Deep, deep down in their underground town, the prairie dogs live in harmony--until a mysterious, fluorescent, very fuzzy thing (otherwise known as a tennis ball) rolls down their hole. When the prairie dogs discover that they can pluck and pull the fuzz into fabulous fashions, their fear quickly turns to curiosity, then delight, then pure greed. The frenzy that erupts threatens to tear apart the prairie-dog town forever. But when mean ol' Big Bark is kidnapped after taking all the fuzz for himself, the prairie dogs come to the rescue and remember the true meaning of community.
Moving to America turns H&à's life inside out. For all the 10 years of her life, H&à has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by, and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. H&à and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, H&à discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.
NOW INCLUDING A BRAND-NEW EPILOGUE! There are some things you can't leave behind... In If You Find Me by Emily Murdoch, a broken-down camper hidden deep in a national forest is the only home fifteen year-old Carey can remember. The trees keep guard over her threadbare existence; the one bright spot is Carey's younger sister, Jenessa, who depends on Carey for her very survival. All they have is each other, as their mentally ill mother comes and goes with greater frequency. Until that one fateful day their mother disappears for good, and two strangers arrive. Suddenly, the girls are taken from the woods and thrust into a bright and perplexing new world of high school, clothes and boys. Now, Carey must face the truth of why her mother abducted her ten years ago, while haunted by a past that won't let her go... a dark past that hides many a secret, including the reason Jenessa hasn't spoken a word in over a year. Carey knows she must keep her sister close, and her secrets even closer, or risk watching her new life come crashing down.
Three cartoon animals live in a house together in the American Midwest. They get a job, get sick, and throw a party. Their lives are lit by street lamps and the flickering TV set. They do incredibly stupid things with hilarious and disastrous results. It's about friendship, booze, and the slow collapse of western civilization. And they're so cute! Jon Allen studied illustration at Pratt Institute and holds a master's degree in painting from Cranbrook Academy of Art. He teaches foundation drawing. In addition to Ohio Is For Sale, he wrote and illustrated Vacationland, a self-published graphic novel.
Fuzz & Pluck: Splitsville tells the hilariously bizarre adventures of Pluck, an irritable and featherless rooster, and his best pal, the awkwardly unsocialized but lovable teddy bear known as Fuzz. These two usually inseparable and co-dependent misfits find themselves suddenly separated and alone. Pluck vows to establish his place in the world's pecking order by becoming a champion gladiator, while the more demure Fuzz finds himself a POW in a stuffed animal collection, only to escape and befriend a mercurial ferryman who recruits him for an impossible task. These absurdities pile on and eventually converge in a fatal collision course that reunites our heroes. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}
“I love comics. Comics is (Comics ARE?) a perfect language, robustly evolving and expanding like any other living language,” writes Phoebe Gloeckner in her Introduction to The Best American Comics 2018. This year’s collection includes work selected from the pages of graphic novels, comic books, periodicals, zines, online, and more, highlighting the kaleidoscopic diversity of the comics language today. Featuring GABRIELLE BELL • TARA BOOTH • GEOF DARROW • GUY DELISLE • EMIL FERRIS • JULIA GFRÖRER • SARAH GLIDDEN • SIMON HANSELMANN • JAIME HERNANDEZ • JULIA JACQUETTE • GARY PANTER • ARIEL SCHRAG, and others
Since its inception in 2005, MOME has served as a McSweeney’s for comics. Whether exposing new talent like Eleanor Davis (author of the recent Stinky by Toon Books); featuring short stories by contemporary graphic novelists like Dash Shaw (The Bottomless Belly Button); bringing the work of international superstars like David B. (Epileptic) to American audiences; or introducing the work of legends like Gilbert Shelton (The Fabulous Furry Freak Brothers) to a new generation of readers, MOME is the most acclaimed, accessible, frequent, and reasonably priced anthology on the market despite its high production values and mostly color format.
A collection of stories in which an Austrian writer analyzes the craft of writing and describes the people he met over the years. One of them is a former Miss Yugoslavia with whom he had a romance.
NEW YORK TIMES BESTSELLER • A deeply candid and refreshingly spirited memoir of identity lost and found from the star of the iconic film Dirty Dancing “A funny, dishy, occasionally heartbreaking coming-of-age story.”—The New York Times “Savage and engaging . . . Grey’s memoir is interesting not only for her journey out of darkness but also for what her story reveals about what women encounter in the entertainment business, and the fortitude required to make it.”—The Washington Post In this beautiful, close-to-the bone account, Jennifer Grey takes readers on a vivid tour of the experiences that have shaped her, from her childhood as the daughter of Broadway and film legend Joel Grey, to the surprise hit with Patrick Swayze that made her America’s sweetheart, to her inspiring season eleven win on ABC’s Dancing with the Stars. Throughout this intimate narrative, Grey richly evokes places and times that were defining for a generation—from her preteen days in 1970s Malibu and wild child nights in New York’s club scene, to her roles in quintessential movies of the 1980s, including The Cotton Club, Red Dawn, and her breakout performance in Ferris Bueller’s Day Off. With self-deprecating humor and frankness, she looks back on her unbridled, romantic adventures in Hollywood. And with enormous bravery, she shares the devastating fallout from a plastic surgery procedure that caused the sudden and stunning loss of her professional identity and career. Grey inspires with her hard-won battle back, reclaiming her sense of self from a culture and business that can impose a narrow and unforgiving definition of female worth. She finds, at last, her own true north and starts a family of her own, just in the nick of time. Distinctive, moving, and powerful, told with generosity and pluck, Out of the Corner is a memoir about a never-ending personal evolution, a coming-of-age story for women of every age.