Baudelaire's Argot Plastique

Baudelaire's Argot Plastique

Author: Ainslie Armstrong McLees

Publisher: University of Georgia Press

Published: 2010-03-01

Total Pages: 218

ISBN-13: 0820334863

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Exploring the poet's fascination with the affective power of caricature, Baudelaire's “Argot Plastique” charts the movement in Baudelaire's poetry toward a language of visual distortion. McLees demonstrates that caricature, graphically and culturally a vehicle of sharp wit and social commentary, became in Baudelaire's works a poetic expression of the human condition itself. Using its capacity for deflating commentary to subvert the poetic conventions of his age, transferring its range of subjects into a poetry that celebrated the underclass, Baudelaire ultimately focused the lens of poetic caricature on the relation of subject, artist, and viewer. Richly illustrated with lithographs, etchings, and drawings by Goya, Daumier, Grandville, Gavarni, and other caricaturists, Baudelaire's “Argot Plastique” reveals the importance of caricature as a model for Baudelaire's poetry.


Goya, an account of his life and works

Goya, an account of his life and works

Author: Albert Frederick Calvert

Publisher: DigiCat

Published: 2022-06-13

Total Pages: 534

ISBN-13:

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This book is a biography and a showcase of the work of Francisco José de Goya y Lucientes, a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters.


Van Dyck, Rembrandt, and the Portrait Print

Van Dyck, Rembrandt, and the Portrait Print

Author: Victoria Sancho Lobis

Publisher: Yale University Press

Published: 2016-01-01

Total Pages: 109

ISBN-13: 0300218826

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In the last decade of his life, Anthony van Dyck (1599-1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the Iconography, he portrayed artists alongside kings, courtiers, and diplomats--a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era--particularly Rembrandt--this catalogue traces the artist's influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries--including Albrecht Dürer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine--the book demonstrates the indelible mark that Van Dyck left on the genre.


Goya

Goya

Author: Janis Tomlinson

Publisher: Princeton University Press

Published: 2022-06-14

Total Pages: 424

ISBN-13: 0691234124

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The first major English-language biography of Francisco Goya y Lucientes, who ushered in the modern era The life of Francisco Goya (1746–1828) coincided with an age of transformation in Spanish history that brought upheavals in the country's politics and at the court which Goya served, changes in society, the devastation of the Iberian Peninsula in the war against Napoleon, and an ensuing period of political instability. In this revelatory biography, Janis Tomlinson draws on a wide range of documents—including letters, court papers, and a sketchbook used by Goya in the early years of his career—to provide a nuanced portrait of a complex and multifaceted painter and printmaker, whose art is synonymous with compelling images of the people, events, and social revolution that defined his life and era. Tomlinson challenges the popular image of the artist as an isolated figure obsessed with darkness and death, showing how Goya's likeability and ambition contributed to his success at court, and offering new perspectives on his youth, rich family life, extensive travels, and lifelong friendships. She explores the full breadth of his imagery—from scenes inspired by life in Madrid to visions of worlds without reason, from royal portraits to the atrocities of war. She sheds light on the artist's personal trials, including the deaths of six children and the onset of deafness in middle age, but also reconsiders the conventional interpretation of Goya's late years as a period of disillusion, viewing them instead as years of liberated artistic invention, most famously in the murals on the walls of his country house, popularly known as the "black" paintings. A monumental achievement, Goya: A Portrait of the Artist is the definitive biography of an artist whose faith in his art and his genius inspired paintings, drawings, prints, and frescoes that continue to captivate, challenge, and surprise us two centuries later.


Changing satire

Changing satire

Author: Cecilia Rosengren

Publisher: Manchester University Press

Published: 2022-04-12

Total Pages: 532

ISBN-13: 152614610X

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This edited collection brings together literary scholars and art historians, and maps how satire became a less genre-driven and increasingly visual medium in the seventeenth through the early nineteenth century. Changing satire demonstrates how satire proliferated in various formats, and discusses a wide range of material from canonical authors like Swift to little known manuscript sources and prints. As the book emphasises, satire was a frame of reference for well-known authors and artists ranging from Milton to Bernini and Goya. It was moreover a broad European phenomenon: while the book focuses on English satire, it also considers France, Italy, The Netherlands and Spain, and discusses how satirical texts and artwork could move between countries and languages. In its wide sweep across time and formats, Changing satire brings out the importance that satire had as a transgressor of borders.


Edith Wharton and the Visual Arts

Edith Wharton and the Visual Arts

Author: Emily J. Orlando

Publisher: University of Alabama Press

Published: 2007

Total Pages: 265

ISBN-13: 0817315373

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This work explores Edith Wharton's career-long concern with a 19th-century visual culture that limited female artistic agency and expression. Wharton repeatedly invoked the visual arts as a medium for revealing the ways that women's bodies have been represented (as passive, sexualized, infantalized, sickly, dead). Well-versed in the Italian masters, Wharton made special use of the art of the Pre-Raphaelite Brotherhood, particularly its penchant for producing not portraits of individual women but instead icons onto whose bodies male desire is superimposed.


Memorial Boxes and Guarded Interiors

Memorial Boxes and Guarded Interiors

Author: Gary Totten

Publisher: University of Alabama Press

Published: 2007-05-06

Total Pages: 328

ISBN-13: 0817354190

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American writer Edith Wharton (1862-1937) once wrote in Harper's that she wanted to "penetrate ... the carefully guarded interior[s]" of her past memories and fashion them "into a little memorial like the boxes formed of exotic shells which sailors used to fabricate between voyages." For Totten (English, North Dakota State U.) this statement is a striking reminder of the connections between material objects and cultural meanings in Wharton's life and work. He presents 11 essays that explore these connections in a variety of ways. Topics include critical linkages of Wharton to materiality as a means to keep her outside the canonical, resistance to commodification in The House of Mirth, the creation of the disposable object and Wharton's characters' fears of their disposability, Wharton's ideas about the use of museum space in The Age of Innocence, and the effect of technology on domestic space in The Fruit of the Tree.