Contains one hundred illustrations representing the most significant aspects of the folk art tradition, with extensive footnotes and a biographical index of the major artists.
This handsome collection contains scores of unique images based on folk art designs created by artists of Austria, Poland, Hungary, Russia, Switzerland, and other European countries. Adapted from authentic sources, 265 original renderings depict scores of charming motifs incorporating florals, wildlife, riders on horseback, mythical figures, men and women in traditional costumes, and religious and secular motifs. Ideal for adding a touch of Old World flavor to a variety of projects, these eye-catching, stylized designs appear in assorted configurations, among them borders, squares, circles, medallions, and rectangles. Painstakingly reproduced and attractively presented, the designs represent a valuable resource of inspirational and practical art. The collection will be a major addition to the bookshelves of artists, designer, and craftworkers.
This vivid design book is filled with more than 288 full color, all-over patterns, borders and corners of decorative textile motifs from Romania. The orderly presentation of designs will be a valuable resource for textile historians and designers, fashion designers, interior and architectural designers, and folk art enthusiasts. These timely designs will be used over and over as inspiration for decorations of fabrics, wall coverings, carpets, ceramics, historical ornamentation, and jewelry. Accurately researched during the authors many trips to Eastern Europe, the designs were then translated into the stylized patterns and original colorations presented here. These colorful images are a must-have for anyone interested in today's popular multicultural motifs.
In this second volume of home-made artifacts, Russian artist Vladimir Arkhipov has travelled across Europe to further his collection. The objects he has found are made by everyday people inspired to create something themselves, rather than buying manufactured goods. His archive includes hundreds of objects created with idiosyncratic functional qualities: an Austrian ski-bob made using an old bicycle frame, and a device from Germany that enables a musician to play three brass tubas at once. Featuring 230 individual artifacts from Albania, Austria, Czech Republic, England, France, Germany, Ireland, Italy, Russia, Spain, Switzerland, Ukraine and Wales, accompanied by a photograph of the creator, their story of how the object came about, its function and the materials used to create it. The book is an essential companion to the first volume by the same author, expanding its theme. Here the objects are more recent, suggesting that the home-made phenomenon transcends simple necessity. Many have been made in pursuit of a hobby, or because the maker had the time and inclination to construct something personal. But with others (in Albania for example) the objects feel like they might be more vital to the maker's livelihood.
Overshadowed by the work of the great masters, folk art was for centuries neglected by collectors and museums, and scorned by connoisseurs. Indeed it only began to attract serious critical attention and public appreciation during the nineteenth century, while the spread of the Industrial Revolution was threatening it with extinction. Since then, though scholars have devoted much effort to the study of the subject on a national or regional basis, and have published the fruits of their researches in monographs and specialist journals, no major work of synthesis has appeared. The field is vast, for, if we include those American communities which are of European origin, it ranges (in area) from the Urals to the Catskills, and from Norway to Peru, and (in time) from the Middle Ages onwards. This rich and varied body of anonymous achievement in the arts and crafts has now been made the subject of an exhaustive coordinated study under the editorship of H J Hansen. The contributors are all specialists who are professionally concerned with the study and preservation of folk art, and have been drawn from many countries. In the text, the subject is treated country by country. In the illustrations, the artifacts are arranged by category: buildings, furniture, household utensils, ceramics, glass, costume, toys, woodcarving and painting-a uniquely comprehensive pictorial survey, made possible by the generosity of museums and private collectors all over Europe, who freely made their treasures available for the purpose. The last chapter, devoted to folk art on the market, is a valuable guide to the collector and dealer. Indispensable to the scholar, this book will also be a revelation to anyone who has hitherto regarded folk art as being inevitably quaint or primitive. It provides a remarkable record of the beauty and refinement of style which result from direct contact between the human creative impulse and the articles used in everyday life by ordinary people.
As well as information on their history and origins, types and techniques, and guidance on buying and valuing, cleaning and repairing, this guide to using kilims in the home also contains over 250 photographs providing hundreds of decorative ideas.
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.