treatise Sidereus Nuncius. Combining science, politics, religion, and the arts, Galileo’s Telescope rewrites the early history of a world-shattering innovation whose visual power ultimately came to embody meanings far beyond the science of the stars. Praise for Galileo’s Telescope “One of the most fascinating stories in the history of science.” —Mark Archer, The Wall Street Journal “In broad outline, the story of Galileo and the first use of a telescope in astronomy is well known. Bucciantini, Camerota, and Giudice take a new look at this seminal event by focusing on how the news spread across Europe and how it was received. Their well-written narrative examines the central issues using papers, paintings, letters, and other contemporary documents . . . After four centuries [Galileo’s] reputation has been thoroughly vindicated.” —D. E. Hogg, Choice
Digby and his sister Hannah stumble across Galileo's telescope in Mr. Rummage's flea market stall. This book relates the biography of astronomer Galileo in a charming fictional storyline. Wonderful illustrations help tell the story of Galileo's life and historic discoveries.
Annotation. In six years, Galileo Galilei went from being a mathematics professor to a star in the court of Florence to a target of the Inquisition. And during that time, Galileo made a series of astronomical discoveries that reshaped the ideas of the physical nature of the heavens and transformed him from a university mathematician into a court philosopher. Galileo's Instruments of Creditproposes radical new interpretations of key episodes of Galileo's career, including his telescopic discoveries of 1610, the dispute over sunspots, and the conflict with the Holy Office over the relationship between Copernicanism and Scripture. Galileo's tactics shifted as rapidly as his circumstances, argues Mario Biagioli, and these changes forced him to respond swiftly to the opportunities and risks posed by unforeseen inventions, other discoveries, and his opponents. Focusing on the aspects of Galileo's scientific life that extended beyond court culture and patronage, Biagioli offers a revisionist account of the different systems of exchanges, communication, and credibility at work in Galileo's career. Galileo's Instruments of Creditwill fascinate readers interested in the history of astronomy and the history of science in general.
Inspired by a long fascination with Galileo, and by the remarkable surviving letters of Galileo's daughter, a cloistered nun, Dava Sobel has written a biography unlike any other of the man Albert Einstein called "the father of modern physics- indeed of modern science altogether." Galileo's Daughter also presents a stunning portrait of a person hitherto lost to history, described by her father as "a woman of exquisite mind, singular goodness, and most tenderly attached to me." Galileo's Daughter dramatically recolors the personality and accomplishment of a mythic figure whose seventeenth-century clash with Catholic doctrine continues to define the schism between science and religion. Moving between Galileo's grand public life and Maria Celeste's sequestered world, Sobel illuminates the Florence of the Medicis and the papal court in Rome during the pivotal era when humanity's perception of its place in the cosmos was about to be overturned. In that same time, while the bubonic plague wreaked its terrible devastation and the Thirty Years' War tipped fortunes across Europe, one man sought to reconcile the Heaven he revered as a good Catholic with the heavens he revealed through his telescope. With all the human drama and scientific adventure that distinguished Dava Sobel's previous book Longitude, Galileo's Daughter is an unforgettable story
"Sidereus Nuncius (usually Sidereal Messenger, also Starry Messenger or Sidereal Message) is a short astronomical treatise (or pamphlet) published in New Latin by Galileo Galilei in March 1610. It was the first published scientific work based on observations made through a telescope, and it contains the results of Galileo's early observations of the imperfect and mountainous Moon, the hundreds of stars that were unable to be seen in either the Milky Way or certain constellations with the naked eye, and the Medicean Stars that appeared to be circling Jupiter.[1] The Latin word nuncius was typically used during this time period to denote messenger; however, albeit less frequently, it was also interpreted as message. While the title Sidereus Nuncius is usually translated into English as Sidereal Messenger, many of Galileo's early drafts of the book and later related writings indicate that the intended purpose of the book was "simply to report the news about recent developments in astronomy, not to pass himself off solemnly as an ambassador from heaven."[2] Therefore, the correct English translation of the title is Sidereal Message (or often, Starry Message)."--Wikiped, Nov/2014.
Ours is an age of science and technology, based on precision instruments. The first such device to strengthen our feeble human senses in our striving to comprehend the strange and elusive universe around us was the telescope. Cornelis de Waard, in his "De uitvinding der verrekijkers" (The Hague, 1906), had uncovered many new documents bearing on the genesis of the telescope. Van Helden began this project as a translation of de Waard's study. However, Van Helden decided that the profession and de Waard's memory would be better served by a collection and translation of all the relevant primary sources named in his study. Contents of this volume: Intro.; The Background; Between Porta and Lipperhey, 1589-1608; and Documents. Illus. Reprint.
