"Frank ... Jim Woodring's iconic Frank character as you've never seen him before! Not the flat black and white Frank nor even the glorious full color Frank... No. This is Frank as real as you can get outside of a live ionescoian performance: 27 individual visual tableaux, moments in time (and now 'space') reproduced in the most startlingly volumentric 3D ever printed"--Page 4 of coaver.
In honor of Frank’s 20th anniversary Fantagraphics is re-releasing the massive, long out of print Frank Book omnibus, which collected all the Frank material up to the mid-aughts, including several jaw-droppingly beautiful full-color stories, literally dozens of lushly-delineated black-and-white stories, and a treasure trove of covers and illustrations. The Frank Book also features an introduction by one of Frank’s biggest fans (himself a Frank, or almost): Francis Ford Coppola.
When Pupshaw and Pushpaw depart for the orgiastic delights of Poochytown, the forlorn Frank is thrown by a twist of fate into an unlikely friendship, propelling him down a long road of escapades and trials that ends in one of the most shocking acts ever depicted in the Frank canon.
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
While helping their father on an investigation at a science fiction theme park, Frank and Joe Hardy are horrified when their father is kidnapped, and soon they are drawn into the fight of their lives.
From the New York Times bestselling author and top pollster Dr. Frank Luntz comes an unprecedented examination of communication excellence and how top performers win in all areas of human endeavor by utilizing superb communication skills. From Mike Bloomberg and Arnold Schwarzenegger to business icons Rupert Murdoch, Steve Wynn, and Fred Smith; to the CEOs of MGM Resorts, J. Crew, and Gibson Guitar; to legendary sports superstars like Larry Bird, Jimmy Connors, and Mike Richter; to media legends Roger Ailes, Don Imus, and dozens more, Luntz tells their stories--in their own words--and demonstrates how their style of operation and communication is absolutely essential to their success. Luntz makes it clear that following the rules of effective communication is indispensable in any successful human endeavor. Dr. Luntz offers more than seventy new "words that work" for private one-on-one meetings with your boss, for public presentations to hundreds of colleagues, or for television appearances that reach millions. There are more than three dozen specific lessons and recommendations--and each one directly illustrates the nine essential action-oriented principles of winning at every level: People-Centered, Paradigm-Breaking, Prioritizing, Perfection, Partnerships, Passion, Persuasion, Persistence, and Principled Actions. Do you have what it takes Win is an unprecedented examination of the art, science, and language of winning, and a must-have for people who want to understand and emulate the winners of today. THE DEFINITION OF WINNING The ability to grasp the human dimension of every situation The ability to know what questions to ask and when to ask them The ability to see the challenge, and the solution, from every angle The ability to communicate their vision passionately and persuasively The ability to connect with others and create an enduring chemistry and 10 other universal attributes of winners.
A pioneering examination of the three-dimensionality of the earth from the perspective of history and the humanities. This book considers the variegated world of mountains and their development during the last 500 years. It takes as its starting point the United Nations environmental conference of 1992 in Rio de Janeiro, where the mountains were officially recognised as a topic of the world community. Important precedents for this new agenda were built in the early modern period and in the nineteenth century, as European societies began to exceed their traditional limitations. The book begins with an investigation of this long-term process with respect to science, culture and politics, each of which has transformed our attitudes toward mountainous regions. It then takes up historical problems that have been debated in the latest research, placing them in a comparative framework. At the book's heart stands the question of whether and in what way the 'three-dimensional history' of mountain people may reveal distinctive forms of development.
A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching.
3D echocardiography is an ultrasound technique allowing cardiographers to see three-dimensional images of the heart in real time, rather than the traditional two-dimensional images. This allows more accurate assessment and management of valvular and congenital heart disease. This manual is a concise guide to 3D echocardiography. Beginning with an introduction to the technique, the following chapters discuss its use in the evaluation of different heart conditions. With more than 160 colour images and illustrations, including 3D echo clippings presented in atlas format, this manual also includes a free DVD introducing 3D echocardiography and illustrating its techniques. Key points Concise guide to 3D echocardiography and its techniques Discusses its use in evaluating different types of heart disease Includes free DVD illustrating techniques More than 160 colour images and illustrations Features 3D echo clippings in atlas format
Speculation abounds about the relationship between Frank Lloyd Wright and Ayn Rand. Was Wright the inspiration for Howard Roark, the architect hero of Rand's The Fountainhead? What can be made of their collaboration on the book's failed 1944 movie adaptation, and what can be gleaned from the 1949 Hollywood production of The Fountainhead? Where does the FBI--Wright was dubbed a communist sympathizer, and Rand was called before the House Un-American Activities Committee--fit into the story? Art, architecture, philosophy, film and politics come together in this exploration, which relies on the writings of Wright and Rand, FBI files, visual evidence and more to cement their connection. Chapters are devoted to Wright and Rand, the two together, their parts in both the failed production of The Fountainhead and the successful one, and the effect FBI harassment had on the movie and on their lives. Subsequent chapters discuss Wright's place as a Hollywood architect, and offer telling set designs and architectural images from the 1949 production of The Fountainhead. Several appendices supplement the illustrated text, and there is a filmography of movies mentioned in the book. A bibliography and index are also included.
