Futurism and After

Futurism and After

Author: Myroslav Shkandrij

Publisher:

Published: 2008

Total Pages: 70

ISBN-13:

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"David Burliuk: Futurism and After 1882-1967 clearly illustrates the artist's journey through diverse countries, cultures, eras, and artistic styles. The exhibition and catalogue mirror Burliuk's life experience, a varied reflection of political revolution, social history, geographical locations, and cultural integration."--BOOK JACKET.


Words in Revolution

Words in Revolution

Author: Anna M. Lawton

Publisher: New Academia Publishing, LLC

Published: 2005

Total Pages: 376

ISBN-13: 9780974493473

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In her extensive Introduction, Lawton has highlighted the historical development of the movement and has related futurism both to the Russian national scene and to avant-garde movements worldwide.


Explodity

Explodity

Author: Nancy Perloff

Publisher: Getty Publications

Published: 2017-01-21

Total Pages: 210

ISBN-13: 1606065084

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The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.


Italian Futurism 1909-1944

Italian Futurism 1909-1944

Author: Solomon R. Guggenheim Museum

Publisher: Guggenheim Museum

Published: 2014

Total Pages: 0

ISBN-13: 9780892074990

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February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.


Reading Visual Poetry After Futurism

Reading Visual Poetry After Futurism

Author: Michael Webster

Publisher: Peter Lang Incorporated, International Academic Publishers

Published: 1995

Total Pages: 266

ISBN-13:

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Early in the century, poets expanded the possibilities of their genre by creating sound poems, by dispensing with syntax and punctuation, and by arranging words and letters across the page in new visual patterns. This book explores ways of reading the aesthetically challenging and semiotically subversive texts created by four poets: F.T. Marinetti (1876-1944), Kurt Schwitters (1887-1948) and e.e. cummings (1894-1962). The book shows us how to read these experimental texts in a variety of interrelated ways: as products of each poet's individual aesthetic, as part of the avant-garde's reaction to aestheticism, as efforts to bring art closer to life, and as attempts to c reate a new kind of semiotically and aesthetically 'open' work. The book concludes by emphasizing the individual invention of its four central figures rather than placing them in their usual roles as precursors to the concrete poetry movement of the fifties.


After Shock

After Shock

Author: Ray Kurzweil

Publisher: Abundant World Institute

Published: 2020

Total Pages: 0

ISBN-13: 9780999736449

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After Shock marks the 50-year anniversary of Alvin Toffler's, Future Shock . The compendium of essays comprising this landmark volume offers insightful reflections on the classic text and presents compelling and surprising views of the future--through the very unique lenses of more than 100 of the world's foremost futurists, including David Brin, Po Bronson, Sanjiv Chopra, George Gilder, Newt Gingrich, Alan Kay, Ray Kurzweil, Jane McGonigal, Lord Martin Rees, Byron Reese, and many other luminaries.