This book discusses the selection, evaluation, and purchase of furniture and equipment for libraries. It examines the arrangement of the interior to update and illuminate earlier writings, and helps those spending even small amounts for library furniture and equipment to do so more wisely.
The life expectancy of a typical library is 20 or so years. This useful life can be greatly extended, however, with extensive planning and an informed choice of versatile, adaptable furnishings. Everything you need to know to accomplish this feat can be found within the pages of this volume. Professional, experienced advice and suggestions take the library designer through the entire design process. This book provides a plethora of information from the planning stages through the finished media center—to allow any librarian or architect to make informed, cost-effective decisions. The work begins with the creation of the development team, explains terminology employed by furniture manufacturers and the conventions used for furnishing measurements. Topics covered include the installation of adequate (and stable) shelving; user-friendly seating arrangements; and plans for satisfying ever-increasing technological requirements. Appendices contain a number of checklists covering such areas as the tasks and responsibilities of the development team; evaluations of various work stations and seating options; ADA surveys; and electronic planning. Detailed diagrams and photographs from completed designs are also included. From colors to work spaces and furniture composition, Tish Murphy’s twenty years of experience in the field provides the reader with firsthand knowledge regarding what works and what doesn’t in the world of library furnishings.
A library interior design guide for architects, designers, and library planners that addresses the functionality needs of staff and design appeal for different age groups, covering signage, traffic, furnishings, materials, colors, lighting, and acoustics.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
It is true that book always enjoys more attention than its faithful supporter-bookshelf. This book, however, is a tribute to this essential piece of furniture in our life, presenting creative bookshelf designs from around the globe which would provide fresh ideas for readers. An illustrated foldout was carefully made to introduce a brief historical development of bookshelf
In many different parts of the world modern furniture elements have served as material expressions of power in the post-war era. They were often meant to express an international and in some respects apolitical modern language, but when placed in a sensitive setting or a meaningful architectural context, they were highly capable of negotiating or manipulating ideological messages. The agency of modern furniture was often less overt than that of political slogans or statements, but as the chapters in this book reveal, it had the potential of becoming a persuasive and malleable ally in very diverse politically charged arenas, including embassies, governmental ministries, showrooms, exhibitions, design schools, libraries, museums and even prisons. This collection of chapters examines the consolidating as well as the disrupting force of modern furniture in the global context between 1945 and the mid-1970s. The volume shows that key to understanding this phenomenon is the study of the national as well as transnational systems through which it was launched, promoted and received. While some chapters squarely focus on individual furniture elements as vehicles communicating political and social meaning, others consider the role of furniture within potent sites that demand careful negotiation, whether between governments, cultures, or buyer and seller. In doing so, the book explicitly engages different scholarly fields: design history, history of interior architecture, architectural history, cultural history, diplomatic and political history, postcolonial studies, tourism studies, material culture studies, furniture history, and heritage and preservation studies. Taken together, the narratives and case studies compiled in this volume offer a better understanding of the political agency of post-war modern furniture in its original historical context. At the same time, they will enrich current debates on reuse, relocation or reproduction of some of these elements.