Medieval and Renaissance Letter Treatises and Form Letters

Medieval and Renaissance Letter Treatises and Form Letters

Author: Emil J. Polak

Publisher: BRILL

Published: 2015-02-11

Total Pages: 921

ISBN-13: 9004284672

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Letter writing was the major branch of rhetoric in the High Middle Ages (ars dictaminis) and Renaissance (ars epistolandi). As the primary source of discourse it played major roles in the history of education, the Latin language and literature, and its relation to grammar and oratory (ars arengandi). The letters are also a very rich source ranging from Church and State correspondence to social hierarchies and fiction. Several hundred authors, recognized as precursors of the Humanists, produced treatises, manuals, formularies and model letter collections found in a few thousand largely unstudied manuscripts. This is the third and final volume of the Medieval and Renaissance Letter Treatises and Form Letters, a singular reference work, a manuscript inventory of texts, most of which were examined in situ by Emil J. Polak in almost nine-hundred libraries and archives. The repertory is arranged alphabetically by country and city with standard details for each manuscript. Four indexes conclude the work.


The Criminal Law System of Medieval and Renaissance Florence

The Criminal Law System of Medieval and Renaissance Florence

Author: Laura Ikins Stern

Publisher:

Published: 1994

Total Pages: 320

ISBN-13:

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Historians of medieval and Renaissance Italy have long held that the Florentine republic fell victim to rule by oligarchy in the early fifteenth century. Now, in the first complete analysis of the criminal law system of Florence during this crucial period, Laura Ikins Stern argues that the vitality of Florentine legal institutions gives evidence of a centralized state bureaucracy strong enough to thwart the early development of a ruling oligarchy. Exploring the changing roles played by judicial officials as well as the evolution of Florentine government, Stern shows how these developments reflected broad-based change in society at large. From such primary documents as legal statutes and actual trial records, she provides a step-by-step explanation of trial procedure to offer a rare glimpse of inquisition methods in the secular world--from public fame initiation, through the weighing of various levels of proof, to the complex process of sentencing. And sheexplores the links between implementation of inquisition procedure, the development of the territorial state, and the struggle between republican institutions and the emerging oligarchy. The Johns Hopkins University Studies in Historical and Political Science.


Pen and Parchment

Pen and Parchment

Author: Melanie Holcomb

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 204

ISBN-13: 1588393186

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Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.


Early Medieval Art

Early Medieval Art

Author: Lawrence Nees

Publisher: Oxford University Press, USA

Published: 2002

Total Pages: 274

ISBN-13: 9780192842435

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Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.


Book Illumination in the Middle Ages

Book Illumination in the Middle Ages

Author: Otto Pächt

Publisher:

Published: 1994

Total Pages: 0

ISBN-13: 9781872501765

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Based on lectures given at the University of Vienna, this book examines all types of book decoration and illumination between late Antiquity and the Renaissance from the point of view of format and style. Pacht explains the basic vocabulary and concepts by which this art-form is to be understood, and offers insights into the philosophy, theology, technology and culture underlying its history. His subjects include pictorial decoration in the organic structure of the book; the initial; bible illustration; didactic miniatures; illustration of the apocalypse; illustration of the psalter; the conflict of surface and space. Now available in paperback.


Law and Sovereignty in the Middle Ages and the Renaissance

Law and Sovereignty in the Middle Ages and the Renaissance

Author: Robert Stuart Sturges

Publisher: Brepols Publishers

Published: 2011

Total Pages: 0

ISBN-13: 9782503533094

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Sovereignty, law, and the relationship between them are now among the most compelling topics in history, philosophy, literature and art. Some argue that the state's power over the individual has never been more complete, while for others, such factors as globalization and the internet are subverting traditional political forms. This book exposes the roots of these arguments in the Middle Ages and Renaissance. The thirteen contributions investigate theories, fictions, contestations, and applications of sovereignty and law from the Anglo-Saxon period to the seventeenth century, and from England across western Europe to Germany, France, Italy, and Spain. Particular topics include: Habsburg sovereignty, Romance traditions in Arthurian literature, the duomo in Milan, the political theories of Juan de Mariana and of Richard Hooker, Geoffrey Chaucer's legal problems, the accession of James I, medieval Jewish women, Elizabethan diplomacy, Anglo-Saxon political subjectivity, and medieval French farce. Together these contributions constitute a valuable overview of the history of medieval and Renaissance law and sovereignty in several disciplines. They will appeal to not only to political historians, but also to all those interested in the histories of art, literature, religion, and culture.


Medieval and Renaissance Art

Medieval and Renaissance Art

Author: Glyn Davies

Publisher: Victoria & Albert Museum

Published: 2009-11

Total Pages: 328

ISBN-13:

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This important and beautiful book accompanies the opening of the Victoria and Albert Museum's spectacular new Medieval and Renaissance galleries. Among the textiles, paintings, sculpture, glass, metalwork, prints, manuscripts, furniture, ceramics and jewelry featured here are such renowned treasures as the Devonshire tapestries, the Leonardo Notebooks, Donatellos Ascension relief, the reliquary casket of St. Thomas Becket, and many more astonishing works. Organized thematically, the book explores the social contexts responsible for these captivating objects, both commonplace and precious, recovering the attitudes of makers and owners of the time toward artistic practice. Rather than adopting the traditional sharp distinction between the Medieval and Renaissance, the authors explore aspects of the whole of this long period in European design and manufacture: an approach that emphasizes the continuities and gradual developments that were often as significant as sudden upheaval. A general historical introduction to the social and political background is followed by chapters that explore concepts of art, workshops, and sales, the classical past, ornament, religious art, health and body, and the ways in which objects themselves express the attitudes of their owners.