Frank Hurley's Papua New Guinea photographs, taken on expeditions along the Papua coast and hinterland between 1920 and 1923, provided for the world a unique record of a way of life unhindered by the white man's civilisation.
Hurley's Australia showcases his impressive visual celebration of Australia in the period immediately after the Second World War. In his mission to capture Australia for Australians he travelled throughout the country photographing its vast landscape, its modern cities, its industrial strength and its agricultural riches. The vision he created captures, the essence of a younger, more innocent nation.
This is the first illustrated edition of the diaries kept by Australian-born photographer and film maker Frank Hurley about his work on the Mawson and Shackleton Antarctic Expeditions, his two expeditions to Papua in the 1920s, and his experiences during the First and Second World Wars. While Hurley is best known today as a photographer and film maker, there is another source, so far little known to the public, which also gives us a startling sense of the presence of the past – his voluminous manuscript diaries, which have survived years of world travel and are now carefully preserved in the archives of the National Library of Australia in Canberra and the Mitchell Library in Sydney. This illustrated edition of his diaries presents Frank Hurley in his own words, explores his testimony to these significant events, and reviews the part he played in imagining them for an international public.
The definitive collection of Frank Hurley's amazing photos from Shackleton's Antarctic expedition is the first book to reproduce all the surviving expedition photos, some of which have never been published. Over 450 photos.
Photographer, filmmaker, writer, adventurer. Controversial, passionate, audacious. Frank Hurley was an extraordinary Australian, possibly most famous for his Antarctic photographs captured alongside expeditioners Sir Douglas Mawson and Sir Ernest Shackleton. From the early twentieth century until his death in 1962 Hurley created a stunning visual archive that chronicled the major events of the twentieth century, and Australia's achievements both home and overseas. This book and the Hurley Collection in the National Library of Australia make clear this outstanding contribution and the lengths to which the man would go in order to convey the gravity of events. For Hurley, image-making and exploration went hand-in-hand and he sought out experiences as a pioneer documentary film-maker, official photographer in two world wars, early aviator, and adventure and story-seeker in both the natural environment and in rapidly disappearing non-western worlds. In this readable, definitive and wonderfully illustrated re-issued biography, Alasdair McGregor describes Hurley's life and character in all its richness.
Life on the frontier suggests excitement, danger, and heroism, not to mention backbreaking labor. All these aspects of exploring the unknown enliven Ethnographic Presents, where the frontier is the Highlands region of what is now Papua New Guinea - a part of the world largely unseen by Westerners as late as 1950. In the next five years a dozen or so pioneering anthropologists followed closely on the heels of "first contact" patrols. Their innovative fieldwork is well documented, and now, in an autobiographical collection that is intimate and richly detailed, we learn what these ethnographers experienced: what being on the frontier was like for them. The anthropologists featured in these seven new essays are Catherine H. Berndt, Ronald M. Berndt, Reo Fortune (by Ann McLean), Robert M. Glasse, Marie Reay, D'Arcy Ryan, and James B. Watson. Their pioneering ethnographic adventures are put in historical context by Terence Hays, and a concluding essay by Andrew Strathern points out that this early work among the peoples of the Central Highlands not only influenced all subsequent understanding of Highland cultures but also had a profound impact on the field of anthropology.
The natural resources of New Guinea and nearby islands have attracted outsiders for at least 5000 years: spices, aromatic woods and barks, resins, plumes, sea slugs, shells and pearls all brought traders from distant markets. Among the most sought-after was the bird of paradise. Their magnificent plumes bedecked the hats of fashion-conscious women in Europe and America, provided regalia for the Kings of Nepal, and decorated the headdresses of Janissaries of the Ottoman Empire. Plumes from Paradise tells the story of this interaction, and of the economic, political, social and cultural consequence for the island's inhabitants. It traces 400 years of economic and political history, culminating in the 'plume boom' of the early part of the 20th century, when an unprecedented number of outsiders flocked to the island's coasts and hinterlands. The story teems with the variety of people involved: New Guineans, Indonesians, Chinese, Europeans, hunters, traders, natural historians and their collectors, officials, missionaries, planters, miners, adventurers of every kind. In the wings were the conservationists, whose efforts brought the slaughter of the plume boom to an end and ushered in an era of comparative isolation for the island that lasted until World War II.