Aside from meeting some of the most famous artists of our time, from Marcel Duchamp to Bob Dylan, Tucker's personal story involves a tragic family life and years as a starving artist, related poignantly but without pandering. Deftly edited by close friend and artist Lou, this is an arresting tour of a life devoted to new art, with a perfectly charming guide"--PW Annex Reviews.
2022 SABR Seymour Medal Finalist for the 2021 CASEY Award for Best Baseball Book of the Year When New York Giants owner Charles A. Stoneham came home one night in 1918 and told his teenage son, Horace, "Horrie, I bought you a ballclub," he set in motion a family legacy. Horace Stoneham would become one of baseball's greatest figures, an owner who played an essential role in integrating the game, and who was a major force in making our pastime truly national by bringing Major League Baseball to the West Coast. Horace Stoneham began his tenure with the Giants in 1924, learning all sides of the operation until he moved into the front office. In 1936, when his father died of kidney disease, Horace assumed control of the Giants at age thirty-two, becoming one of the youngest owners in baseball history. Stoneham played a pivotal role in not just his team's history but the game itself. In the mid-1940s when the Pacific Coast League sought to gain Major League status, few but Stoneham and Branch Rickey took it seriously, and twelve years later the Giants and Dodgers were the first two teams to relocate west. Stoneham signed former Negro Leaguers Monte Irvin and Hank Thompson, making the Giants the second National League franchise to racially integrate. In the late 1940s, the Giants hired their first Spanish-speaking scout and soon became the leading team in developing Latin American players. Stoneham was shy and self-effacing and avoided the spotlight. His relationships with players were almost always strong, yet for all his leadership skills and baseball acumen, sustained success eluded most of his teams. In forty seasons his Giants won just five National League pennants and only one World Series. The Stoneham family business struggled, and the team was forced to sell off its beloved stars, first Willie Mays, then Willie McCovey, and finally Juan Marichal. Then Stoneham had no choice but to sell the club in 1975. While his tenure came to an unfortunate end, he is heralded as a pioneer and leader whose story tells much of baseball history from the 1930s through the 1970s.
For almost forty years, Dean Smith coached the University of North Carolina basketball team with unsurpassed success, having an impact both on the court and in the lives of countless young men. In A Coach’s Life, he looks back on the great games, teams, players, strategies, and rivalries that defined his career and, in a new final chapter, discusses his retirement from the game. The fundamentals of good basketball are the fundamentals of character—passion, discipline, focus, selflessness, and responsibility—and superlative mentor and coach Dean Smith imparts them all with equal authority.
A cabin boy in 1839 could steal cards and cheat the boys at eleven stock a deck at fourteen bested soldiers on the Rio Grande during the Mexican war won hundreds of thousands from paymasters, cotton buyers, defaulters and thieves fought more rough and tum
“Brilliant . . . The dean of American comic writers showcases his varied talents mocking the public and private lives of politicians, average citizens and himself.”—The Star-Ledger Calvin Trillin has committed blatant acts of funniness all over the place—in The New Yorker, in one-man off-Broadway shows, in his “deadline poetry” for The Nation, in comic novels, and in what USA Today called “simply the funniest regular column in journalism.” Now Trillin selects the best of his funny stuff and organizes it into topics like high finance (“My long-term investment strategy has been criticized as being entirely too dependent on Publishers Clearing House sweepstakes”) and the literary life (“The average shelf life of a book is somewhere between milk and yogurt”). He addresses the horrors of witnessing a voodoo economics ceremony and the mystery of how his mother managed for thirty years to feed her family nothing but leftovers (“We have a team of anthropologists in there now looking for the original meal”). He even skewers deserving political figures in poetry. In this, the definitive collection of his humor, Calvin Trillin is prescient, insightful, and invariably hilarious. “A literary treasure . . . There is only one Calvin Trillin, and if he didn’t exist we would have to invent him.”—The Washington Times “Funny is to Trillin what drinking is to Uncle Jed in Annie Get Your Gun—it’s what he does ‘natur’lly.’ He’s also a lot more than funny. Quite Enough of Calvin Trillin is the twenty-eighth book he’s published over not far short of a half-century, and their range of subjects is remarkable.”—Jonathan Yardley, The Washington Post “Trillin made his reputation over four decades as the author of ‘U.S. Journal’ in the New Yorker [but he] is incapable of resisting the temptation of comedy. The jokes kept on welling up and Mr. Trillin made a parallel reputation as a writer of funny stuff.”—The Economist “Wry, whip-smart, understated, and entertaining.”—The Miami Herald
'The events that transported Martyn Lloyd-Jones from a glamorous Harley Street medical practice to a pastorate in an impoverished Welsh mining town make a magnificent biography.'Christianity Today.
