"From Caspar David Friedrich to Gerhard Richter brings together a select group of paintings from the Galerie Neue Meister in Dresden--one of the most significant collections of German art from 1800 to the present--and new work from the renowned contemporary artist Gerhard Richter."--Page 4 of cover.
"From Caspar David Friedrich to Gerhard Richter brings together a select group of paintings from the Galerie Neue Meister in Dresden--one of the most significant collections of German art from 1800 to the present--and new work from the renowned contemporary artist Gerhard Richter."--Page 4 of cover.
Gerhard Richter is one of the most influential artists of the second half of the 20th century and is still at the forefront of painting today. His painting 'September' is the response to the bombing of the World Trade Centre on September 11, 2001. This book explores the painting and the event itself.
Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post–WWII Germany, in both broad and very personal terms. This handsomely designed book spans the artist’s rich and varied oeuvre from the early 1960s to the present, including photo paintings, portraits, large-scale abstract series, and works on glass. Essays by leading experts on the artist illuminate Richter’s preoccupation with painting in relation to other modes of representation, and emphasize the ongoing importance of the medium’s formal and conceptual possibilities in contemporary art.
By uniquely treating Gerhard Richter?s entire oeuvre as a single subject, Darryn Ansted combines research into Richter?s first art career as a socialist realist with study of his subsequent decisions as a significant contemporary artist. Analysis of Richter?s East German murals, early work, lesser known paintings, and destroyed and unfinished pieces buttress this major re-evaluation of Richter?s other well known but little understood paintings. By placing the reader in the artist?s studio and examining not only the paintings but the fraught and surprising decisions behind their production, Richter?s methodology is deftly revealed here as one of profound yet troubled reflection on the shifting identity, culture and ideology of his period. This rethinking of Richter?s oeuvre is informed by salient analyses of influential theorists, ranging from Theodor Adorno to Slavoj ?i?ek, as throughout, meticulous visual analysis of Richter?s changing aesthetic strategies shows how he persistently attempts to retrace the border between an objective reality structured by ideology and his subjective experience as a contemporary painter in the studio. Its innovative combination of historical accuracy, philosophical depth and astute visual analysis will make this an indispensible guide for both new audiences and established scholars of Richter?s painting.
This fascinating book offers unprecedented insight into artist Gerhard Richter's life and work. From his childhood in Nazi Germany to his time in the West during the turbulent 1960s and '70s, this work presents a complete portrait of the often-reclusive Richter.
The Art of Gerhard Richter: Hermeneutics, Images, Meaning presents the first philosophical investigation of, arguably, one of the most popular and important painters working today, Gerhard Richter. From monochrome painting and photo realism to conceptual art and gesture-expressive painting, Richter has transformed the spectrum of 20th-Century painting. Building upon Gadamer's notion of 'formed images', the book outlines elements of a hermeneutics and a phenomenology of images and paintings. Moreover, the hermeneutic approach to art is combined with the crucial question of how paintings and photographs are related to each other for Richter. The author suggests that paintings “open up” the fixed relation and intentionality of photographs by idealizing and essentializing the content of the photographs. By relying upon a hermeneutical and phenomenological approach, rather than working from abstract theory, The Art of Gerhard Richter provides philosophical insights developed out of Richter's works of art. Uncovering key philosophical aspects of Richter's work, the author's reflections discuss the relation between appearance and essence, the role of faith and hope, the dialectic of distance and nearness, the issues of death and terror, and the role of beauty and landscapes in Richter's paintings.