Record company talent scout Martin Mills jumps at the chance to make a comeback album with his favorite rock legend. But when it goes sideways, Martin is forced to use deadly skills from his past in a desperate bid to save his reputation, and the artist's career. Set in the 1980s New York City music scene, this real-world music business crime thriller from writer/music producer JEFF ROUGVIE (David Bowie, Big Star) and artist MORITAT (Spirit, Harley Quinn, Hellblazer) includes special background features and Spotify playlists! Collects GUNNING FOR HITS #1-6
This book constitutes the refereed proceedings of the 16th International Semantic Web Conference, ESWC 2019, held in Portorož, Slovenia. The 39 revised full papers presented were carefully reviewed and selected from 134 submissions. The papers are organized in three tracks: research track, resources track, and in-use track and deal with the following topical areas: distribution and decentralisation, velocity on the Web, research of research, ontologies and reasoning, linked data, natural language processing and information retrieval, semantic data management and data infrastructures, social and human aspects of the Semantic Web, and, machine learning.
In 1959, twenty-nine-year-old Berry Gordy, who had already given up on his dream to be a champion boxer, borrowed eight hundred dollars from his family and started a record company. A run-down bungalow sandwiched between a funeral home and a beauty shop in a poor Detroit neighborhood served as his headquarters. The building’s entrance was adorned with a large sign that improbably boasted “Hitsville U.S.A.” The kitchen served as the control room, the garage became the two-track studio, the living room was reserved for bookkeeping, and sales were handled in the dining room. Soon word spread that any youngster with a streak of talent should visit the only record label that Detroit had seen in years. The company’s name was Motown. Motown cuts through decades of unsubstantiated rumors and speculation to tell the true behind-the-scenes narrative of America’s most exciting musical dynasty. It follows the company and its amazing roster of stars from the tumultuous growth years in Detroit, to the drama and intrigue of Hollywood in the 1970s, to resurgence in 2002. Set against the civil rights movement, the decay of America’s northern industrial cities, and the social upheaval of the 1960s, Motown is a tale of the incredible entrepreneurship of Berry Gordy. But it also features the moving stories of kids from Detroit’s inner-city projects who achieved remarkable success and then, in many cases, found themselves fighting the demons that so often come with stardom—drugs, jealousy, sexual indulgence, greed, and uncontrollable ambition. Motown features an extraordinary cast of characters, including Diana Ross, Michael Jackson, Marvin Gaye, Smokey Robinson, and Stevie Wonder. They are presented as they lived and worked: a clan of friends, lovers, competitors, and sometimes vicious foes. Motown reveals how the hopes and dreams of each affected the lives of the others and illustrates why this singular story is a made-in-America Greek tragedy, the rise and fall of a supremely talented yet completely dysfunctional extended family. Based on numerous original interviews and extensive documentation, Motown benefits particularly from the thousands of pages of files crammed into the basement of downtown Detroit’s Wayne County Courthouse. Those court records provide the unofficial—and hitherto largely untold—history of Motown and its stars, since almost every relationship between departing singers, songwriters, producers, and the label ended up in litigation. From its peaks in the late 1960s and early 1970s, when Motown controlled the pop charts and its stars were sought after even by the Beatles, through the inexorable slide caused by their failure to handle their stardom, Motown is a riveting and troubling look inside a music label that provided the unofficial soundtrack to an entire generation.
Pam Cook's study of the star persona of Nicole Kidman traces Kidman's career trajectory through an examination of her (sometimes controversial) film choices and places her in the context of a globalised media and celebrity culture.
Our world and our churches are neither sinful nor lost, they are dead. This dead world is the one that God engages and into which Jesus invaded with a radically different vision of life. In this groundbreaking work, based on his 211 Yale Beecher lectures, Brian K. Blount helps preachers effectively proclaim resurrection in a world consumed by death. Recognizing that both popular culture and popular Christianity are mesmerized by death and dying, Blount offers an alternative apocalyptic vision for our time--one that starts with a clear vision of life that obliterates death and reveals life's essence. Blount explores the portrait and meaning of resurrection through the New Testament (the Book of Revelation, the letters of Paul, and the Gospel of Mark) and explores how to biblically and theologically reconfigure apocalyptic preaching for today. With three illustrative sermons, this book is an ideal resource to help preachers proclaim the power of resurrection.
One of early baseball's most popular celebrities, Arlie Latham played for the St. Louis Browns in the 1880s. A brainy hitter and base-runner, he was also the sport's brashest, funniest player, his "fresh" personality bringing him as much trouble as reward. He played with the 19th century's greatest names, and was friends with everyone from King Kelly to King George V. He parlayed his stardom into a vaudeville career and the first official major league coaching job. In his fifties he carried the game he loved into world war to cheer Allied troops and in his seventies went to work for the Yankees. Arlie Latham's baseball odyssey is made more compelling by the parade of players, gamblers, boxers, actors, women and mascots that passes through it, providing a unique glimpse into America's game and the people who loved it.
