A gritty collection of 35 stories, written with raw emotion and cool melancholy, told in a compelling narrative voice that will make you smile as it breaks your heart, FUNERALS FOR FRIENDS explores the extraordinary details of ordinary lives. A sobering downhill ride throughlove and loss, these exciting stories take place in the home, in the office, on the street corner, and within the often disturbing relationships between men and women. But more important, these stories come from a place within the heart that is familiar to all. From the author of Burning In The Heat and Other Stories.
There’s a certain kind of lost a boy feels in this world without a father. Tim felt it. I felt it. And we realized our only way out would be together. In an openhearted memoir of faith on the fringe, Roger Thompson meditates on the life and premature death of his best friend and business partner, Tim Garrety, cofounder of Skate Street Ventura. Roger and Tim’s twenty-year friendship was forged in the surf and on the streets of 1980s California. Together they hazarded countless waves and every rite of passage—from guitars to girls to God—and influenced the lives of thousands of skateboarders, musicians, surfers, and otherwise disconnected youth in the process. With unrestrained honesty and a punk-rock soundtrack, My Best Friend’s Funeral is a memoir of friendship, doubt, surfing, and the complex relationships between fathers and sons. If life has ever left you feeling abandoned—or if you simply prefer a rock show to a sermon—My Best Friend’s Funeral is a memoir you won’t want to miss, and a confirmation that you are never alone.
Amy Grimes never had any intention of settling down with just one guy. She’s more than happy on her own making six figures as an IT manager, traveling to exotic locales, and keeping her home exactly as she wants it. Her childhood best friend, country boy Owen Durant, feels the same way and has no desire to date just one woman in particular. Even though these platonic friends have harbored a mutual attraction for years, both of them have resisted the urge to explore how they felt about each other. Until now. When Owen’s wealthy, conservative uncle unexpectedly dies, the reading of the will puts him in a predicament — he must forfeit his portion of the inheritance, or find a fiancée, and fast. Owen has no interest in getting married for real, but he also can’t let the prospect of free money get away from him over something as trivial as paperwork. With some fast talk and the promise of a share in the inheritance, Amy readily agrees to travel to their hometown to pose as Owen’s funeral date and fake wife for the weekend. Even though it's just a business transaction, Amy realizes that being in constant close quarters with her long-time best friend and crush and pretending to be married is a little more than she can bear, and they soon find themselves cracking under the pressure. It’s going to take a miracle for them to make it through the funeral and beyond without blowing their cover or catching feelings in this friends-to-lovers romcom!
“You’re safe, Stride. I found the body at the Deeps. I buried him.” Jonathan Stride’s best friend, Steve Garske, makes a shocking deathbed confession: he protected Stride by covering up a murder. Hours later, the police dig up Steve’s yard and find a body with a bullet hole in its skull. Stride is pretty sure he knows who it is. Seven years ago, an out-of-town reporter disappeared while investigating anonymous allegations of rape against a prominent politician. Back then, the police believed that the reporter drowned at a dangerous swimming hole called the Deeps ... but the discovery of the body changes everything. Now Stride’s partner, Maggie Bei, is forced to ask Stride an uncomfortable question: Did you kill him? Stride is obviously hiding things. He was the last person to see the reporter alive. And he admits lying to Maggie about that meeting, but won’t tell her why. With suspicion in the murder pointing at him, Stride finds himself off the case and on leave from the Duluth Police. His only ally in clearing his name is his wife, Serena, who retraces the reporter’s investigation into the explosive allegations. The clues all point to a hot Duluth summer years earlier that everyone in town would prefer to forget. Someone was willing to kill rather than let those long-ago secrets come out, and the suspect with the strongest motive ... is Stride.
Beck Wyatt has always hated her mother-enough to kill her. As luck would have it, someone beats her to murdering Mommy Dearest and now Beck gets to plan the tackiest funeral the world has ever seen for the worst woman she's ever known.But first, Beck has a few minor problems to deal with. First on the list? Avoid getting kidnapped. She also has to convince the police she didn't kill her mother. And then there's surviving a death curse ¿.With the help of her three best friends, cheesecake, and a little magic, Beck figures she can handle anything, even the mysterious and irritating Damon Matroviani, whose sexy good-looks light her panties on fire.All too soon, her life is turned inside out, and just when things are looking like they can't get any worse ¿ everything hits the fan.
Dow and Essex tell the true story of lives in Botswana ravaged by AIDS. Witness the actions of community leaders, medical professionals, research scientists, and educators of all types to see how an unprecedented epidemic of death and destruction is being stopped in its tracks.
Death is something we all confront—it touches our families, our homes, our hearts. And yet we have grown used to denying its existence, treating it as an enemy to be beaten back with medical advances.We are living at a unique point in human history. People are living longer than ever, yet the longer we live, the more taboo and alien our mortality becomes. Yet we, and our loved ones, still remain mortal. People today still struggle with this fact, as we have done throughout our entire history. What led us to this point? What drove us to sanitize death and make it foreign and unfamiliar?Schillace shows how talking about death, and the rituals associated with it, can help provide answers. It also brings us closer together—conversation and community are just as important for living as for dying. Some of the stories are strikingly unfamiliar; others are far more familiar than you might suppose. But all reveal much about the present—and about ourselves.
A masterful collection of stories that plumb the depths of everyday life to reveal the shifting tides and hidden undercurrents of ordinary relationships—"a revelation for aficionados of the form, as vibrant and knowing as the best of Hadley's celebrated career." —Washington Post “Hadley is pure magic and After the Funeral is a triumph.”—Lily King, New York Times best-selling author of Writers & Lovers and Euphoria “Hadley brings her eloquent prose and her psychological acuity to the relationships—between siblings, friends, lovers, parents, and children—that shape us and change us, that call into question our view of ourselves and our place in the world.” —The New Yorker In each of these twelve stories, small events have huge consequences. Heloise’s father died in a car crash when she was a little girl; at a dinner party in her forties, she meets someone connected to that long-ago tragedy. Two estranged sisters cross paths at a posh hotel and pretend not to recognize each other. Janie’s bohemian mother plans to marry a man close to Janie’s own age—everything changes when an accident interrupts the wedding party. A daughter caring for her elderly mother during the pandemic becomes obsessed with the woman next door; in the wake of his best friend’s death, a man must reassess his affair with the friend’s wife. Cecilia, a teenager, wakes one morning in Florence on vacation with her parents and sees them for the first time through disenchanted eyes. As psychologically astute as they are emotionally rich, these stories illuminate the enduring conflicts between responsibility and freedom, power and desire, convention and subversion, reality and dreams. A vital addition to Tessa Hadley’s celebrated body of work, After the Funeral and Other Stories showcases what Colm Tóibín describes as "Tessa Hadley's extraordinary skill at making both surface life and deep interiors come fully alive."
This is a wide-ranging yet incisive text on 'religion from below' by an anthropologist, based on many years of field-work in Borneo and Australia and current teaching in practical theology and religious studies. It argues that rural Lutherans in Australia, and rural Anglicans, Muslims and local religionists in Malaysia, whose views form the core of the book, discern their religious identity primarily in terms of their food, friends and partners and funeral practices, and only secondarily - if at all - in terms of belief and doctrine. It also critiques ego-centred and ethnocentred approaches to religion too often apparent in religious studies and missiology.
