Frans Floris (1519/20–1570): Imagining a Northern Renaissance
Frans Floris (1519/20–1570): Imagining a Northern Renaissance

Author: Edward H. Wouk

Publisher: BRILL

Published: 2018-03-20

Total Pages: 858

ISBN-13: 9004343253

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Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liège and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris’s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of print.

Frans Floris (1519/20-70)
Frans Floris (1519/20-70)

Author: Edward H. Wouk

Publisher: Brill's Studies in Intellectua

Published: 2018

Total Pages: 808

ISBN-13: 9789004307254

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"A crucial aim of the present study is to consider how Floris, an artist of international renown in his own day, could see his fortunes reversed and end up marginalized by a history he had helped to craft."--Introduction, p. 32.

The Life of Lambert Lombard (1565); and Effigies of Several Famous Painters from the Low Countries (1572)
The Life of Lambert Lombard (1565); and Effigies of Several Famous Painters from the Low Countries (1572)

Author: Dominicus Lampsonius

Publisher: Getty Publications

Published: 2021-11-23

Total Pages: 178

ISBN-13: 1606067400

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Among the earliest written texts on the history and theory of Netherlandish art, these two key writings are now available together in an English translation. Dominicus Lampsonius’s The Life of Lambert Lombard (1565) is the earliest published biography of a Netherlandish artist. This neo-Latin account of the life of the painter, architect, and draftsman Lambert Lombard of Liège offers a theoretical exposition on the nature and ideal practice of Netherlandish art, emphasizing Lombard’s intellectual curiosity, interest in antiquity, attentive study of the human body, and exemplary generosity as a teacher. This volume offers the first English edition of The Life of Lambert Lombard, complemented by a new translation of the inscriptions Lampsonius composed to accompany the Effigies of Several Famous Painters from the Low Countries (1572), a cycle of twenty-three engraved portraits of Netherlandish artists developed in collaboration with the print publisher Hieronymus Cock. Together, The Life of Lambert Lombard and the Effigies established frameworks for a distinctly Netherlandish history of art. Responding to a growing sense of Netherlandish cultural and political identity on the eve of the Dutch Revolt, these texts proposed a critical alternative to Giorgio Vasari’s Lives of the Artists and its Italian model of art historical development, celebrating local ingenuity and skill. They remain the starting point for any history of the northern Renaissance.

Sculpture in Print, 1480–1600
Sculpture in Print, 1480–1600

Author: Anne Bloemacher

Publisher: BRILL

Published: 2021-04-19

Total Pages: 392

ISBN-13: 9004445862

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In this first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print, the essays in this volume reflect the printmakers’ various approaches and challenges of translating antique or contemporary artworks, underlining their highly creative handling.

Pieter Bruegel the Elder
Pieter Bruegel the Elder

Author: Barbara A. Kaminska

Publisher: BRILL

Published: 2019-06-24

Total Pages: 254

ISBN-13: 9004408401

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Barbara Kaminska’s Pieter Bruegel the Elder: Religious Art for the Urban Community is the first book-length study focusing on religious paintings by one of the most captivating Netherlandish artists, long celebrated for his secular imagery. In a period marked by a profound religious, economic, and cultural transformation, Bruegel offered his sophisticated urban audience complex biblical images that required an engaged, active viewing, not only sparking learned dinner conversations, but facilitating the negotiation of values seen as critical to maintaining a harmonious society. By considering the novelty of Bruegel’s panels used in convivia alongside his small, intimate grisaille compositions, this study ultimately shows that Bruegel renewed the idiom of religious painting, successfully preserving its ritualistic and meditative functions.

Ficino and Fantasy
Ficino and Fantasy

Author: Marieke J.E. van den Doel

Publisher: BRILL

Published: 2021-12-13

Total Pages: 390

ISBN-13: 9004459685

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Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? This book starts with an exploration of Ficino’s views on the imagination and discusses whether, how and why these ideas may have been received in Italian Renaissance works of art.

Perfection's Therapy
Perfection's Therapy

Author: Mitchell B. Merback

Publisher: MIT Press

Published: 2018-02-09

Total Pages: 361

ISBN-13: 1935408771

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A deft reinterpretation of the most zealously interpreted picture in the Western canon as a therapeutic artifact. Albrecht Dürer's famous portrayal of creative effort in paralysis, the unsurpassed masterpiece of copperplate engraving titled Melencolia I, has stood for centuries as a pictorial summa of knowledge about the melancholic temperament, a dense allegory of the limits of earthbound arts and sciences and the impossibility of attaining perfection. Dubbed the “image of images” for being the most zealously interpreted picture in the Western canon, Melencolia I also presides over the origins of modern iconology, art history's own science of meaning. Yet we are left with a clutter of mutually contradictory theories, a historiographic ruin that confirms the mood of its object. In Perfection's Therapy, Mitchell Merback reopens the case file and argues for a hidden intentionality in Melencolia's opacity, its structural “chaos,” and its resistance to allegorical closure. That intentionality, he argues, points toward a fascinating possibility never before considered: that Dürer's masterpiece is not only an arresting diagnosis of melancholic distress, but an innovative instrument for its undoing. Merback deftly resituates Dürer's image within the long history of the therapeutic artifact. Placing Dürer's therapeutic project in dialogue with that of humanism's founder, Francesco Petrarch, Merback also unearths Dürer's ambition to act as a physician of the soul. Celebrated as the "Apelles of the black line" in his own day, and ever since as Germany's first Renaissance painter-theorist, the Dürer we encounter here is also the first modern Christian artist, addressing himself to the distress of souls, including his own. Melencolia thus emerges as a key reference point in a venture of spiritual-ethical therapy, a work designed to exercise the mind, restore the body's equilibrium, and help in getting on with the undertaking of perfection.

Netherlandish Culture of the Sixteenth Century
Netherlandish Culture of the Sixteenth Century

Author: Ethan Matt Kavaler

Publisher: Studies in European Urban Hist

Published: 2018-01-31

Total Pages: 404

ISBN-13: 9782503575827

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The authors of this volume examine various fields of cultural discourse in the Netherlands of the sixteenth century: the political, commercial, religious, artistic, and sensory domains, and less obviously metaphysical properties like time and space. What defined the Low Countries were not its borders and its territories but its cities, and their economies dominated political relations. A dense network of large cities and small towns developed hand in hand with a broad range of textile and luxury industries. In Antwerp, culture was commerce: its art and printing industries catered to much of the Western world and, at the same time, carved a confident self-image celebrating the liberal arts as a means of social and self-improvement. Antwerp is omnipresent in this book, with essays on its painting, printing, politics, and public festivals. But other cities such as Bruges, Leuven, and Leiden also figure prominently. It was precisely the interconnectedness of urban centers, large, middle and small, rather than their autonomous character, that defined civic culture in the Low Countries. Among the topics treated are differing notions of urban topography, the dialogue between city and court, issues of censorship, and the sensory and psychological response to texts and images.

Humans and Other Animals
Humans and Other Animals

Author: Eric Jorink

Publisher: Netherlands Yearbook for Histo

Published: 2021

Total Pages: 0

ISBN-13: 9789004504752

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The title of this volume of the NKJ takes cognisance of the cross-disciplinary field of animal studies, which challenges taxonomies that set human beings apart from, and often above or at the centre of, all other living creatures and the broader environment.

The Quest for an Appropriate Past in Literature, Art and Architecture
The Quest for an Appropriate Past in Literature, Art and Architecture

Author:

Publisher: BRILL

Published: 2018-10-16

Total Pages: 818

ISBN-13: 9004378219

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This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.