French and Italian Notebooks ; Tales and Sketches
Author: Nathaniel Hawthorne
Publisher:
Published: 1913
Total Pages: 846
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Nathaniel Hawthorne
Publisher:
Published: 1913
Total Pages: 846
ISBN-13:
DOWNLOAD EBOOKAuthor: Nathaniel Hawthorne
Publisher:
Published: 1872
Total Pages: 322
ISBN-13:
DOWNLOAD EBOOKAuthor: Nathaniel Hawthorne
Publisher: Harvard University Press
Published: 2011-06
Total Pages: 375
ISBN-13: 0674050223
DOWNLOAD EBOOKDark, weird, psychologically complex, Hawthorne’s short fiction continues to fascinate readers. Brenda Wineapple has made a generous selection of Hawthorne’s stories, including some of his best-known tales as well as other, less-often anthologized gems. In her introduction, she explores a writer whose best stories, as Wineapple has elsewhere observed, “penetrate the secret horrors of ordinary life, those interstices in the general routine where suddenly something or someone shifts out of place, changing everything.” The John Harvard Library edition reproduces the authoritative texts of Hawthorne’s stories in The Centenary Edition of the Works of Nathaniel Hawthorne.
Author: Margaret K. Reid
Publisher: Ohio State University Press
Published: 2004
Total Pages: 291
ISBN-13: 0814209475
DOWNLOAD EBOOKCultural Secrets as Narrative Form: Storytelling in Nineteenth-Century America examines the interplay between the familiar and the forgotten in tales of America's first century as a nation. By studying both the common concerns and the rising tensions between the known and the unknown, the told and the untold, this book offers readers new insight into the making of a nation through stories. Here, identity is built not so much through the winnowing competition of perspectives as through the cumulative layering of stories, derived from sources as diverse as rumors circulating in early patriot newspapers and the highest achievements of aesthetic culture. And yet this is not a source study: the interaction of texts is reciprocal, and the texts studied are not simply complementary but often jarring in their interrelations. The result is a new model of just how some of America's central episodes of self-definition -- the Puritan legacy, the Revolutionary War, and the Western frontier -- have achieved near mythic force in the national imagination. The most powerful myths of national identity, this author argues, are not those that erase historical facts but those able to transform such facts into their own deep resources. Book jacket.
Author: Deanna Fernie
Publisher: Routledge
Published: 2016-12-05
Total Pages: 299
ISBN-13: 1351931547
DOWNLOAD EBOOKDeanna Fernie analyzes the significance of sculpture in Hawthorne's fiction through the recurring motif of the fragment in its double guise as ruin and project. Her book casts new light on Hawthorne's memorable ruined and unfinished images, from the rough-hewn figurehead of 'Drowne's Wooden Image' (1844) to the tattered letter 'A' in the unfinished loft of the Custom House in The Scarlet Letter (1850) and the unfinished bust of Donatello in The Marble Faun (1860). Fernie shows how the tension between the formed and unformed enabled Hawthorne to interrogate the origins and the distinctive possibilities of art in America in relation to established European models. At the same time, she suggests that sculpture challenged and provoked Hawthorne's shaping of his own specifically literary art, stimulating him to develop its capacities for expressing irresolution and change. Fernie establishes the intellectual contexts for her study through a discussion of sculpture and fragmentary form as revealed in American, British, and Continental thought. Her book will be an important text not only for American literature scholars but also for anyone interested in British and Continental Romanticism and the intersections of art and literature.
