This book celebrates the career of Ann Dooley, one of Canada's most eminent Celtic medievalists. Dooley's colleagues at the University of Toronto, her former doctoral students, and some of the most prominent scholars in medieval Celtic studies honor her work with 16 original essays reflecting Dooley's teaching and interests: early Irish and Welsh literature and history, literary theory, and feminist approaches to medieval Celtic literature. Chapters include: studies of major figures in early Irish and Welsh folklore, including Gwydion, Nes, Deirdriu, Luaine, Medb * studies of major texts, including the Auraicept na nEces, the Acallam na Senorach, and the Tain Bo Cuailnge * women, blood, and soul-friendship * how Irish was medieval Ceredigion? * the 'Statute of Gruffudd ap Cynan' * the Irish history of the 'Third Troy' and medieval writing of history * the monstrous hero * the O'Donohue lives of the Salamancan Codex.
Long referred to as the Dark Ages, the Middle Ages was actually a period of great scientific and technological advancement. In agriculture, the inventions of the heavy plow, horseshoes, and harnesses made farming easier. Children will enjoy following the advancements in medicine, military weapons, astronomy, and astrology up until 1500.
Immortals and sorcerers, spells and curses abound in this retelling of a medieval Irish tale in which Caer becomes a swan every other year, happily, only until Aengus comes to the shores of Loch Bél Dracon.
Medieval Irish texts reveal distinctive and unexpected constructions of gender. Constructing Gender in Medieval Ireland illuminates these ideas through its fresh and provocative re-readings of a wide range of texts, including saga, romance, legal texts, Fenian narrative, hagiography, and ecclesiastical verse.
To understand the significance of Arabic material in medieval literature, we must recognize the concrete reality of Islam in the medieval European experience. Intimate contacts beginning with the Crusades yielded considerable knowledge about "Araby" beyond the merely stereotypical and propagandistic. Arabian culture was manifest in scientific and philosophical investigations; and the Arab presence pervaded medieval romance, where caricatures of Saracens were not merely a catering to popular taste but were a way of coping emotionally with a real threat. In England as well as in continental Europe, Islam figured in the best intellectual efforts of the age. Dorothee Metlitzki considers "Scientific and Philosophical Learning" in Part One of this book and discusses the transmission of Arabian culture, by way of the Crusades, and through the courts of Sicily and Spain. She sees the work of Latin translators from the Arabic in the twelfth and thirteenth centuries as the background of a medieval heritage of learning that expressed itself in the subject matter, theme, and imagery not only of a scholar-poet like Chaucer but also of the poets of popular romance. In Part Two, "The Literary Heritage," Metlitzki deals with Arabian source books, with Araby in history and romance, and with Mandeville's Travels. She concludes with a general assessment of the cultural force of Araby in England during the middle Ages.
Although few nineteenth-century rural Canadian women could read and write well, Sarah Jameson Craig (1840-1919) was not only literate but eloquent. Unlike many women writers of her time, Craig lived at the bottom of the economic ladder. Nevertheless, she dared to dream the utopian dreams more commonly associated with educated women from the middle and upper classes. Craig vividly documented her attempt to run away at age fifteen, her plans to found a utopian colony based on alternative medicine and women’s dress reform, and her lifelong crusade for women's equality. Quoting liberally from Sarah Craig's unpublished diaries and memoir, Seeking Our Eden sets Craig's life writing within the context of her early days in New Brunswick, her later migrations to New Jersey and then westward to Saskatchewan and British Columbia, and the American-based reform and utopian movements that stirred her imagination. Convinced that the tight corsets and long skirts demanded by conventional fashion undermined the fight for women's equality, Craig wore the "reform dress" - a short dress over trousers - despite society's disapproval, and rejected opiate- and alcohol-based medicines in favour of the water cure. Even today, when the way women dress remains an issue, and skepticism about conventional medicine still fuels alternative health movements, Sarah Craig's early feminist voice from the margins of Canada continues to be relevant and compelling.