Got a craving for cranial matter? Need to dip your chip in the saliva of a witch? Caught between a skull and a hard place? Have we got a cartoonist for you! Humorously demented cartoons by Gahan Wilson have been delighting the readers of The New Yorker, Playboy and National Lampoon for decades. Now, for a mere pittance, you can enjoy the best musings from this mad monster of the wild and the weird in the privacy of your own cave, hovel or castle. Cannibals around the world have celebrated the clever cartoons of Gahan Wilson. Now it's your turn!
This collection of the marvelously macabre cartoons of America's master of mayhem contains more than 150 cartoons, stretching across the length of Wilson's ouevre.
The year's finest tales of terror Here is the latest edition of the world's premier annual showcase of horror and dark fantasy fiction. It features some of the very best short stories and novellas by today's masters of the macabre - including Peter Atkins, Cliver Barker, Glen Hirschberg, Joe Hill and Caitlin R. Kiernan. The Mammoth Book of Best New Horror also features the most comprehensive yearly overview of horror around the world, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction.
Gahan Wilson is probably best known for his macabre Playboy cartoons, filled with charming monsters, goofy mad scientists, and melting victims, and his cutting-edge work in the National Lampoon, but he’s also one of the most versatile cartoonists alive whose work has appeared in a wide range of media venues. Gahan Wilson Sunday Comics is Wilson’s assault from within: His little-known syndicated strip that appeared in America’s newspapers between 1974 an 1976. Readers must have been startled to find Wilson’s freaks, geeks, and weirdos nestled among family, funny-animal, and soap opera offerings. (The term “zombie strip” ― a strip that has long outlived its original creator ― takes on a whole new meaning in Wilson’s hands.) While each strip, at first glance, appears to be a standard, color Sunday strip (albeit without panel borders), each Sunday Comic is a collection of one-panel gag cartoons, delineated in Wilson’s brilliantly controlled wiggly-but-sophisticated pen line. The last gag cartoon on each Sunday is part of a recurring series, either “Future Funnies” or “The Creep.” Some Sundays are a freewheeling mélange of board meetings, monsters, and cavemen (with cameos by Wilson’s Kid character from Nuts, his gimlet-eyed view of childhood, collected last year by Fantagraphics), while others riff on a topic or subject (clocks, plants, wallpaper, etc.). As is his wont, Wilson mines the blackest of black comedy in the banal horror of human nature.
Inspired by the artwork of Gahan Wilson, one of the greatest macabre artists of our time, this thrilling new anthology is a consummate collaboration between Wilson and leading horror writers and features 13 new stories, each exploring a different room of the haunted house. Contributors include Nancy A. Collins, Kathe Koja, Gregory Nicoll and T.E.D. Klein.
Born into "a certain kind of family"—affluent, white, Protestant—Jane Vandenburgh came of age when the sexual revolution was sweeping the cultural landscape, making its mark in a way that would change our manners and mores forever. But what began as an all–American life soon spun off and went spectacularly awry. Her father, an architect with a prominent Los Angeles firm, was arrested several times for being in gay bars during the 1950s, and only freed when her grandfather paid bribes to the L.A.P.D. He was ultimately placed in a psychiatric hospital to be "cured" of his homosexuality, and committed suicide when she was nine. Her mother—an artist and freethinker—lost custody of her children when she was committed to a mental hospital. The author and her two brothers were raised by an aunt and uncle who had, under one roof, seven children and problems of their own. In the midst of private trauma and loss, Vandenburgh delights in revealing larger truths about American culture and her life within it. Quirky, witty, and uncannily wise, A Pocket History of Sex in the Twentieth Century is a brilliant blend of memoir and cultural revelation.
Chosen and introduced by Neil Gaiman, this thoroughly beguiling collection of short stories is inhabited by an amazing menagerie of creatures from myth, legend and dark imagination The griffin, the sunbird, manticores, unicorns – all manner of glorious creatures never captured in zoos, museums or photographs are packed vividly into this collection of stories. Neil Gaiman has included some of his own childhood favourites alongside stories classic and modern to spark the imagination of readers young and old. All contributors have given their work free to benefit Dave Eggers' literacy charity, 826DC. Includes stories by: Peter S. Beagle, Anthony Boucher, Avram Davidson, Samuel R. Delany, Neil Gaiman, Maria Dahvana Headley, Nalo Hopkinson, Diana Wynne Jones, Megan Kurashige, E. Nesbit, Larry Niven, Nnedi Okorafor, Saki, Frank R. Stockton, Gahan Wilson, E. Lily Yu.
Remember how baffling, terrifying, and sad childhood really was? Now you can laugh at it. In this thematically and narratively linked series of one-page stories originally published in the National Lampoon’s “Funny Pages” section throughout the 1970s, the master of the macabre eschewed his usual ghouls, vampires, and end-of-the-world scenarios for a wry, pointed look at growing up normal in the real, yet endlessly weird world. This is essentially a lost Gahan Wilson graphic novel from the 1970s and '80s. Watch as our stoic, hunting-cap-wearing protagonist (known only as “The Kid”) copes with illness, disappointment, strange old relatives, the disappointment of Christmas, life-threatening escapades, death, school, the awfulness of camp, and much more ― all delineated in Wilson’s roly-poly, sensual, delicately hatched line.
Over the past twenty years, Neil Gaiman has developed into the premier fantasist of his generation, achieving that rarest of combinations—unrivaled critical respect and extraordinary commercial success. From the landmark comic book series The Sandman to novels such as the New York Times bestselling American Gods and Anansi Boys, from children's literature like Coraline to screenplays for such films as Beowulf, Gaiman work has garnered him an enthusiastic and fiercely loyal, global following. To comic book fans, he is Zeus in the pantheon of creative gods, having changed that industry forever. For discerning readers, he bridges the vast gap that traditionally divides lovers of "literary" and "genre" fiction. Gaiman is truly a pop culture phenomenon, an artist with a magic touch whose work has won almost universal acclaim. Now, for the first time ever, Prince of Stories chronicles the history and impact of the complete works of Neil Gaiman in film, fiction, music, comic books, and beyond. Containing hours of exclusive interviews with Gaiman and conversations with his collaborators, as well as wonderful nuggets of his work such as the beginning of an unpublished novel, a rare comic and never-before-seen essay, this is a treasure trove of all things Gaiman. In addition to providing in depth information and commentary on Gaiman's myriad works, the book also includes rare photographs, book covers, artwork, and related trivia and minutiae, making it both an insightful introduction to his work, and a true "must-have" for his ever growing legion of fans.
