This book provides 52-weeks of reflection, action and inspirations that are designed to deepen your connection to the Great Earth Mother, Gaia. There is also the option of creating a cord of beads you have chosen and using one to correspond with each of the week's contemplations. At the end of the year you will have a beautiful manifest product of your journey and a greater understanding of yourself as co-creator with Gaia.
Winner, Grand Prize, French Voices Award for Excellence in Publication and Translation The Space Age is over? Not at all! A new planet has appeared: Earth. In the age of the Anthropocene, the Earth is a post-natural planet that can be remade at will, controlled and managed thanks to the prowess of geoengineering. This new imaginary is also accompanied by a new kind of power—geopower—that takes the entire Earth, in its social, biological and geophysical dimensions, as an object of knowledge, intervention, and governmentality. In short, our rising awareness that we have destroyed our planet has simultaneously provided us not with remorse or resolve but with a new fantasy: that the Anthropocene delivers an opportunity to remake our terrestrial environment thanks to the power of technology. Such is the position we find ourselves in, when proposals for reengineering the earth’s ecosystems and geosystems are taken as the only politically feasible answer to ecological catastrophe. Yet far from being merely the fruit of geo-capitalism, this new grand narrative of geopower has also been activated by theorists of the constructivist turn—ecomodernist, postenvironmentalist, accelerationist—who have likewise called into question the great divide between nature and culture. With the collapse of this divide, a cyborg, hybrid, flexible nature has been built, an impoverished nature that does not exist without being performed by technologies that proliferate within the space of human needs and capitalist imperatives. Underneath this performative vision resides a hidden anaturalism denying all otherness to nature and the Earth, no longer by externalizing it as a thing to be dominated, but by radically internalizing it as something to be digested. Constructivist ecology thus finds itself in no position to confront the geoconstructivist project, with its claim that there is no nature and its aim to replace Earth with Earth 2.0. Against both positions, Neyrat stakes out the importance of the unconstructable Earth. Against the fusional myth of technology over nature, but without returning to the division between nature and culture, he proposes an “ecology of separation” that acknowledges the wild, subtractive capacity of nature. Against the capitalist, technocratic delusion of earth as a constructible object, but equally against an organicism marked by unacknowledged traces of racism and sexism, Neyrat shows what it means to appreciate Earth as an unsubstitutable becoming: a traject that cannot be replicated in a laboratory. Underway for billions of years, withdrawing into the most distant past and the most inaccessible future, Earth escapes the hubris of all who would remake and master it. This remarkable book, which will be of interest to those across the humanities, natural sciences, and social sciences, from theorists to shapers of policy, recasts the earth as a singular trajectory that invites humans to turn political ecology into a geopolitics.
.... The Great Work is that of refining and elevating the state of consciousness to a place of awareness and revelation of the subtleties of the Universe. And, in the cycle of return, the Great Work is that of bringing those treasures to a place where they may be used for the highest good of all .... Using the tools of poetry, applicable theory and pathworking the reader is guided through the layers of consciousness, suggested disciplines to enhance spiritual practice and some basic breathing exercises to deepen your experience of yourself as a being of Light. Part Four draws all of the information into the perspective of the Illuminated Being and contains a special pathworking of grounding reminding us of our connection to the physical world. The Light of SELF provides the keys to awaken your highest potential and will become a valuable resource that is returned to frequently as the journey of "knowing thyself" evolves in bringing awareness to all of your actions, mundane and spiritual.
A rich Cypriot gangster hires flying winemaker Richard Green to find a mysterious vineyard somewhere in Eastern Europe. A vicious new Capitalism is devouring the post-Communist Balkan states, where anything goes, and where women like Green's accent. God destroyed Eden, where men's lives spanned a thousand years, and limited Noah's tribe to a mere 120 years, the Bible says. But one tribe evaded this limit: the 'immortal' Greek Gods, the tribe of Gaia. They ruled the World until the Christians came, and declared them to be Demons, agents of Satan. Now, mere mortals threaten to discover Nectar, secret of the god's longevity. But Gaia is already burdened with too many greedy mortals! Surely she must act to punish their Hubris. The action moves to the Eastern Mediterranean, where several plots interweave: Aphrodite, the Goddess of Lust, kidnapped for a ransom of drugs; a son of Zeus plots to fulfil an ancient prophecy to usurp Zeus's throne; and the mortal hero's personal odyssey.
