Cambridge, 1892. Four years have passed since Vanessa Duncan's memorable introduction to detective work, and her success at proving the innocence of the wrongly accused has not gone unnoticed. With the arrival of the formidable Mrs Bryce-Fortescue, Vanessa is once again called on to help solve a perplexing mystery. Mr George Burton Granger has been found shot dead at the edge of his manor estate. His wife Sylvia, daughter to Mrs Bryce-Fortescue, appears to be the police's main suspect. But could the fragile Sylvia really be capable of such an act? And who is the mysterious young man sighted on the day of the killing? Vanessa must delve into the innermost secrets of the suspects if she is to find the hidden solution.
Cambridge, 1888. When schoolmistress Vanessa Duncan learns of a murder at St John's College, little does she know that she will become deeply entangled in the mystery. Dr Geoffrey Akers, Fellow in Pure Mathematics, has been found dead, struck down by a violent blow to the head. What could provoke such a brutal act? Vanessa, finding herself in amongst Cambridge's brightest scholarly minds, discovers that the motive may lie in mathematics itself. Drawn closer to the case by a blossoming friendship with mathematician Arthur Weatherburn, Vanessa begins to investigate. When she learns of Sir Isaac Newton's elusive 'n-body problem' and the prestigious prize offered to anyone with a solution, things begin to make sense. But with further deaths occurring and the threat of an innocent man being condemned, Vanessa must hurry with her calculations . . .
It is New Year's day, 1900, when the brilliant violinist Sebastian Cavendish is found dead. The last few days of his life are a mystery, but in the final hours of 1899 he wrote a cryptic suicide note mentioning a "cursed inheritance", took poison, and died in agony. Yet his friends and relations are utterly perplexed. The man they knew and grieve for was vivacious, exuberant and extroverted. His fellow musicians speak of his passion, his drive, and his love of living. The socialites he met, all of whom lavished him with praise, saw only a dazzling future ahead of him. So why, his friends and loved ones ask, would he change his plans at such short notice, disappear for days on end, and take his own life? Vanessa Weatherburn, an established detective and ex-tutor to one of Sebastian's friends, is engaged to investigate the dead man's final movements. It is a journey which will reveal to her the science of genetics, the history of Sebastian's equally brilliant grandfather and the long-kept secrets of the Cavendish family.
A passionate exhortation to expand the ways we talk about human sex, sexuality, and gender Twenty-five years ago, Mark D. Jordan published his landmark book on the invention and early history of the category “sodomy”, one that helped to decriminalize certain sexual acts in the United States and to remove the word “sodomy” from the updated version of a standard English translation of the Christian Bible. In Queer Callings, Jordan extends the same kind of illuminating critical analysis to present uses of “identity” with regard to sexual difference. While the stakes might not seem as high, he acknowledges, his newest history of sexuality is just as vital to a better present and future. Shaking up current conversations that focus on “identity language”, this essential new book seeks to restore queer languages of desire by inviting readers to consider how understandings of “sexual identity” have shifted—and continue to shift—over time. Queer Callings re-reads texts in various genres—literary and political, religious and autobiographical—that have been preoccupied with naming sex/gender diversity beyond a scheme of LGBTQ+ identities. Engaging a wide range of literary and critical works concerned with sex/gender self-understanding in relation to “spirituality”, Jordan takes up the writings of Oscar Wilde, Marcel Proust, Djuna Barnes, Samuel R. Delany, Audre Lorde, Geoff Mains, Eve Kosofsky Sedgwick, Gloria Anzaldúa, Maggie Nelson, and others. Before it’s possible to perceive sexual identities differently, Jordan argues, current habits for classifying them have to be disrupted. In this way, Queer Callings asks us to reach beyond identity language and invites us to re-perform a selection of alternate languages—some from before the invention of phrases like “sexual identity,” others more recent. Tracing a partial genealogy for “sexual identity” and allied phrases, Jordan reveals that the terms are newer than we might imagine. Many queer folk now counted as literary or political ancestors didn’t claim a sexual or gender identity: they didn’t know they were supposed to have one. Finally, Queer Callings joins the writers it has evoked to resist any remaining confidence that it’s possible to give neatly contained accounts of human desire. Reaching into the past to open our eyes to extraordinary opportunities in our present and future, Queer Callings is a generatively destabilizing and essential read.
An American Gothic novel spanning several generations in America and the afterlife. Set on a farm in Kentucky in 1955, a farmer finds his dog dying in his barn.
Cambridge, 1896. Motherhood and private detecting don't easily go hand in hand, but even with two small children Vanessa Weatherburn still manages to indulge her passion for solving mysteries. When three sombre scholars knock on the door of her family home, Vanessa is presented with perhaps her most puzzling case yet. Professor Gerard Ralston, Head of the History Department at King's College, London, has been shot dead in his study. As the only suspect left the building a matter of seconds before the shot was heard, and with witnesses testifying that no one left the building after the shot rang out, all are perplexed as to how the killer could have escaped. Vanessa must use all her logic and intuition in order to solve the paradox of a seemingly impossible murder.
The chaotic Pentecost home is thrown into further turmoil by the arrival of three young visitors. Then, without warning, a threat from outside enters their lives. The idyllic countryside surrounding the Pentecost's home holds an unknown danger as fear takes a grip.
Hector Terries, Distinguished Professor of History and a world famous, if controversial, figure in his field, arrives in Athens from Australia in 1985 hoping to discover what had happened to his former fiancée, Alathea, who had inexplicably disappeared without a trace from the city twenty-four years earlier. Though a convinced rationalist and materialist, he comes to feel that he is being haunted by the ghost of the missing woman, whose phantom he encounters on several occasions. Researching Alathea's disappearance, Hector becomes unwittingly involved in terrorist violence, official corruption, multiple murders, and romantic entanglements, as well as highly disquieting psychic phenomena, eventually uncovering hidden truths so devastating that his hitherto dogmatic scientism is shaken, leaving him transformed by the experience. He finally realises that though his misfortunes seem to stem from the chaotic and vicious era in which he is living, he has in fact been condemned from birth to play a fated role in a contemporary Greek tragedy, with its roots stretching back into a far-distant past.
