Ronaldo Cadeu's Five Pieces for Solo Flute, Op. 9, no. 7 is a great option for the performer who wants to include some contemporary music in his / her repertoire. Based on Igor Stravinsky's Three Pieces for Solo Clarinet, the present piece explores many different compositional techniques without losing track of sense, form and beauty. The third piece of this set,Fantasy World, includes a poem also written by Mr. Cadeu which have to be spoken by the performer during the performance.
Ronaldo Cadeu's Four Pieces for Solo Bassoon, Op. 9, no. 5a is a great option for the performer who wants to include some contemporary music in his / her repertoire. Based on Igor Stravinsky's Three Pieces for Solo Clarinet the present piece explores many different compositional techniques like quartal harmony, twelve-tone, metric modulation and free atonality, without losing track of sense, form and beauty.
Phillip Rehfeldt has assembled here techniques of dealing with clarinet performances as they have evolved since 1950. He catalogs contemporary practices that differ from those formerly standardized, provides perspective on performance capabilities and limitations, and includes suggestions for performance based on his own experience. The new edition has been completely rewritten, corrected where necessary, and updated. Rehfeldt has added the complete list of William O. Smith's clarinet compositions and recordings to the previous listing of his early multiphonic fingerings. The new edition also includes an appendix containing Eric Mandat's quarter-tone fingerings; a second, extensive music bibliography, the "International Update"; and an updated and annotated bibliography of music literature.
The Dictionary of American Classical Composers covers over 650 composers active from the 18th century to today. Covering all classical styles, it offers the most comprehensive overview of key composers in the United States available. Entries include basic biographical information and critical analysis of each composer's key works and ideas. Entries also include worklists and bibliographic information. Whenever possible, the entries will have been checked by the composers themselves to assure greatest possible accuracy. This new edition, completely updated and expanded from the 1984 edition, also includes over 200 historic photographs.
The Rough Guide to World Musicwas published for the first time in 1994 and became the definitive reference. Six years on, the subject has become too big for one book- hence this new two-volume edition. World Music 2- Latin and North America, Caribbean, India, Asia and Pacifichas full coverage of everything from salsa and merengue to qawwali and gamelan, and biographies of artists from Juan Luis Guerra to The Klezmatics to Nusrat Fateh Ali Khan. Features include more than 80 articles from expert contributors, focusing on the popular and roots music to be seen and heard, both live and on disc, and extensive discographies for each country, with biography-notes on nearly 2000 musicians and reviews of their best available CDs. It includes photos and album cover illustrations which have been gathered from contemporary and archive sources, many of them unique to this book, and directories of World Music labels, specialist stores around the world and on the internet.
"Introduces more than one hundred of the most popular and frequently performed classical works of our era; includes works by Copland, Ives, Gershwin, Bartok, Stravinsky, Prokofiev, Ravel, Shostakovich, and many more"--Page 4 of cover.
Vincent Persichetti: Grazioso, Grit, and Gold is the first critical biography of the esteemed American composer, bringing together scholarly work and short contributed essays of prominent performers. Andrea Olmstead weaves a captivating narrative of the composer from his early life to his musical activities at Juilliard and death in 1987.
The Polish composer Henry Górecki (born 1933) achieved world-wide renown in 1992 when his Third Symphony, written in 1976, was recorded on CD and became an international bestseller. It is now one of the best known musical compositions of recent years, yet Górecki's other music is still relatively little known. This study, the first detailed account of his works in any language, provides biographical information as background to the music, and is by a leading enthusiast of Górecki's music. Adrian Thomas discusses Górecki's position as leader of the Polish avant-garde in the late 1950s, and his subsequent discovery of the folk and church music of Old Poland, notably that of the Podhale region in southern Poland. He describes Górecki's unmistakable musical world, from the large orchestral scores (Scontri, Refrain, the Symphonies) and the choral works (Beatus Vir, commissioned by and dedicated to Pope John Paul II), to the more modest church songs and folk-song arrangements. There is a complete list of works since 1955 with details of instrumentation and recordings, and a select bibliography.
In this second edition of Orchestral “Pops” Music: A Handbook, Lucy Manning brings forward to the present her remarkable compendium of information about this form of orchestral music. Since the appearance of the first edition in 2008, this work has proven critical to successful “pops” concert programming. With changes in publishers and agents, the discontinuation of the publication of certain original material or, worst of all, presses going out of business, music directors, orchestra conductors, and professional instrumentalists face formidable challenges in tracking down accurate information about this vast repertoire. This revised handbook alleviates the time-consuming task of researching these changes by offering a list of works for orchestral “pops” concerts that is comprehensive, informative, and current. Manning’s emphasis on clarity and accuracy gives users an indispensable tool for gathering vital information on the style, instrumentation, and availability of the repertoire listed, as well as notes on its performance. The user-friendly appendices include expanded instrumentation choices, easy-to-find durations, and handy title cross-references. In addition to corrections and updates, this new edition of Orchestral “Pops” Music includes at least 1,000 new title listings. Orchestral “Pops” Music: A Handbook is the ideal tool for working conductors and orchestral librarians, as well as music program directors at colleges, conservatories, and orchestras.