“Superb and almost unbearably charming, Her Majesty’s Royal Coven… expertly launches an exciting new trilogy." —The New York Times Book Review "Talk about a gut punch of a novel. …A provocative exploration of intersectional feminism, loyalty, gender and transphobia [that] invites readers into an intricately woven web of magic, friendship and power." —The Nerd Daily A Discovery of Witches meets The Craft in this epic fantasy about a group of childhood friends who are also witches. If you look hard enough at old photographs, we’re there in the background: healers in the trenches; Suffragettes; Bletchley Park oracles; land girls and resistance fighters. Why is it we help in times of crisis? We have a gift. We are stronger than Mundanes, plain and simple. At the dawn of their adolescence, on the eve of the summer solstice, four young girls--Helena, Leonie, Niamh and Elle--took the oath to join Her Majesty's Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she's a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right. Juno Dawson explores gender and the corrupting nature of power in a delightful and provocative story of magic and matriarchy, friendship and feminism. Dealing with all the aspects of contemporary womanhood, as well as being phenomenally powerful witches, Niamh, Helena, Leonie and Elle may have grown apart but they will always be bound by the sisterhood of the coven.
Artists and writers portray the disorientation of a world facing climate change. This monumental volume, drawn from a 2020 exhibition at the ZKM Center for Art and Media, portrays the disorientation of life in world facing climate change. It traces this disorientation to the disconnection between two different definitions of the land on which modernizing humans live: the sovereign nation from which they derive their rights, and another one, hidden, from which they gain their wealth—the land they live on, and the land they live from. Charting the land they will inhabit, they find not a globe, not the iconic “blue marble,” but a series of critical zones—patchy, heterogenous, discontinuous. With short pieces, longer essays, and more than 500 illustrations, the contributors explore the new landscape on which it may be possible for humans to land—what it means to be “on Earth,” whether the critical zone, the Gaia, or the terrestrial. They consider geopolitical conflicts and tools redesigned for the new “geopolitics of life forms.” The “thought exhibition” described in this book can opens a fictional space to explore the new climate regime; the rest of the story is unknown. Contributors include Dipesh Chakrabarty, Pierre Charbonnier, Emanuele Coccia, Vinciane Despret, Jerôme Gaillarde, Donna Haraway, Joseph Leo Koerner, Timothy Lenton, Richard Powers, Simon Schaffer, Isabelle Stengers, Bronislaw Szerszynski, Jan A. Zalasiewicz, Siegfried Zielinski Copublished with ZKM | Center for Art and Media Karlsruhe
In this classic work that continues to inspire many readers, Jim Lovelock puts forward his idea that the Earth functions as a single organism. Written for non-scientists, Gaia is a journey through time and space in search of evidence in support of a radically different model of our planet. In contrast to conventional belief that life is passive in the face of threats to its existence, the book explores the hypothesis that the Earth's living matter influences air, ocean, and rock to form a complex, self-regulating system that has the capacity to keep the Earth a fit place for life. Since Gaia was first published, Jim Lovelock's hypothesis has become a hotly debated topic in scientific circles. In a new Preface to this edition, he outlines his view of the present state of the debate. Oxford Landmark Science books are 'must-read' classics of modern science writing which have crystallized big ideas, and shaped the way we think.
The ancient magic is ready to be unleashed . . . As Falco's influence grows across the world, he struggles to fulfill people's expectations. To protect Earth from human destruction he must find Gaia - Mother Nature - but is it too late?
Since James Lovelock's first book, Gaia, was published, much scientific work has confirmed his theory that the Earth and all living things are part of one great organism. The Ages of Gaia looks at this evidence in detail and has been updated and revised throughout in this second edition. In his discussion of scientific and environmental issues he sounds a warning of the damage man is doing to the health of the planet.
Gaia's Gift, the second of Anne Primavesi's explorations of human relationships with the earth, asks that we complete the ideological revolution set in motion by Copernicus and Darwin concerning human importancene. They challenged the notion of our God-given centrality within the universe and within earth's evolutionary history. Yet as our continuing exploitation of earth's resources and species demonstrates, we remain wedded to the theological assumption that these are there for our sole use and benefit. Now James Lovelock's scientific understanding of the existential reality of Gaia's gift of life again raises the question of our proper place within the universe. It turns us decisively towards an understanding of ourselves as dependent on, rather than in control of, the whole earth community.
