Francisco Nieva: Coronada y el toro

Francisco Nieva: Coronada y el toro

Author: Komla Aggor

Publisher: MHRA

Published: 2021-10-22

Total Pages: 109

ISBN-13: 1839541318

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Coronada y el toro (Coronada and the Bull) is a play written in 1974 by Francisco Morales Nieva (1924–2016), a prominent figure in the history of Spanish theatre. Even though the aesthetic quality of his drama competed with that of his contemporaries, with many of whom he interacted (Ionesco, Genet, Brecht, Grotowski, et al.), Nieva’s recognition was unduly delayed within Spain and, on the international scene, his name remains eclipsed by playwrights such as Federico García Lorca and Antonio Buero Vallejo. Traditionalist and populist yet cosmopolitan and neo-avant-garde, Nieva began writing plays in the late 1940s but never got the chance to perform any on the commercial stage until 1976, a few months after the death of General Francisco Franco, whose censorship machine forced his work underground. Hard to subject to any single classification, Nieva’s theatre is as complex as it is innovative in its combination of resources from a wide range of artistic trends, from the género chico to the Baroque to postmodernism. Coronada y el toro is a sophisticated masterpiece, rich in intertextuality, humour, and suspense.


The Cultural Politics of Twentieth-century Spanish Theatre

The Cultural Politics of Twentieth-century Spanish Theatre

Author: Carey Kasten

Publisher: Lexington Books

Published: 2012

Total Pages: 261

ISBN-13: 1611483816

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The Cultural Politics of Twentieth-Century Spanish Theater argues that twentieth-century artists used the Golden Age Eucharist plays called autos sacramentales to reassess the way politics and the arts interact in the Spanish nation's past and present, and to posit new ideas for future relations between the state and the national culture industry. The book traces the phenomenon of the twentieth-century auto to show how theater practitioners revisited this national genre to manifest different, oftentimes opposing, ideological and aesthetic agendas. It follows the auto from the avant-garde stagings and rewritings of the form in the early twentieth century, to the Francoist productions by the Teatro Nacional de la Falange, to postmodern parodies of the form in the era following Franco's death to demonstrate how twentieth-century Spanish dramatists use the auto in their reassessment of the nation's political and artistic past, and as a way of envisioning its future.


Francisco Nieva and Postmodernist Theatre

Francisco Nieva and Postmodernist Theatre

Author: Francis Komla Aggor

Publisher:

Published: 2005

Total Pages: 208

ISBN-13:

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Francisco Nieva and Postmodernist Theatre will engage with and advance the debate on the viability of postmodernist theatre in general by presenting the works of Francisco Nieva as a bona-fide postmodernist theatre formulated on avant-garde foundations.The study will also redefine the existing historical boundaries of literary postmodernism by asserting Spain's role in shaping that history through the 1940s neo-avant-garde Movement, Postismo. The author argues that Postismo is the earliest systematic manifestation in the Iberian Peninsula of literary postmodernism as we know it, a fact often ignored on account of Franco's suppression of it, and that Nieva is not only Postismo's chief proponent but also the only legitimate postist playwright.


The Paris Jigsaw

The Paris Jigsaw

Author: David Bradby

Publisher: Manchester University Press

Published: 2002

Total Pages: 324

ISBN-13: 9780719061844

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Theater and drama professionals and professors address the role of Paris as an international theater city and the intercultural webs of Parisian theater. Essays address Peter Brook and Le Centre International de Creations Theatrales; Jacques Lecoq and his "Ecole Internationale de Theatre" in Paris; Ariane Mnouchkine and the Theatre du Soleil; and Augusto Boal and the Theatre de l'Opprime. In the second part, the input of different national theater traditions to the internationalism of Paris is explored, including Germany, Russia, Spain, Argentina, the US, and Africa. Distributed by Palgrave. c. Book News Inc.


Spanish Theatre 1920 - 1995

Spanish Theatre 1920 - 1995

Author: Maria M Delgado

Publisher: Routledge

Published: 2014-04-08

Total Pages: 196

ISBN-13: 1134402171

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Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.


Cross-cultural Approaches to Theatre

Cross-cultural Approaches to Theatre

Author: Phyllis Zatlin

Publisher: Scarecrow Press

Published: 1994

Total Pages: 274

ISBN-13: 9780810827295

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Provides a comprehensive view of the interrelationship between Spain and France, with emphasis on the 1970s and 1980s.


The Vampire in Folklore, History, Literature, Film and Television

The Vampire in Folklore, History, Literature, Film and Television

Author:

Publisher: McFarland

Published: 2015-09-18

Total Pages: 389

ISBN-13: 1476620830

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This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.


The Creative Process of Els Joglars and Teatro de La Abadía

The Creative Process of Els Joglars and Teatro de La Abadía

Author: Simon Breden

Publisher: Boydell & Brewer Ltd

Published: 2014

Total Pages: 278

ISBN-13: 1855662787

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The rehearsal processes of theatre companies are an oft-neglected area of research in Drama and Performance Studies. This work on the Catalan devising collective Els Joglars and the Madrid producing venue Teatro de la Abad a seeks to redress the balance with a close analysis of methodologies employed in rehearsal. In effect, both companies have created distinctive rehearsal processes by applying ideas and techniques from a wider European context to a Spanish theatre scene which had been seen to follow rather than develop trends and techniques visible in theatre across France, Italy and Germany. Critically, their hybrid rehearsal processes generate heightened theatrical results for the audience. Thus the book shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product. Simon David Breden obtained a PhD in Drama & Hispanic Studies from Queen Mary, University of London. He has worked as a professional director and expert in Spanish theatre in London and Madrid.