"Through detailed text and more than two hundred photos, this book chronicles the development and evolution of Gibson's fabulous flat-tops, discusses the musical properites of individual models, and shows why these guitars have been the choice of so many great musicians, professional and amateur alike, over the last eighty years." --Book Jacket.
Vintage Guitars: The Instruments, the Players, and the Music is the first pictorial reference work to offer guitar enthusiasts, players and collectors an opportunity to explore the eventful, endless give-and-take between musicians and instrument makers that has produced America's popular music and its quintessential instrument. Generously illustrated with more than 150 photos of players, instruments, catalog pages and other memorabilia, this book features everything from the elegant American guitars of the 19th century to the evolving dreadnought, jumbo, 12-string, archtop resophonic and more - original instruments as well as contemporary incarnations and reissues. It spotlights the guitars of Leadbelly, Jimmie Rodgers, the Everly Brothers, Tony Rice, Emmylou Harris, Ben Harper and others. The collector's edition features the book in a classy, hard-back slip case.
Flattop Guitars: An American Lutherie Anthology is a collection of articles about making and repairing flattop guitars from the pages of the quarterly journal of the Guild of American Luthiers from 2006-2009. Includes how-too information, instrument plans, interviews with prominent luthiers (makers of stringed musical instruments), hundreds of photographs.
Author Michael Wright builds on the success of his Guitar Stories, Volume One in this series of histories of cool guitars. Volume Two continues Wright's incredible research and painstaking attention to detail, covering brands that had a heavy impact in the world of the guitar, including companies such as Kay, Alamo, Veleno, Martin Electrics, Maccaferri, and Guild Solidbodies. As with Volume One, over 800 rare and fascinating photos (including sumptuous full-color spreads) help to tell the tale of these innovative instruments. Includes a helpful index. Also available: Guitar Stories, Volume One 00330018 $29.95.
Mastering the Guitar Class Method is a remarkably innovative new approach to teaching guitar in class settings. Special features of this method include: careful grading of all material; use of both standard notation and tablature; numerous guitar ensemble pieces; the combining of music with other disciplines such as history, math, English, etc.; presentation of varied musical styles as applied to theguitar; solo material from different musical periods; selections derived from variouscountries and cultures; graded lessons on improvising; and suggested guitarback-up and accompaniment styles. This new method meets current MENC national standards for music education. After completing this volume, students should proceed to Mastering the Guitar Class Method Level 2. Teacher Supplement and Lesson Plans available
In this class guitar method, traditional fundamentals of playing guitar are presented using an innovative approach. Students are shown chords and accompaniment techniques as well as how to read music and play solo guitar. The carefully graded repertoire in this book is stylistically diverse and includes music from many cultures. A section is devoted to teaching students how to improvise over blues chord progressions and write original blues lyrics. A special feature of this class method is the inclusion of music written for guitar ensemble (2-5 guitars). Musical examples are provided with blend of standard notation and tab. Musical examples do not employ standard notation and tab at the same time. An accompanying audio and Teachers' Supplement are available. Includes access to online audio.
This book will help all guitar players make better friends with their present guitar or decide on features to look for in a new one. They will learn about the differences in guitar woods (and how they sound), simple guitar maintenance, how to choose an instrument for their style of playing, what to expect from a music dealer, and the mystique of collectible guitars. This new edition includes more details on amplifying acoustic guitars, and a guide to guitar companies' Web sites.
It's impossible to imagine today's musical landscape without the acoustic guitar. From its beginnings in European classical music, through American innovations like blues, jazz, and country, all the way to rock, pop, and folk, the instrument's versatility has become a way to connect musical styles. Acoustic Guitar is an indispensable guide for all those who have been taken in by the spell and fascination of the instrument.
New York Times bestselling author Allen St. John started off looking for the world’s greatest guitar, but what he found instead was the world’s greatest guitar builder. Living and working in Rugby, Virginia (population 7), retired rural mail carrier Wayne Henderson is a true American original, making America's finest instruments using little more than a pile of good wood and a sharp whittling knife. There's a 10-year waiting list for Henderson's heirloom acoustic guitars—and even a musical legend like Eric Clapton must wait his turn. Partly out of self-interest, St. John prods Henderson into finally building Clapton's guitar, and soon we get to pull up a dusty stool and watch this Stradivari in glue-stained blue jeans work his magic. The story that ensues will captivate you with its portrait of a world where craftsmanship counts more than commerce, and time is measured by old jokes, old-time music, and homemade lemon pies shared by good friends.
Reunion is the awkward, tender meeting between a father and daughter after nearly twenty years separation. Dark Pony is the telling of a mythical story by a father to his young daughter as they drive home in the evening.
