Fugue in the Sixteenth Century

Fugue in the Sixteenth Century

Author: Paul Walker

Publisher: Oxford University Press, USA

Published: 2020-11-25

Total Pages: 385

ISBN-13: 0190056193

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Examining the roots of the classical fugue and the early history of non-canonic fugal writing, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period: motet, ricercar, and canonza. The volume treats each genre in turn, tracing the fugue's development throughout the century and highlighting important moments and trends along the way. Taking a two-tiered approach, Walker, on one level, examines fugue from the perspective of contemporary musicians, and on another level, takes into account fugue's later history and the elements that came to play a significant role in its formation. Walker is the first scholar to successfully tie together the various strands of the "pre-Bach fugue" thanks to the growing availability of editions of the repertories involved. He also takes account of recent work elucidating the change in compositional approach around 1500 from a basis in cantus firmus and canon to one favoring non-canonical, fugal imitation. Featuring well-chosen musical examples to illustrate the compositional developments of the sixteenth century, Fugue in the Sixteenth Century is a definitive study for both specialist musicologists and organists and harpsichordists alike.


The Study of Fugue

The Study of Fugue

Author: Alfred Mann

Publisher: Courier Corporation

Published: 2012-11-20

Total Pages: 369

ISBN-13: 0486171345

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Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.


The Art of Fugue

The Art of Fugue

Author: Joseph Kerman

Publisher: Univ of California Press

Published: 2015-06-23

Total Pages: 193

ISBN-13: 0520962591

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A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier—C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on "Jesus Christus unser Heiland," BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.


A Passion for Symphonies: Robert Simpson (1921-1997)

A Passion for Symphonies: Robert Simpson (1921-1997)

Author: Lionel Pike

Publisher: Austin Macauley Publishers

Published: 2024-06-21

Total Pages: 348

ISBN-13: 1528966279

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This is the first full-length study of the symphonies of Robert Simpson to be offered to the general public. Simpson is perhaps best known for his BBC work, including the Promenade Concerts and such innovatory radio programmes as The Innocent Ear; but critics have hailed him as one of the finest writers of symphonies of the twentieth century—one who additionally spent a lifetime examining and talking about works of this kind, being particularly interested in the oeuvres of Bruckner, Nielsen and Sibelius. As a result, his compositions provide invaluable case studies for the understanding of this most demanding of compositional forms, as well as being a string of eleven masterpieces spanning the last half of the twentieth century.


The Science and Art of Renaissance Music

The Science and Art of Renaissance Music

Author: James Haar

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 408

ISBN-13: 1400864712

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As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music. In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Style in Piano Playing

Style in Piano Playing

Author: Peter Cooper

Publisher: Alma Books

Published: 2018-01-01

Total Pages: 193

ISBN-13: 0714544906

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Renowned for its versatility, the piano has played a majorrole both in musical development and in the shaping ofpublic taste. Throughout its history it has always remainedat the centre of the music scene as the composer's tool, thevirtuoso's partner and the accompanist's mainstay.Style in Piano Playing is a book not only about the piano,its uses and performers, but also about the music writtenfor the piano. In it, the author shows how the great pianistsof the past built their programmes, tells of how they werereceived and takes a critical look at the history of musicaltaste.


Study of Counterpoint

Study of Counterpoint

Author: Johann Fux

Publisher: W. W. Norton & Company

Published: 1965

Total Pages: 164

ISBN-13: 9780393002775

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The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.


James Joyce and Absolute Music

James Joyce and Absolute Music

Author: Michelle Witen

Publisher: Bloomsbury Publishing

Published: 2018-02-22

Total Pages: 315

ISBN-13: 1350014230

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Drawing on draft manuscripts and other archival material, James Joyce and Absolute Music, explores Joyce's deep engagement with musical structure, and his participation in the growing modernist discourse surrounding 19th-century musical forms. Michelle Witen examines Joyce's claim of having structured the “Sirens” episode of his masterpiece, Ulysses, as a fuga per canonem, and his changing musical project from his early works, such as Dubliners and A Portrait of the Artist as a Young Man. Informed by a deep understanding of music theory and history, the book goes on to consider the “pure music” of Joyce's final work, Finnegans Wake. Demonstrating the importance of music to Joyce, this ground-breaking study reveals new depths to this enduring body of work.