Since Gérard Genette first coined the term in 1972, focalization has been recognized as one ofthe key concepts in contemporary understandings of narrative. However, in the field of biblical studies, the concept has been largely overlooked. Dr. Konstantin Nazarov seeks to rectify this oversight, exploring the implications of focalization on Old Testament narratology. Utilizing the work of Wolf Schmid and Valeri Tjupa to develop his methodology – and examining the book of Ruth as a case study – Nazarov demonstrates the value of focalization in furthering the appreciation and understanding of biblical texts. This is an excellent resource for students of narratology, biblical studies scholars, or anyone seeking to better understand the narratives of Scripture.
"Returning to her native town in East Germany forty years later, accompanied by her inquisitive and sometimes demanding daughter, Wolf attempts to recapture her past and to clarify memories of growing up in Nazi Germany. This novel is a testament of what seemed at the time a fairly ordinary childhood, in the bosom of a normal Nazi family in Landsberg."--
Kristen Moen Saxegaard demonstrates how character complexity generates theological themes in the Book of Ruth. Each character has its specific voice which raises a particular topic. The interaction between the characters elaborates multiple perspectives to these themes, which offer new approaches and alternative answers to the reading of Ruth.
The concept of possible worlds, originally introduced in philosophical logic, has recently gained interdisciplinary influence; it proves to be a productive tool when borrowed by literary theory to explain the notion of fictional worlds. In this book Ruth Ronen develops a comparative reading of the use of possible worlds in philosophy and in literary theory, and offers an analysis of the way the concept contributes to our understanding of fictionality and the structure and ontology of fictional worlds. Dr Ronen suggests a new set of criteria for the definition of fictionality, making rigorous distinctions between fictional and possible worlds; and through specific studies of domains within fictional worlds - events, objects, time, and point of view - she proposes a radical rethinking of the problem of fictionality in general and fictional narrativity in particular.
“Do not urge me to abandon you, to turn back from following after you. For wherever you go, I will go, and wherever you lodge, I will lodge. Your people are my people, and your God is my God.” In this pivotal verse, Ruth’s self-sacrificial declaration of loyalty to her mother-in-law Naomi forms the relationship at the heart of the book of Ruth. Peter H. W. Lau’s new commentary explores the human and divine love at the center of the narrative as well as the book’s relevance to Christian theology. In the latest entry in the New International Commentary on the Old Testament, Lau upholds the series’ standard of quality. The Book of Ruth includes detailed notes on the translation and pays careful attention to the original Hebrew and the book’s historical context, all the while remaining focused on Ruth’s relevance to Christian readers today. An indispensable resource for pastors, scholars, students, and all readers of Scripture, Lau’s commentary is the perfect companion to one of the most beloved books of the Old Testament.
Tremper Longman has studied and taught the Old Testament and its interpretation for four decades. Now, in a planned three-book project, he presents his mature thoughts on the essentials of Old Testament interpretation. This first volume explores the importance of reading the Old Testament as literature. We need to recognize that each culture tells its stories and writes its poems in different ways. To read and understand the Old Testament texts the way the ancient authors intended, we need to be aware of the conventions of Hebrew storytelling and poetry. In part one, dealing with literary theory, Longman investigates how texts create meaning, the history of the study of the Old Testament as literature, and how genre dictates reading strategy. He explores the Hebrew conventions of both narrative and poetry in conversation with contemporary literary analysis. Part two delves into practice, using the tools gained in part one to look at and interpret a variety of Old Testament narratives and poetry. Longman's accessible writing and balanced judgments make this book suitable for the classroom and the church.
This unique approach reveals that there is much more to be known about biblical women than previous studies have assumed. Employing historical and literary readings of the biblical texts, Bauckham successfully captures the particularity of each woman he studies.
The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship. Overview of Commentary Organization Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology. Each section of the commentary includes: Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope. Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English. Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation. Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here. Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research. Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues. General Bibliography—occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.
Stories of women in the Bible have been interpreted by artists, writers, musicians, filmmakers, and biblical commentators for centuries. However, in many cases, these later interpreters have often adapted and altered the Bible to fit their own view(s) of the stories. Ironically, these later renderings usually serve as the basis for the generally accepted view(s) of biblical women. For example, many readers of the Bible assume that Eve is to blame for the disobedient act in the Garden of Eden, or that Delilah seduced Samson and then cut his hair. A closer look at these assumptions, though, reveals that they are not based on the Bible, but are mediated through the creations of later interpreters. In this book, the author examines eight such women's stories, and shows how later readers interact with the biblical stories to construct sometimes fanciful, sometimes faulty views of these women. Dan Clanton, Jr. broadens our awareness of the influence of these later readings on how we understand biblical women so that we can be more critical in our engagement with them, and become more familiar with what the Bible actually says about the women whose stories it contains.
