François Duquesnoy and the Greek Ideal

François Duquesnoy and the Greek Ideal

Author: Estelle Cecile Lingo

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 260

ISBN-13: 9780300124835

DOWNLOAD EBOOK

This book is the first in English devoted to Francois Duquesnoy, a central figure in seventeenth-century European sculpture, a rival to Bernini, and a leading light in an artistic milieu that included Poussin and Rubens. Estelle Lingo reconstructs Duquesnoy's pursuit in Rome of a modern artistic practice "in the Greek manner." Reconstruction of Duquesnoy's Greek ideal enables Lingo to offer new interpretations of his exquisite marble and bronze sculptures. Moreover, she demonstrates that the archeological and poetic vision of Greek art developed by Duquesnoy and his circle formed the basis of Johann Joachim Winclemann's influential Reflections on the Imitation of Greek Works in Painting and Sculpture - thus overturning the long-held assumption that no meaningful distinction was made between ancient Greek and Roman art prior to Winckelmann's work in the eighteenth century. Examining in detail how Duquesnoy developed and employed his "Greek manner," Lingo brings to light the extent of his contributions to European culture and aesthetics, and to the rise of Neoclassicism.


Et Amicorum: Essays on Renaissance Humanism and Philosophy

Et Amicorum: Essays on Renaissance Humanism and Philosophy

Author:

Publisher: BRILL

Published: 2017-11-20

Total Pages: 475

ISBN-13: 9004355324

DOWNLOAD EBOOK

Jill Kraye, Professor Emerita of the Warburg Institute, is renowned internationally for her scholarship on Renaissance philosophy and humanism. This volume pays tribute to her achievements with essays by friends, colleagues, and doctoral students—all leading scholars—on subjects as diverse as her work. Articles on canonical figures such as Marsilio Ficino and Justus Lipsius mix with more quirky pieces on alphabetic play and the Hippocratic aphorisms. Many chapters seek to bridge the divide between humanism and philosophy, including David Lines's survey of the way fifteenth-century humanists actually defined philosophy and Brian Copenhaver's polemical essay against the concept of humanist philosophy. The volume includes a full bibliography of Professor Kraye's scholarly publications. Contributors are: Michael Allen, Daniel Andersson, Lilian Armstrong, Stefan Bauer, Dorigen Caldwell, Brian Copenhaver, Martin Davies, Germana Ernst, Guido Giglioni, Robert Goulding, Anthony Grafton, James Hankins, J. Cornelia Linde, David Lines, Margaret Meserve, John Monfasani, Anthony Ossa-Richardson, Jan Papy, Michael Reeve, Alessandro Scafi, and William Stenhouse.


Mariette and the Science of the Connoisseur in Eighteenth-Century Europe

Mariette and the Science of the Connoisseur in Eighteenth-Century Europe

Author: Kristel Smentek

Publisher: Routledge

Published: 2017-07-05

Total Pages: 545

ISBN-13: 1351559206

DOWNLOAD EBOOK

Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.


The Fountain of Latona

The Fountain of Latona

Author: Thomas F. Hedin

Publisher: University of Pennsylvania Press

Published: 2022-05-27

Total Pages: 297

ISBN-13: 0812298373

DOWNLOAD EBOOK

Ovid tells the story of Latona, the mother by Jupiter of Apollo and Diana. In her flight from the jealous Juno, she arrives faint and parched on the coast of Asia Minor. Kneeling to sip from a pond, Latona is met by the local peasants, who not only deny her effort but muddy the water in pure malice. Enraged, Latona calls a curse down upon the stingy peasants, turning them to frogs. In his masterful study, Thomas F. Hedin reveals how and why a fountain of this strange legend was installed in the heart of Versailles in the 1660s, the inaugural decade of Louis XIV’s patronage there. The natural supply of water was scarce and unwieldy, and it took the genius of the king’s hydraulic engineers, working in partnership with the landscape architect André Le Nôtre, to exploit it. If Ovid’s peasants were punished for their stubborn denial of water, so too the obstacles of coarse nature at Versailles were conquered; the aquatic iconography of the fountain was equivalent to the aquatic reality of the gardens. Latona was designed by Charles Le Brun, the most powerful artist at the court of Louis XIV, and carried out by Gaspard and Balthazar Marsy. The 1660s were rich in artistic theory in France, and the artists of the fountain delivered substantial lectures at the Académie royale de peinture et de sculpture on subjects of central concern to their current work. What they professed was what they were visualizing in the gardens. As such, the fountain is an insider’s guide to the leading artistic ideals of the moment. Louis XIV was viewed as the reincarnation of Apollo, the god of creativity, the inspiration of artists and scientists. Hedin’s original argument is that Latona was a double declaration: a glorification of the king and a proud manifesto by artists.


