"This book was written for the collector of newer sculpture that has been cast and/or fabricated in bronze. Step by step instructions have been given in order to guide the collector through the various steps of maintaining bronze surfaces and their patinas (colorations) for indoor as well as outdoor environments, in order that these surfaces and their existing patinas may be protexcted and enjoyed for many years. This book is not intended as a guide for maintenance of antique bronze sculpture nor those of antiquity."--Page 5
This magnificent work is a summary of 35 years experience as a sculpture caster. An illuminating text combines with 646 color photographs and 78 line drawings of the lost wax (cire perdu) and modern variant of sand casting processes involved in forming metal sculpture, as well as contemporary and historic examples.Metal finishing processes are explored in detail, including an unprecedented 177 patination recipes and working practices. An important addition to libraries of art schools and universities as well as professional and amateur sculptors.
Bronze casting is exciting and versatile: bronze can be poured or shaped to any required form. However, there are few people who understand the full process and this practical book reveals its secrets and celebrates its versatility.
For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction. Power and Pathos is published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016.
This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.
Contemporary Patination, 2nd Edition, is a recipe book for many hot and cold patinas for bronze brass and copper. Instruction and supply lists are provided for buried, fumed, paste, wrapped, multi-layered patinas, hot patinas and cold patinas. Nearly every patina discussed will have an accompanying photograph for visual comparison.There is also instruction to preserve, protect and maintain your artwork and trouble-shooting charts for applying patinas and clear top coats.This is a valuable book for sculptors, architects, metal artists, jewelers, conservators, hobbyists and more.
This is a review of 190 years of literature on copper and its alloys. It integrates information on pigments, corrosion and minerals, and discusses environmental conditions, conservation methods, ancient and historical technologies.
Why is figurative sculpture important? With lush photos and vivid narrative, THE ART OF LIFE explores figurative sculpture from the earliest times to the present. The work of ancient and classical sculptors, along with that of Michelangelo, Bernini, Canova, and Sabin Howard, is showcased. The book also details Sabin Howard's clay-to-bronze process, his philosophy, and his drawings.
A comprehensive guide for sculptors looking to recreate the human body using clay, from the author of The Portrait in Clay In Sculpting the Figure in Clay, acclaimed portrait bust sculptor Peter Rubio teaches a master class in the essentials of figurative sculpture. In this intensive, all-inclusive guide, he introduces students to a natural, straightforward geometry that will help them become masters at forming figures of clay. Rubino’s unique approach utilizes a geometric system consisting of blocks, simple shapes, and guidelines that instruct students in a new and instinctive sculptural style, With these easy-to-follow instructions and informative concepts, students will see figures as the basic shapes beneath the form as well as learn vital approaches such as BLT: Bend, Lean, and Turn, to create evocative expression, and the Three Ps: Position, Proportion, and Plans, for accurate representation. Other topics include: • The Fundamentals of the Clay Torso • Observing the Model • Essential Materials and Tools • Sculpting the Female Torso from the Live Model • Sculpting the Reclining Figure from the Live Model • Sculpting the Hand, Foot, and Lower Arm • Plus Many Photographic Reference Poses for Continued Study This unparalleled resource is the definitive guide to figurative sculpture.
