No, it was not an earthquake that happened in the city of Los Angeles, California, on that beautiful sun-shiny morning. It was just a tow-headed, cross-eyed youth shaking things up at the corner of Sixth and Main in an attempt to find his father. And not one corner of the cross streets was involved, but all four corners. The upheaval that followed this search for a missing relative, extended in several directions, so that a very small cause led up to remarkably large results.
A thorough survey of the origins and development of the major distinct American commercial entertainments that emerged between over the course of the 19th century and into the 20th, including P.T. Barnum_s American Museum, freak show, and circus, as well as blackface minstrelry, Buffalo Bill_s Wild West Show, and vaudeville.
Wine of the Dreamers, a classic science fiction novel from John D. MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook. They are the Watchers: pale laboratory creatures living in a remote, sealed-off world. Their game, their religion, their release is to dream, and their dreams carry across the galaxy to lodge in the minds of the inhabitants of another world: the planet Earth. But as the human race approaches a dream of their own—traveling beyond their own planet to other worlds—the Watchers step in. For escape from Earth is an impossible dream, one that the Watchers will go to any length to destroy. Features a new Introduction by Dean Koontz Praise for John D. MacDonald “The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King “My favorite novelist of all time.”—Dean Koontz “To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut “A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark
Contains the revised contents of Crime Fiction III, continued through 2000. Includes indexes by author, title, series, character, and setting of over 106,000 detective and mystery novels and over 6,600collections. Includes author, title and contents lists of stories in single author collections, chronological list of books and stories, publisher list, and an index of over 4,500 films derived from the books and stories.
"But the point of Burke's work, and the significance of his achievement, is not that he points out that religion and language affect each other, for this has been said before, but that he proceeds to demonstrate how this is so by reference to a specific symbolic context. After a discussion 'On Words and The Word,' he analysess verbal action in St. Augustine's Confessions. He then discusses the first three chapters of Genesis, and ends with a brilliant and profound 'Prologue in Heaven,' an imaginary dialogue between the Lord and Satan in which he proposes that we begin our study of human motives with complex theories of transcendence,' rather than with terminologies developed in the use of simplified laboratory equipment. . . . Burke now feels, after some forty years of search, that he has created a model of the symbolic act which breaks through the rigidities of the 'sacred-secular' dichotomy, and at the same time shows us how we get from secular and sacred realms of action over the bridge of language. . . . Religious systems are systems of action based on communication in society. They are great social dramas which are played out on earth before an ultimate audience, God. But where theology confronts the developed cosmological drama in the 'grand style,' that is, as a fully developed cosmological drama for its religious content, the 'logologer' can be further studied not directly as knowledge but as anecdotes that help reveal for us the quandaries of human governance." --Hugh Dalziel Duncan from Critical Responses to Kenneth Burke, 1924 - 1966, edited by William H. Rueckert (Minneapolis: University of Minnesota Press, 1969).
Describes the manual, Bibliographic Formats and Standards, 2nd. ed., a revised guide to machine-readable cataloging records in the WorldCat. Describes conventions. Describes and provides an example of input standards tables. Addresses revisions of the manual as well as ordering and distribution. Includes acknowledgements. Provides a link to the table of contents.
The writings of twentieth-century thinker Kenneth Burke span seven decades and extend into multiple disciplines. What makes Burke's work so far-reaching in its influence also makes it difficult to define or categorize. This study by C. Allen Carter examines one particular issue of recurring concern for Burke: the tendency of human beings to seek out scapegoats or victims. By demonstrating the centrality of this theme in the entire range of works by Burke, Carter offers a valuable approach to understanding the philosophy as a whole. As Carter explains, scapegoating for Burke is a complex process that is above all language-based. Throughout his career, Burke was preoccupied with the ways recurring patterns in language - most prominently in literature - represent significant patterns of human behavior. And a defining feature of language, Burke argued, is its reliance on moral negatives, or the constant "thou shalt not" commands that govern people's actions and ensure cooperation within a group or society. However, because it is impossible for anybody to abide by all the rules all the time, the result is ubiquitous guilt. Insecure individuals are driven by "hierarchical motives": the urge to raise their own status in the social order by lowering the status of someone else - in other words, to target another individual who will represent the infectious evils from which the group wants to be released. Carter shows how Burke's preoccupation with this universal pattern of human behavior permeated his celebrated analyses of texts, such as the Bible and the Greek tragedies, in which the pattern is clearly exposed.