François Boucher and the Art of Collecting in Eighteenth-Century France

François Boucher and the Art of Collecting in Eighteenth-Century France

Author: Jessica Priebe

Publisher: Routledge

Published: 2021-11-30

Total Pages: 270

ISBN-13: 1000470385

DOWNLOAD EBOOK

While earlier studies have focused predominantly on artist François Boucher’s artistic style and identity, this book presents the first full-length interdisciplinary study of Boucher’s prolific collection of around 13,500 objects including paintings, sculpture, prints, drawings, porcelain, shells, minerals, and other imported curios. It discusses the types of objects he collected, the networks through which he acquired them, and their spectacular display in his custom-designed studio at the Louvre, where he lived and worked for nearly two decades. This book explores the role his collection played in the development of his art, his studio, his friendships, and the burgeoning market for luxury goods in mid-eighteenth-century France. In doing so, it sheds new light on the relationship between Boucher’s artistic and collecting practices, which attracted both praise and criticism from period observers. The book will appeal to scholars working in art history, museum studies, and French history.


Il Marmo spirante

Il Marmo spirante

Author: Joris van Gastel

Publisher: Walter de Gruyter

Published: 2013-06-28

Total Pages: 332

ISBN-13: 3050062622

DOWNLOAD EBOOK

The sculptors of the Roman Baroque, including masters such as Gian Lorenzo Bernini, Alessandro Algardi, and Giuliano Finelli, managed to achieve an unprecedented vivaciousness in their works. And yet, the apparent life of these sculptures is persistently obscured by their materiality. Soft, undulating flesh, dramatic movements, and fluttering draperies are captured in hard and lifeless marble. Thus, sculpture challenges the beholder, is cause for confusion or frustration. Taking the manner in which the beholder’s engagement with sculpture is played out in contemporary poetry and other sources as a point of departure and also introducing ideas from modern-day psychology, this study explores the various ways contemporary viewers dealt with sculpture’s double character. As a result, a new light is shed on some of the unquestionable masterpieces of European art. Die Bildhauer des römischen Barock, darunter Meister wie Gian Lorenzo Bernini, Alessandro Algardi und Giuliano Finelli, erreichten eine beispiellose Lebendigkeit ihrer Werke. Dem augenscheinlichen Leben widerspricht jedoch beharrlich die harte Materialität dieser Skulpturen. Weiches, bewegtes Fleisch, dramatische Bewegungen und flatternde Stoffe sind in hartem, leblosem Marmor gefangen. So fordert die Skulptur den Betrachter heraus und sorgt für Verwirrung oder auch Enttäuschung. Anhand zeitgenössischer Poesie und anderer Quellen,welche die Interaktion zwischen Betrachter und Skulptur reflektieren, untersucht diese Studie, wie Zeitgenossen mit diesem Doppelcharakter der Skulptur umgingen. Dabei werden auch Ansätze der modernen Psychologie miteinbezogen. Das Ergebnis ist ein neuer Zugang zu einigen der höchstgeschätzten Meisterwerke europäischer Kunst.


Synagonism: Theory and Practice in Early Modern Art

Synagonism: Theory and Practice in Early Modern Art

Author:

Publisher: BRILL

Published: 2024-04-25

Total Pages: 511

ISBN-13: 9004693149

DOWNLOAD EBOOK

The present volume explores for the first time the concept of synagonism (from “σύν”, “together” and “ἀγών”, "struggle”) for an analysis of the productive exchanges between early modern painting, sculpture, architecture, and other art forms in theory and practice. In doing so, it builds on current insights regarding the so-called paragone debate, seeing this, however, as only one, too narrow perspective on early modern artistic production. Synagonism, rather, implies a breaking up of the schematic connections between art forms and individual senses, drawing attention to the multimediality and intersensoriality of art, as well as the relationship between image and body.


The Oxford Handbook of Greek and Roman Art and Architecture

The Oxford Handbook of Greek and Roman Art and Architecture

Author: Clemente Marconi

Publisher: Oxford Handbooks

Published: 2015

Total Pages: 729

ISBN-13: 0199783306

DOWNLOAD EBOOK

This handbook explores key aspects of art and architecture in ancient Greece and Rome. Drawing on the perspectives of scholars of various generations, nationalities, and backgrounds, it discusses Greek and Roman ideas about art and architecture, as expressed in both texts and images, along with the production of art and architecture in the Greek and Roman world.


The Call of Albion

The Call of Albion

Author: Mirosława Hanusiewicz-Lavallee

Publisher: BRILL

Published: 2024-07-25

Total Pages: 480

ISBN-13: 9004687653

DOWNLOAD EBOOK

An in-depth look at British–Polish literary pre-Enlightenment contacts, The Call of Albion explores how the reverberations of British religious upheavals in distant Poland–Lithuania surprisingly served to strengthen the impact of English, Scottish, and Welsh works on Polish literature. The book argues that Jesuits played a key role in that process. The book provides an insightful account of how the transmission, translation, and recontextualization of key publications by British Protestants and Catholics served Calvinist and Jesuit agendas, while occasionally bypassing barriers between confessionally defined textual communities and inspiring Polish–Lithuanian political thought, as well as literary tastes.


Bernini and the Birth of Baroque Portrait Sculpture

Bernini and the Birth of Baroque Portrait Sculpture

Author: Andrea Bacchi

Publisher: Getty Publications

Published: 2008-01-01

Total Pages: 338

ISBN-13: 0892369329

DOWNLOAD EBOOK

Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.