Modern Sculpture Reader

Modern Sculpture Reader

Author: Jon Wood

Publisher: Getty Publications

Published: 2012-08-21

Total Pages: 546

ISBN-13: 1606061062

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In many anthologies of art, sculpture is given short shrift in relation to other media, if it is treated at all. Modern Sculpture Reader aims to rectify this situation by presenting a collection of important texts that have defined sculpture’s radically changing status and role since the end of the nineteenth century, a time marked by a general reappraisal of the forms and functions of art. From the rigorously theoretical to the experimental and poetic, Modern Sculpture Reader offers a lively discourse on the medium by a range of artists, writers, critics, and poets—Marcel Duchamp, Louise Bourgeois, Claes Oldenberg, André Breton, Ezra Pound, and Clement Greenberg—in a variety of genres: poems, lectures, transcribed interviews, newspaper and magazine articles, and artists’ statements. These diverse text selections offer valuable insight into the development of the critical language of sculpture and its connections to other media in an era of increasingly conceptual artistic practice. Many of the essays highlight key ongoing concerns such as sculpture’s physical properties and conditions of display, both of which have important implications for the viewer’s tactile and emotional interaction with sculptural works.


The Sculptural Imagination

The Sculptural Imagination

Author: Alex Potts

Publisher: Yale University Press

Published: 2000-01-01

Total Pages: 442

ISBN-13: 9780300088014

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Potts also offers a detailed view of selected iconic works by sculptors ranging from Antonio Canova and Auguste Rodin to Constantin Brancusi, David Smith, Carl Andre, Eva Hesse and Louise Bourgeois - key players in modern thinking about the sculptural. The impact of minimalism features prominently in this discussion, for it disrupted accepted understanding of how a viewer interacts with a work of art, thereby placing the phenomenology of viewing three-dimensional objects for the first time at the center of debate about modern visual art."--Jacket.


Georg Baselitz

Georg Baselitz

Author: Diane Waldman

Publisher: ABRAMS

Published: 1995

Total Pages: 306

ISBN-13:

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By the time Georg Baselitz (b. 1938) came to artistic maturity in Germany in the mid-1960s, he had renounced the gestural abstraction prevalent in Europe and America and developed a new aesthetic based upon the figure and its representation as an abstract image. His bold canvases - which began to feature his signature upside-down figures later in the decade - have brought him international recognition, but only now is his important career the subject of a comprehensive survey, organized by the Guggenheim Museum and traveling to the Los Angeles County Museum of Art; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and the Nationalgalerie, Berlin. This monograph, by Guggenheim Deputy Director and Senior Curator Diane Waldman, documents every phase of the artist's career as a painter and sculptor. New translations of many of Baselitz's writings provide additional insight into his radical use of the figure in painting. A chronology, bibliography, and exhibition history are also included.


Georg Baselitz

Georg Baselitz

Author: Georg Baselitz

Publisher:

Published: 2009

Total Pages: 248

ISBN-13:

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The First Book With All of George Baselitz's Sculptures Georg Baselitz, born Hans-Georg Kern in Deutschbaselitz, Saxony, in 1939, continuously contravenes set categories and regularities in his work. The manifold meanings of his works, the allusions and pictorial references to art history, contemporary history and biography, the ironic distance and the eagerness to experiment emphasize how he ceaselessly rethinks and reinvents his painting. In sculpture, in which Baselitz first began to work in 1979, he fights against harmony and symmetry just as he does in his paintings. Much like the painter Baselitz accords the greatest possible freedom to the individual brushstrokes in his paintings, the sculptor Baselitz works the wood with a chain saw, hatchet and chisel. The raw feats of strength create abrupt lines, notches and incisions in the sculpture. Sculpture, the artist has said, is a shorter path than painting to express the same problem, since sculpture is more primitive, more brutal and more unconditional. The lively evocative power of the creative means is much more directly legible and much less encoded in the medium of sculpture. This volume is a catalogue raisonne documenting all fifty eight scupltures created over the past thirty years, from his first sculpture "Model for a Sculpture"(1979-1980) to his most recent, "Folk Thing Zero"(2009).


Contemporary Sculpture. Projects in Münster, 1997

Contemporary Sculpture. Projects in Münster, 1997

Author: Klaus Bussman

Publisher: Hatje Cantz

Published: 1997

Total Pages: 550

ISBN-13:

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Münster has become one of the most important international showcases of contemporary art. More than 50 artists from all over the world have developed projects for the exhibition. This book provides background information on the works.


Hess Art Collection

Hess Art Collection

Author: Hess Collection

Publisher:

Published: 2009

Total Pages: 380

ISBN-13:

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The Hess Art Collection is one of the world's most distinguished private collections of contemporary art. It was assembled by the Swiss businessman and wine producer Donald M. Hess. The collection unites extraordinary works by numerous artists now known around the world as well as excellent pieces by artists whose names are (as yet) less well known. This mixture is part of the ensemble's particular charm, making a glance through this copiously illustrated catalogue a veritable expedition. Hess's collecting activities primarily focus on the individual work. Accompanied by an unmistakable sense of quality, he judiciously selected the works he acquired over a period of more than forty years. A large part of the collection's holdings is open to the public in the museums of the Hess wineries in Napa, California, Glen Carlou in Paarl, South Africa, and Bodega Colomé in Calchaquí Valley, Argentina. A fourth museum is being planned at the Peter Lehmann Winery in Barossa Valley, Australia.