Two Tudor Interludes
Author: Ian Lancashire
Publisher: Manchester University Press
Published: 1980
Total Pages: 312
ISBN-13: 9780719015236
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English Dramatic Interludes, 1300–1580
Author: Darryll Grantley
Publisher: Cambridge University Press
Published: 2004-04-05
Total Pages: 445
ISBN-13: 1139451707
DOWNLOAD EBOOKDarryll Grantley has created a comprehensive guide to the interlude: the extant non-cycle drama in English from the late fourteenth century up to the period in which the London commercial theatre began. As precursors of seventeenth-century drama, not only do these interludes shed important light on the technical and literary development of Shakespearean theatre, but many are also works of considerable theatrical or cultural interest in themselves. This accessible reference guide provides an entry for each of the extant interludes and fragments (c.100) typically containing an account of early editions or manuscripts; authorship and sources; modern editions; plot summary and dramatis personae; list of social issues present in the plays; verbal and dramaturgical features; songs and music; allusions and place names; stage directions and comments on staging; and modern productions, among other valuable and informative details. There are full bibliographies, indexes of characters and songs, and appendices.
The Mediaeval Stage: book III. Religious drama. book IV. The interlude. Appendices
Author: Edmund Kerchever Chambers
Publisher:
Published: 1903
Total Pages: 498
ISBN-13:
DOWNLOAD EBOOKFrom the demise of ancient Roman spectacles (c. 400 AD) to a new class of professional players by the 16th-century. Excellent accounts of wandering minstrels, mimes, mummers, miracle and morality plays, puppet shows, dramatic pageants, liturgical plays and much more.
Time and Gender on the Shakespearean Stage
Author: Sarah Lewis
Publisher: Cambridge University Press
Published: 2020-09-24
Total Pages: 289
ISBN-13: 1108901697
DOWNLOAD EBOOKThis book analyses the cultural and theatrical intersections of early modern temporal concepts and gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, across the genres of domestic comedy, city comedy and revenge tragedy, Sarah Lewis shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage, and vice versa. She sets out the ways in which the temporal constructs of patience, prodigality and revenge, as well as the dramatic identities that are built from those constructs, and the experience of playgoing itself, negotiate a fraught opposition between action in the moment and delay in the duration. This book argues that looking at time through the lens of gender, and gender through the lens of time, is crucial if we are to develop our understanding of the early modern cultural construction of both.
The Oxford Handbook of Tudor Drama
Author: Thomas Betteridge
Publisher: OUP Oxford
Published: 2012-07-19
Total Pages: 710
ISBN-13: 0191651516
DOWNLOAD EBOOKThe Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
Essays on the Medieval Period and the Renaissance
Author: Larisa Kocic-Zámbó
Publisher: Cambridge Scholars Publishing
Published: 2018-12-05
Total Pages: 192
ISBN-13: 1527522903
DOWNLOAD EBOOKThis collection brings together extended versions of papers delivered at the 2015 meeting of the Hungarian Society for the Study of English (HUSSE). The timeframe the papers deal with, starting with 15th century devotional texts, including Tudor interludes, Shakespearean plays and their adaptations, and ending in Milton, embraces three centuries of the history of English literature. As such, the contributions offer not only a variety of methodological approaches and disciplinary perspectives, but also highlight converging problems within this broad field, crystallized around three main topics of scholarship and constituting the three thematic parts of the volume, each containing three to four chapters. The first part, entitled “Medieval and Early Modern Experiments with Genre”, offers a set of readings that interpret texts in the light of their generic and thematic innovativeness. Attesting to the multiple ways in which Shakespeare is made our contemporary, the second part, “Shakespearean Texts and Adaptations—Our Contemporaries”, is comprised of essays on contemporary adaptations of Shakespeare and Renaissance theatre, taking the term “adaptation” in a broad sense. The contributions in the third part of the volume, “Perspectives on Milton”, all focus on John Milton, highlighting debates or underrepresented discourses in Milton studies. What connects the papers of the volume as a whole is the reinterpretation of traditional critical assumptions through innovative methods, including viewpoints integrated from other disciplines and discourses, such as theatre studies, digital humanities and social sciences, addressing the relevance of both traditional and innovative topics within English studies in a contemporary academic context.
Theatre and Humanism
Author: Kent Cartwright
Publisher: Cambridge University Press
Published: 1999-09-09
Total Pages: 333
ISBN-13: 1139425994
DOWNLOAD EBOOKEnglish drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century.
Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries
Author: A. J. Hoenselaars
Publisher: Fairleigh Dickinson Univ Press
Published: 1992
Total Pages: 366
ISBN-13: 9780838634318
DOWNLOAD EBOOKThe connection between Renaissance ideas about the character of individual nations and the presentation of stage characters of various nationalities in the drama of Shakespeare and his contemporaries is examined in this volume.
Medieval English Drama
Author: Sidney E. Berger
Publisher: Routledge
Published: 2019-07-05
Total Pages: 399
ISBN-13: 0429514670
DOWNLOAD EBOOKOriginally published in 1990, Medieval English Drama is an exhaustive bibliography of scholarship on medieval English drama. Each item has been annotated in the bibliography with considerable care; these annotations are descriptive rather than critical and give a clear synopsis of the content of each reference, the texts with which it deals, and a brief indication of its critical position. The bibliography is divided into two sections; editions and collections of plays, and critical works. The bibliography is exhaustive rather than selective and provides English annotations for foreign language works, as well as a list of reviews for most books. The book covers liturgical and folk drama, other forms of entertainment, and related material useful to researchers in the field. The book provides an update of sources not listed in Carl J. Stratman's comprehensive Bibliography of Medieval Drama published in 1972.
The Vice-device
Author: Ágnes Matuska
Publisher: JATEPress Kiadó
Published: 2017-04-04
Total Pages: 164
ISBN-13: 9633153360
DOWNLOAD EBOOKThe argument of the present book is based on a comparison of two Shakespearean figures: the Fool of Lear and Iago from Othello. Regarding the number of the obvious differences between the Fool and Iago, a question may be raised as to the validity of such an undertaking. The characters clearly embody opposite poles of behaviour and even their function may be contrasted. It is enough just to think of the Fool who always utters the truth, while Iago is the great liar and deceiver. The Fool says things that are true but difficult to accept, while Iago tells credible lies. If we leave out the character of the Fool from the play (as he was indeed left out after Shakespeare had been ironed to fit the neoclassical taste) the play may still be called The Tragedy of King Lear, while Othello without Iago is just unimaginable. The Fool is not an intriguer, he does not have a direct effect on the events, he is rather a mere commentator, while Iago is the engine of the plot in his play. Still, in spite of all these differences, there are a number of generic, dramatic and functional similarities between them that I would like to expand.