As to the first, the last discoveries of Saturn to be tricorporeall, and of the mutations of Figure in Venus, like to those that are seen in the Moon, together with the Consequents depending thereupon, have not so much occasioned the demur, as the investigation of the times of the Conversions of each of the Four Medicean Planets about Jupiter, which I lighted upon in April the year past, 1611, at my being in Rome; where, in the end, I assertained my selfe, that the first and neerest to Jupiter, moved about 8 gr. & 29 m. of its Sphere in an houre, makeing its whole revolution in one naturall day, and 18 hours, and almost an halfe. The second moves in its Orbe 14 gr. 13 min. or very neer, in an hour, and its compleat conversion is consummate in 3 dayes, 13 hours, and one third, or thereabouts. The third passeth in an hour, 2 gr. 6 min. little more or less of its Circle, and measures it all in 7 dayes, 4 hours, or very neer. The fourth, and more remote than the rest, goes in one houre, 0 gr 54 min. and almost an halfe of its Sphere, and finisheth it all in 16 dayes, and very neer 18 hours. But because the excessive velocity of their returns or restitutions, requires a most scrupulous precisenesse to calculate their places, in times past and future, especially if the time be for many Moneths or Years; I am therefore forced, with other Observations, and more exact than the former, and in times more remote from one another, to correct the Tables of such Motions, and limit them even to the shortest moment: for such exactnesse my first Observations suffice not; not only in regard of the short intervals of Time, but because I had not as then found out a way to measure the distances between the said Planets by any Instrument: I Observed such Intervals with simple relation to the Diameter of the Body of Jupiter; taken, as we have said, by the eye, the which, though they admit not errors of above a Minute, yet they suffice not for the determination of the exact greatness of the Spheres of those Stars. But now that I have hit upon a way of taking such measures without failing, scarce in a very few Seconds, I will continue the observation to the very occultation of JUPITER, which shall serve to bring us to the perfect knowledge of the Motions, and Magnitudes of the Orbes of the said Planets, together also with some other consequences thence arising. I adde to these things the observation of some obscure Spots, which are discovered in the Solar Body, which changing, position in that, propounds to our consideration a great argument either that the Sun revolves in it selfe, or that perhaps other Starrs, in like manner as Venus and Mercury, revolve about it, invisible in other times, by reason of their small digressions, lesse than that of Mercury, and only visible when they interpose between the Sun and our eye, or else hint the truth of both this and that; the certainty of which things ought not to be contemned, nor omitted.
The historical and social implications of the telescope and that instrument's modern-day significance are brought into startling focus in this fascinating account. When Galileo looked to the sky with his perspicillum, or spyglass, roughly 400 years ago, he could not have fathomed the amount of change his astonishing findings—a seemingly flat moon magically transformed into a dynamic, crater-filled orb and a large, black sky suddenly held millions of galaxies—would have on civilizations. Reflecting on how Galileo's world compares with contemporary society, this insightful analysis deftly moves from the cutting-edge technology available in 17th-century Europe to the unbelievable phenomena discovered during the last 50 years, documenting important astronomical advances and the effects they have had over the years.
The Dutch telescope and the Italian scientist Galileo have long enjoyed a durable connection in the popular mind--so much so that it seems this simple glass instrument transformed a rather modest middle-aged scholar into the bold icon of the Copernican Revolution. And yet the extraordinary speed with which the telescope changed the course of Galileo's life and early modern astronomy obscures the astronomer's own curiously delayed encounter with the instrument. This book considers the lapse between the telescope's creation in The Hague in 1608 and Galileo's alleged acquaintance with such news ten months later. In an inquiry into scientific and cultural history, Eileen Reeves explores two fundamental questions of intellectual accountability: what did Galileo know of the invention of the telescope, and when did he know it? The record suggests that Galileo, like several of his peers, initially misunderstood the basic design of the telescope. In seeking to explain the gap between the telescope's emergence and the alleged date of the astronomer's acquaintance with it, Reeves explores how and why information about the telescope was transmitted, suppressed, or misconstrued in the process. Her revised version of events, rejecting the usual explanations of silence and idleness, is a revealing account of the role that misprision, error, and preconception play in the advancement of science. Along the way, Reeves offers a revised chronology of Galileo's life in a critical period and, more generally, shows how documents typically outside the scope of early modern natural philosophy--medieval romances, travel literature, and idle speculations--relate to two crucial events in the history of science.