Framing the Race in South Africa

Framing the Race in South Africa

Author: Karen E. Ferree

Publisher: Cambridge University Press

Published: 2010-11-15

Total Pages: 315

ISBN-13: 1139494767

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Post-apartheid South African elections have borne an unmistakable racial imprint: Africans vote for one set of parties, whites support a different set of parties, and, with few exceptions, there is no crossover voting between groups. These voting tendencies have solidified the dominance of the ruling African National Congress (ANC) over South African politics and turned South African elections into 'racial censuses'. This book explores the political sources of these outcomes. It argues that although the beginnings of these patterns lie in South Africa's past, in the effects apartheid had on voters' beliefs about race and destiny and the reputations parties forged during this period, the endurance of the census reflects the ruling party's ability to use the powers of office to prevent the opposition from evolving away from its apartheid-era party label. By keeping key opposition parties 'white', the ANC has rendered them powerless, solidifying its hold on power in spite of an increasingly restive and dissatisfied electorate.


Framing Africa

Framing Africa

Author: Nigel Eltringham

Publisher: Berghahn Books

Published: 2013-06-01

Total Pages: 192

ISBN-13: 1782380744

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The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), ‘failed states’ (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination.


Who Is an African?

Who Is an African?

Author: Roderick R. Hewitt

Publisher: Fortress Academic

Published: 2020-05-15

Total Pages: 336

ISBN-13: 9781978700567

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This book is an in-depth conversation and study about issues of African identity in South Africa. It aims to inform policy development and change in the role of race and ethnic identity within the "rainbow" configuration of nation building.


Unsettled History

Unsettled History

Author: Leslie Witz

Publisher: University of Michigan Press

Published: 2017-02-27

Total Pages: 329

ISBN-13: 0472053345

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An engrossing look at how history has been produced, contested, and unsettled in South Africa from Mandela's release to 2010.


Constructing Race

Constructing Race

Author: Nadine E. Dolby

Publisher: State University of New York Press

Published: 2001-08-30

Total Pages: 176

ISBN-13: 0791490041

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As apartheid crumbled in South Africa, racial identity was thrown into question. Based on a year-long ethnographic study of a multiracial high school in Durban, this book explores how youth make meaning of the still powerful, yet changing, idea of race. In a world saturated with media images and global commodities, fashion and music become charged, polarized racial identifiers. As youth engage with this world, race simultaneously persists and falters, providing us with a glimpse into the future of race both within South Africa and throughout urban youth cultures worldwide.


Race, Decolonization, and Global Citizenship in South Africa

Race, Decolonization, and Global Citizenship in South Africa

Author: Chielozona Eze

Publisher: Rochester Studies in African H

Published: 2018

Total Pages: 242

ISBN-13: 1580469337

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Examines the importance of South Africa's peaceful transition to democracy, especially in light of Nelson Mandela's belief that cosmopolitan dreams are not only desirable but a binding duty.


Why Race Matters in South Africa

Why Race Matters in South Africa

Author: Michael MacDonald

Publisher: Harvard University Press

Published: 2006

Total Pages: 268

ISBN-13: 9780674021860

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This book tells the story of how the transition to democracy in South Africa enfranchised blacks politically but without raising most of them from poverty. Although democratic South Africa is officially "non-racial," the book shows that racial solidarities continue to play a role in the country's political economy.


Unsettled History

Unsettled History

Author: Leslie Witz

Publisher: University of Michigan Press

Published: 2017-02-27

Total Pages: 329

ISBN-13: 047212255X

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Unsettled History examines South African society and the construction and presentation of its public pasts, from Nelson Mandela’s release from prison in 1990 to South Africa’s hosting of the 2010 FIFA World Cup ®. Conventionally represented as a time of rectifying the silences and distortions of settler history through inclusion and recovery, the focus here instead is on the shifts in processes and locations of historicizing and the unsettled state of categories of framing history in post-apartheid South Africa. This era saw fundamental transformations in the order of knowledge: from the academy to the public; from popular history to public history; from history-as-lesson to history-as-forum. Leslie Witz, Gary Minkley, and Ciraj Rassool take the reader to sites of historical production in which complex ideas about pasts are invoked, and navigate a path toward understanding the agencies of image-making and memory production. This volume is the outcome of the authors’ intensive collaborative research and engagement over twenty-five years on questions including the production and performance of apartheid history; the cultural politics of social history; South Africa’s Truth and Reconciliation Commission and practices of orality; tourism as an arena of image-making and historical construction; museums as sites of heritage production for a new South Africa; photographs, archival meanings, and the construction of the social documentary; and the centenary commemorations of the South African War and the making of race. The authors not only witnessed many of these instances of history-making but were also participants in their constitution.