Fragmentation in Archaeology revolutionises archaeological studies of material culture, by arguing that the deliberate physical fragmentation of objects, and their (often structured) deposition, lies at the core of the archaeology of the Mesolithic, Neolithic and Copper Age of Central and Eastern Europe. John Chapman draws on detailed evidence from the Balkans to explain such phenomena as the mass sherd deposition in pits and the wealth of artefacts found in the Varna cemetery to place the significance of fragmentation within a broad anthropological context.
Fragmentation in Archaeology revolutionises archaeological studies of material culture, by arguing that the deliberate physical fragmentation of objects, and their (often structured) deposition, lies at the core of the archaeology of the Mesolithic, Neolithic and Copper Age of Central and Eastern Europe. John Chapman draws on detailed evidence from the Balkans to explain such phenomena as the mass sherd deposition in pits and the wealth of artefacts found in the Varna cemetery to place the significance of fragmentation within a broad anthropological context.
This is a highly original work that attempts to take fragmentation studies further towards integrating archaeology, social anthropology and material culture, and concerns the relationship between whole objects and broken ones. The authors construct a new fragmentation premise and examine its implications for the Balkans in the Neolithic, using case studies taken from the Balkans and Greece. Key issues covered include a biographical method of considering objects and their relation to the creation of personhood; methodological issues of site formation; a questioning of the assumption that excavated data is a more or less accurate reflection of the operation of past social practices; and a discussion of what happened to pieces missing from an assemblage. It concludes by seeking to put Balkan prehistory back together again by looking at variations in social practices and the construction of personhood at different socio-spatial levels.
Miniature and fragmentary objects are both eye-catching and yet easily dismissed. Tiny scale entices users with visions of Lilliputian worlds. The ambiguity of fragments intrigues us, offering tactile reminders of reality's transience. Yet, the standard scholarly approach to such objects has been to see them as secondary, incomplete things, whose principal purpose was to refer to a complete and often life-size whole. The Tiny and the Fragmented offers a series of fresh perspectives on the familiar concepts of the tiny and the fragmented. Written by a prestigious group of internationally-acclaimed scholars, the volume presents a remarkable diversity of case studies that range from Neolithic Europe to pre-Colombian Honduras to the classical Mediterranean and ancient Near East. Each scholar takes a different approach to issues of miniaturization and fragmentation but is united in considering the little and broken things of the past as objects in their own right. Whether a life-size or whole thing is made in a scaled-down form, deliberately broken as part of its use, or only considered successful in the eyes of ancient users if it shows some signs of wear, it challenges our expectations of representation and wholeness, of what it means for a work of art to be "finished" and "affective." Overall, The Tiny and the Fragmented demands a reconsideration of the social and contextual nature of miniaturization, fragmentation, and incompleteness, making the case that it was because of, rather than in spite of, their small or partial state that these objects were valued parts of the personal and social worlds they inhabited.
The universe may well have begun with an immense act of fragmentation, "the big bang," that sent particles flying in all directions to perform spectacular acts of creation and destruction. The fragment, volatile and unpredictable, is not simply the static part of a once-whole thing but itself something in motion. Drawing upon art history, archaeology, literature, numismatics, philosophy, and film, this book explores the significance of the fragment and addresses the powerful drives that have impelled it into the cultural mainstream. Book jacket.
The present volume offers a variety of case studies rather than a theoretically oriented survey of trends and overall approaches towards the fragmentarily preserved ancient material. Nevertheless, the discussions of specific cases are not confined to merely illustrating with examples the patterns already detected and followed by scholars, but also formulate some new theoretical proposals applicable to different kinds of material. This book stems from the international conference Fragments, Holes, and Wholes: Reconstructing the Ancient World in Theory and Practice (Warsaw, 12-14 June 2014), which was organized by the Committee on Ancient Culture of the Polish Academy of Sciences, the Institute of Classical Studies of the University of Warsaw, the Institute of Archaeology of the University of Warsaw, and the Institute of Classical Studies of Adam Mickiewicz University in Poznan.