Author: Stendhal
Publisher: Good Press
Published: 2023-12-18
Total Pages: 22274
ISBN-13:
DOWNLOAD EBOOKThe Greatest Works of French Literature: 100+ Novels, Short Stories, Poetry Collections & Plays' represents a comprehensive exploration into the heart and soul of French literary brilliance, spanning several centuries of intellectual and creative thought. This anthology encapsulates the diversity and depth of French literature, covering a gamut of genres from the tragic to the comedic, the romantic to the realist. Significant for its inclusion of a variety of literary styles, this collection brings together the monumental works of renowned authors like Voltaire, Marcel Proust, and Gustave Flaubert, among others, offering readers an unparalleled mosaic of French literary heritage. Each piece, carefully selected for its historical and cultural significance, invites readers into the complexities and beauties of human experience as seen through a distinctly French lens. The contributing authors and editors, hailing from varied backgrounds, epochs, and philosophical inclinations, collectively define and expand the contours of French literature. From the pioneering essays of Jean-Jacques Rousseau to the intricate psychological novels of Marcel Proust, and from the critical social commentaries of Émile Zola to the lyrical beauty of Charles Baudelaire's poetry, this anthology is steeped in the contributions of figures who have been instrumental in inspiring literary and cultural movements such as the Enlightenment, Romanticism, Realism, and the Existentialist movement. The collection stands as a testament to the dynamic dialogues and intersections across different periods, showcasing how these varied voices contribute to a richer, more nuanced understanding of themes such as identity, power, love, and societal change. 'The Greatest Works of French Literature: 100+ Novels, Short Stories, Poetry Collections & Plays' is an indispensable collection for anyone seeking to delve into the vast expanse of French literary tradition. It offers readers a unique opportunity to explore a rich tapestry of thematic and stylistic expressions, fostering a deeper appreciation of the classics while engaging with the evolution of French thought and storytelling. This anthology is not merely an academic resource but a portal to the luminous world of French literature, inviting readers to confront and ponder the universal questions that have perennially captivated the human spirit, all through the distinct and powerful medium of French literary art.
Author: Brenda Wineapple
Publisher: Random House
Published: 2012-01-11
Total Pages: 530
ISBN-13: 0307808661
DOWNLOAD EBOOKHandsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.
Author: Robert K. Martin
Publisher: University of Iowa Press
Published: 2005-04-01
Total Pages: 265
ISBN-13: 1587294044
DOWNLOAD EBOOKFeaturing essays by twelve prominent American literature scholars, Roman Holidaysexplores the tradition of American travel to Italy and makes a significant contribution to the understanding of nineteenth-century American encounters with Italian culture and, more specifically, with Rome. The increase in American travel to Italy during the nineteenth century was partly a product of improved conditions of travel. As suggested in the title, Italy served nineteenth-century writers and artists as a kind of laboratory site for encountering Others and “other” kinds of experience. No doubt Italy offered a place of holiday—a momentary escape from the familiar—but the journey to Rome, a place urging upon the visitor a new and more complex sense of history, also forced a reexamination of oneself and one's identity. Writers and artists found their religious, political, and sexual assumptions challenged. Nathaniel Hawthorne's The Marble Faun has a prominent place in this collection: as Henry James commented in his study of Hawthorne, the book was “part of the intellectual equipment of the Anglo-Saxon visitor to Rome.” The essayists also examine works by James, Fuller, Melville, Douglass, Howells, and other writers as well as such sculptors as Hiram Powers, William Wetmore Story, and Harriet Hosmer. Bringing contemporary concerns about gender, race, and class to bear upon nineteenth-century texts, Roman Holidays is an especially timely contribution to nineteenth-century American studies.
Author: McClurg, Firm, Booksellers, Chicago
Publisher:
Published: 1891
Total Pages: 492
ISBN-13:
DOWNLOAD EBOOKAuthor: David C. Miller
Publisher: Yale University Press
Published: 1993-01-01
Total Pages: 356
ISBN-13: 9780300065145
DOWNLOAD EBOOKThis overview of the "sister arts" of the nineteenth century by younger scholars in art history, literature, and American studies presents a startling array of perspectives on the fundamental role played by images in culture and society. Drawing on the latest thinking about vision and visuality as well as on recent developments in literary theory and cultural studies, the contributors situate paintings, sculpture, monument art, and literary images within a variety of cultural contexts. The volume offers fresh and sometimes extended discussions of single works as well as reevaluations of artistic and literary conventions and analyses of the economic, social, and technological forces that gave them shape and were influenced by them in turn. A wide range of figures are significantly reassessed, including the painters Charles Willson Peale, Washington Allston, Thomas Cole, George Caleb Bingham, Fitz Hugh Lane, and Mary Cassatt, and such writers as James Fenimore Cooper, Nathaniel Hawthorne, Henry David Thoreau, and William Dean Howells. One overarching theme to emerge is the development of an American national subjectivity as it interacted with the transformation of a culture dominated by religious values to one increasingly influenced by commercial imperatives. The essays probe the ways in which artists and writers responded to the changing conditions of the cultural milieu as it was mediated by such factors as class and gender, modes of perception and representation, and conflicting ideals and realities.