In Gender and Genre in the Folklore of Middle India, Joyce Burkhalter Flueckiger analyzes six representative Indian folklore genres from a single regional repertoire to show the influence of their intertextual relations on the composition and interpretation of artistic performance. Placing special emphasis on women’s rituals, she looks at the relationship between the framework and organization of indigenous genres and the reception of folklore performance. The regional repertoire under examination presents a strikingly female-centered world. Female performers and characters are active, articulate, and frequently challenge or defy expectations of gender. Men also confound traditional gender roles. Flueckiger includes the translations of two full performance texts of narratives sung by female and male storytellers respectively.
Traditional Indian lore through the eyes of two artists. “Their collaboration is nothing short of phenomenal. The illustrations take you into another world.” —Medium A shape-shifting tiger and a pretentious rat. A generous goddess and a powerful demon. A clever princess and a prince who returns from the dead. This collection of sixteen traditional tales transports readers to the beguiling world of Indian folklore. Transcribed by Indian and English folklorists in the nineteenth century, these stories brim with wit and magic. Fans of fairy tales will encounter familiar favorites—epic quests and talking animals—alongside delightful surprises—an irreverent sense of humor and an array of bold, inspiring heroines. Each tale in this ebook comes alive alongside exquisite artwork by a pair of contemporary Indian artists.
16 delightful tradition stories, including "Palwahn the Wrestler," "How Princess Maya got her Deserts," "The Munificent Miser," "The End of the World," and 12 other traditional tales.
"[A] rare piece of scholarly detective work." -- Margaret Mills, Ohio State University In Quest of Indian Folktales publishes for the first time a collection of northern Indian folktales from the late 19th century. Reputedly the work of William Crooke, a well-known folklorist and British colonial official, the tales were actually collected, selected, and translated by a certain Pandit Ram Gharib Chaube. In 1996, Sadhana Naithani discovered this unpublished collection in the archive of the Folklore Society, London. Since then, she has uncovered the identity of the mysterious Chaube and the details of his collaboration with the famous folklorist. In an extensive four-chapter introduction, Naithani describes Chaube's relationship to Crooke and the essential role he played in Crooke's work, as both a native informant and a trained scholar. By unearthing the fragmented story of Chaube's life, Naithani gives voice to a new identity of an Indian folklore scholar in colonial India. The publication of these tales and the discovery of Chaube's role in their collection reveal the complexity of the colonial intellectual world and problematize our own views of folklore in a postcolonial world.
This 2-volume study examines the reality of Hindu worship in northern India from the perspective of its popular manifestation. In rural areas, practical Hinduism differed dramatically from organized Vedic Hinduism and included cult worship of a multitude of local deities which were not formally recognized by the Vedas but exerted a greater influence on the rhythms, meanings and decisions of day-to-day life. Crooke's study may have been the first to look at the religion through eyes other than those of missionaries or the Hindu elite, seeking to fill a gap in European intellectual knowledge of India by documenting living traditions in a serious and accessible manner. Volume 1: The Godlings of Nature The Heroic and Village Godlings The Godlings of Disease The Worship of the Sainted Dead Worship of the Malevolent Dead Volume 2: The Evil Eye and the Scaring of Ghosts Tree and Serpent Worship Totemism and Fetishism Animal-Worship The Black Art Some Rural Festivals and Ceremonies
Speaking with Pictures offers a path-breaking exploration of visual narratives in folk art. It foregrounds folk art’s engagement with modernity by re-looking at its figurative modes and the ways in which they are embedded in mythic thought. The book discusses folk art as a contemporary phenomenon which is a part of a complex visual culture where the ‘essence’ of tradition is best captured in a ‘new’ form or medium. Each chapter picks up a theme that moves between the local and the global, thereby attempting to problematise the stereotypical view of folk artists as carriers of ‘timeless tradition’. The volume provides an ethnographic account of innovations through a detailed analysis of the scroll painting tradition of the patuas of West Bengal and the Pardhan-Gond style of Madhya Pradesh, highlighting some recent attempts at inter-medium exchange in storytelling. The book will interest those in visual and popular culture in anthropology, sociology, literary criticism and folklore. It will also be of immense value to art historians, museologists, curators and NGOs working in media and communication, apart from those with a general interest in folk art.