Blah! Mr. Raisin is a bit of a grump. He lives all alone in a little house, and he likes it that way just fine. One day, a mysterious basket appears on Mr. Raisin’s doorstep. When he opens it up, it seems there’s nothing inside . . . until he notices a floating dog bobbing along his ceiling. What follows is a heartwarming, hilarious tale about embracing the unexpected—and finding friendship that takes you to new heights, in John Himmelman's Floaty.
Princess Hyacinth is bored and unhappy sitting in her palace every day because, unless she is weighed down by specially-made clothes, she will float away, but her days are made brighter when kite-flying Boy stops to say hello.
A history of the American Civil War naval battle, the first confrontation between two Ironclads, featuring accounts from men who lived through it. “Ironclad against ironclad, we maneuvered about the bay here and went at each other with mutual fierceness,” reported Chief Engineer Alban Stimers following that momentous engagement between the USS Monitor and the CSS Virginia (ex USS Merrimack) in Hampton Roads, Sunday, March 9, 1862. The day before, the Rebel ram had obliterated two powerful Union warships and was poised to destroy more. That night, the revolutionary—not to say bizarre—Monitor slipped into harbor after hurrying down from New York through fierce gales that almost sank her. These metal monstrosities dueled in the morning, pounding away for hours with little damage to either. Who won is still debated. One Vermont reporter could hardly find words for Monitor: “It is in fact unlike anything that ever floated on Neptune’s bosom.” The little vessel became an icon of American industrial ingenuity and strength. She redefined the relationship between men and machines in war. But beforehand, many feared she would not float. Captain John L. Worden: “Here was an unknown, untried vessel . . . an iron coffin-like ship of which the gloomiest predictions were made.” The CSSVirginia was a paradigm of Confederate strategy and execution—the brainchild of innovative, dedicated, and courageous men, but the victim of hurried design, untested technology, poor planning and coordination, and a dearth of critical resources. Nevertheless, she obsolesced the entire U.S. Navy, threatened the strategically vital blockade, and disrupted General McClellan’s plans to take Richmond. From flaming, bloody decks of sinking ships, to the dim confines of the first rotating armored turret, to the smoky depths of a Rebel gundeck—with shells screaming, clanging, booming, and splashing all around—to the office of a worried president with his cabinet peering down the Potomac for a Rebel monster, this dramatic story unfolds through the accounts of men who lived it in Unlike Anything That Ever Floated. Praise for Unlike Anything That Ever Floated “Hughes’s blow-by-blow account of the March 8–9 fighting at Hampton Roads can be considered among the finest short-form narrative treatments of those events. . . . [It] resides in the top rank of ECW series volumes.” —Civil War Books and Authors “What makes Hughes’s account so engrossing is that it is written in much the way as a novel.” —Civil War News
Bestselling Caldecott Honor artist Lane Smith and legendary author Florence Parry Heide have teamed up to create an unforgettable princess sure to charm and delight young readers. Princess Hyacinth has a problem: she floats. And so the king and queen have pebbles sewn into the tops of her socks, and force her to wear a crown encrusted with the heaviest jewels in the kingdom to keep her earthbound. But one day, Hyacinth comes across a balloon man and decides to take off all her princess clothes, grab a balloon, and float free. Hooray! Alas, when the balloon man lets go of the string . . . off she goes. Luckily, there is a kite and a boy named Boy to save her.
In early 2009 a strange sort of business plan landed on the desk of a pinstriped bank manager. It had pictures of rats and moles in rowing boats and archaic quotes about Cleopatra's barge. It asked for a £30,000 loan to buy a black-and-cream narrowboat and a small hoard of books. The manager said no. Nevertheless The Book Barge opened six months later and enjoyed the happy patronage of local readers, a growing number of eccentrics and the odd moorhen. Business wasn't always easy, so one May morning owner Sarah Henshaw set off for six months chugging the length and breadth of the country. Books were bartered for food, accommodation, bathroom facilities and cake. During the journey, the barge suffered a flooded engine, went out to sea, got banned from Bristol and, on several occasions, floated away altogether. This account follows the ebbs and flows of Sarah's journey as she sought to make her vision of a floating bookshop a reality.
Struggling with a stalled career and the challenges of single motherhood, London singer Stephanie Glassman faces apprehension in the wake of an audition and the return of her son's father, who promises passion and stability.
A Kirkus Reviews Best Book of the Year A Chicago Public Library Best of the Best of the Year "Profoundly moving . . . Will take your breath away." —Kathleen Glasgow, author of Girl in Pieces A stunningly gorgeous and deeply hopeful portrayal of living with mental illness and grief, from an exceptional new voice. Biz knows how to float. She has her people, her posse, her mom and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, and who shouldn't be here but is. So Biz doesn't tell anyone anything. Not about her dark, runaway thoughts, not about kissing Grace or noticing Jasper, the new boy. And she doesn't tell anyone about her dad. Because her dad died when she was seven. And Biz knows how to float, right there on the surface—normal okay regular fine. But after what happens on the beach—first in the ocean, and then in the sand—the tethers that hold Biz steady come undone. Dad disappears and, with him, all comfort. It might be easier, better, sweeter to float all the way away? Or maybe stay a little longer, find her father, bring him back to her. Or maybe—maybe maybe maybe—there's a third way Biz just can't see yet. Debut author Helena Fox tells a story about love and grief, about inter-generational mental illness, and how living with it is both a bridge to someone loved and lost and, also, a chasm. She explores the hard and beautiful places loss can take us, and honors those who hold us tightly when the current wants to tug us out to sea. "Give this to all [your] friends immediately." —Cosmopolitan.com "I haven't been so dazzled by a YA in ages." —Jandy Nelson, author of I'll Give You the Sun (via SLJ) "Mesmerizing and timely." —Bustle "Nothing short of exquisite." —PopSugar "Immensely satisfying" —Girls' Life * "Lyrical and profoundly affecting." —Kirkus (starred review) * "Masterful...Just beautiful." —Booklist (starred review) * "Intimate...Unexpected." —PW (starred review) * "Fox writes with superb understanding and tenderness." —BCCB (starred review) * "Frank [and] beautifully crafted." —BookPage (starred review) "Deeply moving...A story of hope." —Common Sense Media "This book will explode you into atoms." —Margo Lanagan, author of Tender Morsels "Helena Fox's novel delivers. Read it." —Cath Crowley, author of Words in Deep Blue "This is not a book; it is a work of art." —Kerry Kletter, author of The First Time She Drowned "Perfect...Readers will be deeply moved." —Books+Publishing
