American Vision
Author: Raymond Carney
Publisher: CUP Archive
Published: 1986-10-31
Total Pages: 536
ISBN-13: 9780521326193
DOWNLOAD EBOOKProfessor Carney analyses Frank Capra's life as well as the broad cultural context of his films.
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Author: Raymond Carney
Publisher: CUP Archive
Published: 1986-10-31
Total Pages: 536
ISBN-13: 9780521326193
DOWNLOAD EBOOKProfessor Carney analyses Frank Capra's life as well as the broad cultural context of his films.
Author: Joseph McBride
Publisher: Univ. Press of Mississippi
Published: 2011-06-02
Total Pages: 825
ISBN-13: 1604738391
DOWNLOAD EBOOKMoviegoers often assume Frank Capra's life resembled his beloved films (such as Mr. Smith Goes to Washington and It's a Wonderful Life). A man of the people faces tremendous odds and, by doing the right thing, triumphs! But as Joseph McBride reveals in this meticulously researched, definitive biography, the reality was far more complex, a true American tragedy. Using newly declassified U.S. government documents about Capra's response to being considered a possible “subversive” during the post-World War II Red Scare, McBride adds a final chapter to his unforgettable portrait of the man who gave us It Happened One Night, Mr. Deeds Goes to Town, and Meet John Doe.
Author: Eric Loren Smoodin
Publisher: Duke University Press
Published: 2004
Total Pages: 318
ISBN-13: 9780822333944
DOWNLOAD EBOOKFrom feature films to television production.
Author: Frank Capra
Publisher:
Published: 2019-12-10
Total Pages:
ISBN-13: 9781644280034
DOWNLOAD EBOOKAuthor: Robert Sklar
Publisher: Temple University Press
Published:
Total Pages: 314
ISBN-13: 9781439904893
DOWNLOAD EBOOKFrank Capra's films have had a lasting impact on American culture. His powerful depiction of American values, myths, and ideals was central to such famous Hollywood films asIt Happened One Night, Mr. Smith Goes to Washington, and It's a Wonderful Life.These pre-war films are remembered for their depiction of an individual's overcoming adversity, populist politics, and an unflappable optimist view of life. This collection of nine essays by leading international film historians analyzes Capra's filmmaking during his most prolific period, from 1928 to 1939, taking a closer look at the more complex aspects of his work. They trace his struggles for autonomy against Columbia Pictures head Harry Cohn, his reputation as an auteur, and the ways in which working within studio modes of production may have enhanced the director's strengths. The contributors also place their critiques within the context of the changing fortunes of the Hollywood studio system, the impact of the Depression, and Capra's working relationships with other studio staff and directors. The contributors' access to nineteen newly restored Capra films made at Columbia during this period fills this collection with some of the most comprehensive critiques available on the director's early body of work. Author note:Robert Sklar, Professor of Cinema at New York University, is the co-editor (with Charles Musser) ofResisting Images: Essays on Cinema and History(Temple), and the author of numerous books on film, includingMovie-Made America: A Cultural History of American Movies, City Boys: Cagney, Bogart, and Garfield, andFilm: An International History of the Mediumwinner of the Kraszna-Krausz Book Award.Vito Zagarrioteaches film history at the University of Florence and film analysis at the University of Rome III, Italy.
Author: Magdalena Grabias-Zurek
Publisher: Cambridge Scholars Publishing
Published: 2013-07-26
Total Pages: 230
ISBN-13: 1443850950
DOWNLOAD EBOOKSongs of Innocence and Experience: Romance in the Cinema of Frank Capra is a study of the director’s chosen movies from the perspective of three types of comedies: paradisal, purgatorial and infernal, as assigned by Dante in his Divine Comedy. Magdalena Grabias views Capra’s films in two broader categories of “innocence” and “experience,” where “innocence” represents Dantean paradisal level, and “experience” combines the levels of purgatory and inferno. Such a division constitutes the means to interpret Capra’s filmic universe and to describe the ever-evolving directorial vision of Frank Capra. The main purpose of the book is to demonstrate how, in the light of the theory of literary romance as presented by Northrop Frye in his seminal works concerning the subject, the films of Frank Capra fit into the genre of romance. Romantic elements in Frank Capra’s movies can be found in both “innocence” and “experience” categories and, hence, consequently in his paradisal, purgatorial and infernal comedies. However, in both categories, and all three comedy types, the romantic reality of each examined film is structured and developed in a different manner. The book offers an insight into Frank Capra’s films and the complex process of creating his multidimensional romantic universe within them.
