This paper presents a survey of the Ukrainian-Canadian folk narrative corpus as recorded in Western Canada in the 1960s. The four introductory chapters discuss the various changes illustrated by the collected field materials. A total of seventy-four selected folk narratives and other samples of oral traditions appear in the appendices.
Contains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority
This book is the only comprehensive bibliography of Canadian folklore in English. The 3877 different items are arranged by genres: folktales; folk music and dance; folk speech and naming; superstitions, popular beliefs, folk medicine, and the supernatural; folk life and customs; folk art and material culture; and within genres by ethnic groups: Anglophone and Celtic, Francophone, Indian and Inuit, and other cultural groups. The items include reference books, periodicals, articles, records, films, biographies of scholars and informants, and graduate theses. Each items is annotated through a coding that indicates whether it is academic or popular, its importance to the scholar, and whether it is suitable for young people. The introduction includes a brief survey of Canadian folklore studies, putting this work into academic and social perspective. The book covers all the important items and most minor items dealing with Canadian folklore published in English up to the end of 1979. It is concerned with legitimate Canadian folklore – whether transplanted from other countries and preserved here, or created here to reflect the culture of this country. It distinguishes between authentic folklore presented as collected and popular treatments in which the material has been rewritten by the authors. Intended primarily for scholars of folklore, international as well as Canadian, the book will also be of use to scholars in anthropology, cultural geography, oral history, and other branches of Canadian culture studies, as well as to librarians, teachers, and the general public.
Orality and Literacy investigates the interactions of the oral and the literate through close studies of particular cultures at specific historical moments. Rejecting the 'great-divide' theory of orality and literacy as separate and opposite to one another, the contributors posit that whatever meanings the two concepts have are products of their ever-changing relationships to one another. Through topics as diverse as Aboriginal Canadian societies, Ukrainian-Canadian narratives, and communities in ancient Greece, Medieval Europe, and twentieth-century Asia, these cross-disciplinary essays reveal the powerful ways in which cultural assumptions, such as those about truth, disclosure, performance, privacy, and ethics, can affect a society's uses of and approaches to both the written and the oral. The fresh perspectives in Orality and Literacy reinvigorate the subject, illuminating complex interrelationships rather than relying on universal generalizations about how literacy and orality function.
This study describes and documents the musical behaviour and heritage of the Koreans in Korea and in Metropolitan Toronto. Korean-Canadian folksongs and instrumental pieces are discussed and analyzed in detail.
A field collection of the repertoire of song and dance music of the Polish-Canadians of Renfrew County, Ontario, and a discussion of its function in their daily lives. / Échantillon du répertoire musical des Canadiens polonais du comté de Renfrew, Ontario, et l’amorce d’une discussion sur sa fonction au sein de la communauté.
A social and economic history of one of the oldest Ukrainian settlements in Western Canada. Established in 1896, the Stuartburn colony was one of the earliest Ukrainian settlements in western Canada. Based on an analysis of government records, pioneer memoirs, and the Ukrainian and English language press, Community and Frontier is a detailed examination of the social, economic, and geographical challenges of this unique ethnic community. It reveals a complex web of inter-ethnic and colonial relationships that created a community that was a far cry from the homogeneous ethnic block settlement feared by the opponents of eastern European immigration. Instead, ethnic relationships and attitudes transplanted from Europe affected the development of trade within the colony, while Ukrainian religious factionalism and the predatory colonial attitudes of mainstream Canadian churches fractured the community and for decades contributed to social dysfunction.
Utilizing social surveys, participant observation, interviews, life histories, oral testimony and documentary evidence, adherence to Chinese cultural traditions in Alberta is found to be inversely related to the accessibility of opportunity within the wider social context.
A selection of thirty-two traditional fiddle tunes transcribed from tapes with commentary concerning the tunes’ melody, performers, and annotations. An analysis of the ten extant versions of “La grande gigue simple” and the ten versions of its derivative “Red River Jig” are also provided.
