Four Great Restoration Comedies

Four Great Restoration Comedies

Author: William Wycherley

Publisher: Courier Corporation

Published: 2012-04-03

Total Pages: 353

ISBN-13: 0486153606

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Comedy classics that defined a new era in drama: The Country Wife by William Wycherley; The Man of Mode by Sir George Etheredge; The Rover by Aphra Behn; and The Relapse by Sir John Vanbrugh.


Four Restoration Libertine Plays

Four Restoration Libertine Plays

Author: Deborah Payne Fisk

Publisher: OUP Oxford

Published: 2005-04-14

Total Pages: 1559

ISBN-13: 019160528X

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Thomas Shadwell, The Libertine * George Etherege, The Man of Mode * Thomas Durfey, A Fond Husband * Thomas Otway, Friendship in Fashion These four plays in the Oxford English Drama series capture the range of responses to the fashionable and daring libertine movement in the second half of the seventeenth century. A Fond Husband and Friendship in Fashion are lesser-known comic gems of the Restoration stage; The Man of Mode is Etherege's masterpiece, and The Libertine is Shadwell's experimental and dark version of the Don Juan story. The texts are freshly edited using modern spelling. There is a critical introduction, wide-ranging annotation, and an informative bibliography which together illuminate the plays' cultural context and theatrical potential for reader and performer alike. 'The series should shape the canon in a number of significant areas. A splendid and imaginative project.' Professor Anne Barton, Cambridge University


Four Restoration Marriage Plays

Four Restoration Marriage Plays

Author: Thomas Otway

Publisher:

Published: 1998

Total Pages: 516

ISBN-13: 9780192834478

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Marriage and its discontents lie at the heart of Restoration comedy. In all four of the great plays gathered here, a married woman confronts her would-be seducer. Each dramatist, however, totally reinterprets the situation. Thomas Otway's The Soldier's Fortune converts adultery into political revenge. Nathaniel Lee's The Princess of Cleves offers a potent and perplexing portrait of a libertine in action at the sixteenth-century French court. John Dryden's Amphitryon, set in ancient Thebes, retells the story in which Jupiter lures the virtuous Alcmena into cuckolding her husband by a stratagem that throws into doubt the very nature of human identity. Thomas Southerne's The Wives' Excuse reinvents, for the new circumstances of the 1690s, the familiar Restoration plot of a wife spurred towards infidelity by her partner's failings. All of the plays have been newly edited and are presented with modernized spelling and punctuation.


Acting in Restoration Comedy

Acting in Restoration Comedy

Author: Simon Callow

Publisher: Applause Theatre & Cinema

Published: 1991

Total Pages: 154

ISBN-13:

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Simon Callow leads a two-day class on Restoration comedy with a group of British actors, including Gail McFarlane, Harry Meacher, Pamela Moiseiwitsch and Michael Stroud. It deals with The relapse by John Vanbrugh and shows practical acting techniques.


The Rover

The Rover

Author: Aphra Behn

Publisher: Joe Books Ltd

Published: 2015-06-02

Total Pages: 190

ISBN-13: 1987955684

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The magic of Naples during Carnival inspires love between a disparate group of local citizens and visiting Englishmen.


Ottemiller's Index to Plays in Collections

Ottemiller's Index to Plays in Collections

Author: Denise L. Montgomery

Publisher: Scarecrow Press

Published: 2011-08-11

Total Pages: 834

ISBN-13: 081087721X

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Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.


Female Playwrights of the Restoration

Female Playwrights of the Restoration

Author: Paddy Lyons

Publisher: Phoenix

Published: 1991

Total Pages: 363

ISBN-13: 9780460870801

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Aphra Behn was the first woman to earn her living by writing for the theater, and was ranked by Defoe alongside Rochester and Milton as one of the 'great wits' of her century.


Restoration Comedy in Performance

Restoration Comedy in Performance

Author: J. L. Styan

Publisher: Cambridge University Press

Published: 1986-08-29

Total Pages: 292

ISBN-13: 9780521274210

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An exploration of the ways in which Restoration comedy was performed, using the costume, customs, manners and behaviour of the age as a way of understanding its theatre and drama. It also considers problems encountered in early twentieth century revivals of plays by authors such as Etherege, Dryden, Congreve and Farquhar.


Cultural Readings of Restoration and Eighteenth-Century English Theater

Cultural Readings of Restoration and Eighteenth-Century English Theater

Author: Deborah Payne Fisk

Publisher: University of Georgia Press

Published: 2010-12-01

Total Pages: 332

ISBN-13: 0820337897

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Ranging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.