Author: Leland Poague
Publisher: Cambridge University Press
Published: 1994
Total Pages: 312
ISBN-13: 0521380669
DOWNLOAD EBOOKAnother Frank Capra offers a new interpretation of the great Hollywood director beyond the patriotic sentimentalist or the cynical opportunist that he has been taken for. Often cast as a cinematic simpleton or primitive, Capra's exploitation of the stylistic and narrative resources of cinema was, in fact, extremely self-conscious and adventurous in ways typical of artistic modernism. His modernism is also evident in his repeated and strong identification with female characters. Informed by recent work in genre theory and feminist psychology, Another Frank Capra shows Capra to be a 'proto-feminist' director whose feminism has been entirely neglected by previous critics.
Author: Frank Capra
Publisher: Da Capo Press
Published: 1997-03-22
Total Pages: 534
ISBN-13: 9780306807718
DOWNLOAD EBOOKAlthough Frank Capra (1897–1991) is best known as the director of It Happened One Night, Mr. Deeds Goes to Town, You Can't Take It with You, Mr. Smith Goes to Washington, Arsenic and Old Lace, and It's a Wonderful Life, he was also an award-winning documentary filmmaker as well as a behind-the-scene force in the Director's Guild, the Motion Picture Academy, and the Producer's Guild. He worked with or knew socially everyone in the movie business from Mack Sennett, Chaplin, and Keaton in the silent era through the illustrious names of the golden age. He directed Clark Gable, Jimmy Stewart, Cary Grant, Gary Cooper, Bing Crosby, Frank Sinatra, Jean Harlow, Claudette Colbert, Bette Davis, and others. Reading his autobiography is like having Capra sitting in your living room, regaling you with his anecdotes. In The Name Above the Title he reveals the deeply personal story of how, despite winning six Academy Awards, he struggled throughout his life against the glamors, vagaries, and frustrations of Hollywood for the creative freedom to make some of the most memorable films of all time.
Author: Victoria Riskin
Publisher: Pantheon
Published: 2019-02-26
Total Pages: 416
ISBN-13: 1524747297
DOWNLOAD EBOOKFinalist for the Los Angeles Times Book Prize (Biography) A Hollywood love story, a Hollywood memoir, a dual biography of two of Hollywood’s most famous figures, whose golden lives were lived at the center of Hollywood’s golden age, written by their daughter, an acclaimed writer and producer. Fay Wray was most famous as the woman—the blonde in a diaphanous gown—who captured the heart of the mighty King Kong, the twenty-five-foot, sixty-ton gorilla, as he placed her, nestled in his eight-foot hand, on the ledge of the 102-story Empire State Building, putting Wray at the height of New York’s skyline and cinematic immortality. Wray starred in more than 120 pictures opposite Hollywood's biggest stars—Spencer Tracy, Gary Cooper (The Legion of the Condemned, The First Kiss, The Texan, One Sunday Afternoon), Clark Gable, William Powell, and Charles Boyer; from cowboy stars Hoot Gibson and Art Accord to Ronald Colman (The Unholy Garden), Claude Rains, Ralph Richardson, and Melvyn Douglas. She was directed by the masters of the age, from Fred Niblo, Erich von Stroheim (The Wedding March), and Mauritz Stiller (The Street of Sin) to Leo McCarey, William Wyler, Gregory La Cava, “Wild Bill” William Wellman, Merian C. Cooper (The Four Feathers, King Kong), Josef von Sternberg (Thunderbolt), Dorothy Arzner (Behind the Make-Up), Frank Capra (Dirigible), Michael Curtiz (Doctor X), Raoul Walsh (The Bowery), and Vincente Minnelli. The book’s—and Wray’s—counterpart: Robert Riskin, considered one of the greatest screenwriters of all time. Academy Award–winning writer (nominated for five), producer, ten-year-long collaborator with Frank Capra on such pictures as American Madness, It Happened One Night, Mr. Deeds Goes to Town, Lost Horizon, and Meet John Doe, hailed by many, among them F. Scott Fitzgerald, as “among the best screenwriters in the business.” Riskin wrote women characters who were smart, ornery, sexy, always resilient, as he perfected what took full shape in It Happened One Night, the Riskin character, male or female—breezy, self-made, streetwise, optimistic, with a sense of humor that is subtle and sure. Fay Wray and Robert Riskin lived large lives, finding each other after establishing their artistic selves and after each had had many romantic attachments—Wray, an eleven-year-long difficult marriage and a fraught affair with Clifford Odets, and Riskin, a series of romances with, among others, Carole Lombard, Glenda Farrell, and Loretta Young. Here are Wray’s and Riskin’s lives, their work, their fairy-tale marriage that ended so tragically. Here are their dual, quintessential American lives, ultimately and blissfully intertwined.
Author: Louis Black
Publisher: University of Texas Press
Published: 2018-02-26
Total Pages: 416
ISBN-13: 1477315446
DOWNLOAD EBOOKAustin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.