Fourteen Families in Pueblo Pottery

Fourteen Families in Pueblo Pottery

Author: Rick Dillingham

Publisher: UNM Press

Published: 1994

Total Pages: 316

ISBN-13: 9780826314994

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In 1974 Seven Families in Pueblo Pottery was published to accompany an exhibit at the Maxwell Museum of Anthropology: twenty years later there are some 80,000 copies in print. Like Seven Families, this updated and greatly enlarged version by Rick Dillingham, who curated the original exhibition, includes portraits of the potters, color photographs of their work, and a statement by each potter about the work of his or her family. In addition to the original seven--the Chino and Lewis families (Acoma Pueblo), the Nampeyos (Hopi), the Guteirrez and Tafoya families (Santa Clara), and the Gonzales and Martinez families (San Ildefonso)--the author had added the Chapellas and the Navasies (Hopi-Tewa), the Chavarrias (Santa Clara), the Herrera family (Choti), the Medina family (Zia), and the Tenorio-Pacheco and the Melchor families (Santo Domingo). Because the craft of pottery is handed down from generation to generation among the Pueblo Indians, this extended look at multiple generations provides a fascinating and personal glimpse into how the craft has developed. Also evident are the differences of opinion among the artists about the future of Pueblo pottery and the importance of following tradition. A new generation of potters has come of age since the publication of Seven Families. The addition of their talents, along with an ever-growing interest in Native American pottery, make this book a welcome addition to the literature on the Southwest.


Historic Pottery of the Pueblo Indians, 1600-1880

Historic Pottery of the Pueblo Indians, 1600-1880

Author: Larry Frank

Publisher: Schiffer Publishing

Published: 1990

Total Pages: 216

ISBN-13:

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Working without the use of the potter's wheel, Pueblo Indians in the American Southwest create beautiful ceramic ware for both utilitarian and ceremonial use. A classic, this book is the first comprehensive account of historic Pueblo pottery, and results from years of study. With nearly 200 examples, the authors appraise the aesthetic value of Pueblo pottery as rivaling that of any ware made by Neolithic societies.


Southwestern Pottery

Southwestern Pottery

Author: Allan Hayes

Publisher: Taylor Trade Publishing

Published: 2015-08-03

Total Pages: 225

ISBN-13: 1589798627

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When this book first appeared in 1996, it was “Pottery 101,” a basic introduction to the subject. It served as an art book, a history book, and a reference book, but also fun to read, beautiful to look at, and filled with good humor and good sense. After twenty years of faithful service, it’s been expanded and brought up-to-date with photographs of more than 1,600 pots from more than 1,600 years. It shows every pottery-producing group in the Southwest, complete with maps that show where each group lives. Now updated, rewritten, and re-photographed, it's a comprehensive study as well as a basic introduction to the art.


Our New Mexico

Our New Mexico

Author: Calvin A. Roberts

Publisher: UNM Press

Published: 2006-01-16

Total Pages: 196

ISBN-13: 9780826340085

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Twentieth century New Mexico history for high school courses.


The Pueblo Storyteller

The Pueblo Storyteller

Author: Barbara A. Babcock

Publisher:

Published: 1986

Total Pages: 232

ISBN-13:

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"This first documentation of the Storyteller phenomenon contains a wealth of information for scholars, collectors, and general readers. Barbara Babcock's text links the invention of the Storyteller to Pueblo figurative tradition, traces the revival of figurative ceramics, makes stylistic comparisons, and discusses the artistic contributions of individual artists and Pueblos. The book is impressively illustrated and features a large section of color plates by award-winning photographer GuyMonthan. Photographs of Storytellers are enhanced by descriptive captions and quotations from the artists compiled by Doris Monthan, who has also provided biographical charts of the artists. Her listing of 233 potters who make Storytellers and related figures--in addition to 146 family members who are also potters--constitutes one of the most extensive documentations of Southwest Indian potters available in a single volume."--From front cover flap.


Native American Art in the Twentieth Century

Native American Art in the Twentieth Century

Author: W. Jackson Rushing III

Publisher: Routledge

Published: 2013-09-27

Total Pages: 249

ISBN-13: 1136180036

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This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.


Folk Art

Folk Art

Author: Henry Glassie

Publisher: Indiana University Press

Published: 2023-06-13

Total Pages: 738

ISBN-13: 0253067235

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Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.


Native American Women

Native American Women

Author: Gretchen M. Bataille

Publisher: Routledge

Published: 2003-12-16

Total Pages: 501

ISBN-13: 1135955867

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This A-Z reference contains 275 biographical entries on Native American women, past and present, from many different walks of life. Written by more than 70 contributors, most of whom are leading American Indian historians, the entries examine the complex and diverse roles of Native American women in contemporary and traditional cultures. This new edition contains 32 new entries and updated end-of-article bibliographies. Appendices list entries by area of woman's specialization, state of birth, and tribe; also includes photos and a comprehensive index.


American Folk Art [2 volumes]

American Folk Art [2 volumes]

Author: Kristin G. Congdon

Publisher: Bloomsbury Publishing USA

Published: 2012-03-19

Total Pages: 789

ISBN-13: 0313349371

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Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.