Inspired by TRUE EVENTS. On an American college campus in 1987, three students began playing a seemingly innocent game of contacting the dead. This is their story.
From renowned true-crime historian Harold Schechter, whom The Boston Book Review hails as “America’s principal chronicler of its greatest psychopathic killers,” comes the riveting exploration of a notorious, sensational New York City murder in the 1890s, the fascinating forensic science of an earlier age, and the explosively dramatic trial that became a tabloid sensation at the turn of the century. Death was by poison and came in the mail: A package of Bromo Seltzer had been anonymously sent to Harry Cornish, the popular athletic director of Manhattan’s elite Knickerbocker Athletic Club. Cornish barely survived swallowing a small dose; his cousin Mrs. Katherine Adams died in agony after ingesting the toxic brew. Scandal sheets owned by Hearst and Pulitzer eagerly jumped on this story of fatal high-society intrigue, speculating that the devious killer was a chemist, a woman, or “an effeminate man.” Forensic studies suggested cyanide as the cause of death; handwriting on the deadly package and the vestige of a label glued to the bottle pointed to a handsome, athletic society scamp, Roland Molineux. The wayward son of a revered Civil War general, Molineux had clashed bitterly with Cornish before. He had even furiously denounced Cornish when penning his resignation from the Knickerbocker Club, a letter that later proved a major clue. Bon vivant Molineux had recently wed the sensuous Blanche Chesebrough, an opera singer whose former lover, Henry Barnet, had also recently died . . . after taking medicine sent to him through the mail. Molineux’s subsequent indictment for murder led to two explosive trials, a sex-infused scandal that shocked the nation, and a lurid print-media circus that ended in madness and a proud family’s disgrace. In bold, brilliant strokes, Schechter captures all the colors of the tumultuous legal case, gathering his own evidence and tackling subjects no one dared address at the time–all in hopes of answering the tantalizing question: What powerfully dark motives could drive the wealthy scion of an eminent New York family to foul murder? Schechter vividly portrays the case’s fascinating cast of characters, including Julian Hawthorne, son of Nathaniel Hawthorne, a prolific yellow journalist who covered the story, and proud General Edward Leslie Molineux, whose son’s ignoble deeds besmirched a dignified national hero’s final years. All the while Schechter brings alive Manhattan’s Gilded Age: a gaslit world of elegant town houses and hidden bordellos, chic restaurants and shabby opium dens, a city peopled by men and women fighting and losing the battle against urges an upright era had ordered suppressed. Superbly researched and powerfully written, The Devil’s Gentleman is an insightful, gripping work, a true-crime historian’s crowning achievement.
Dunbar charts the untold story of how investment banks invented new financial products, how investors across the world were wooed into buying them, and how speculators made a killing from the near-meltdown of the financial system.
Some critics in England and France have long maintained that British director Terence Fisher, whose films dominated world markets in the 1950s and 60s, was one of the greatest directors of fantasy films in history. Since his death in 1980, Fisher's reputation has grown from relative obscurity and his influence on the development of the modern horror film has been widely recognized. However, Fisher's importance should not be limited to the context of the fantasy and horror film genres. His films should also be recognized as expressions of his generalizations about human spirituality. This critical study of Fisher's films begins with an introduction that provides biographical information on his film career, summaries of all of the films he directed and examples of his impact on contemporary cinema. All of Fisher's films are analyzed in terms of their Christian and religious themes as well as their mythical sources. Chapters are devoted to Fisher's work on the subjects of Frankenstein, Dracula, curses (The Devil Rides Out), the ancient goddess (The Gorgon), the divided self (The Man Who Could Cheat Death) and the redeemer hero (The Stranglers of Bombay). The concluding chapter analyzes the role and influence of Biblical narratives in Fisher's films. Also included is a filmography; the work is fully indexed.
Freemasonry is perhaps the most secret of secret societies as, similarly, the Yale University fraternal group, Skull and Bones, is among all college fraternities, which, apparently, has Masonic antecedents. Although relatively little is publicly known about the Yale group, it is well known that Freemasonry has almost since its inception been militantly opposed to the Roman Catholic Church, and, indeed all conventional religions. Their God Is The Devil is a characterization applied to this secret Fraternity by Pope Pius VII in 1829. This book highlights, arguably, the most important Papal encyclicals and similar Vatican documents regarding the Church's condemnation of Freemasonry and similar secret societies, most of which are "fronts" for the Ancient Craft. Most important for people to understand is the fact that Masons are indoctrinated with the idea that MAN IS GOD! Perhaps the most telling is Pope Leo XIII's Encyclical Letter, Humanum Genus of 1884. It reveals a far different Masonry than was provided by the August New York Times. That "paper of record" said: The Roman Catholic Church, in keeping its members outside the door of this innocent association, has committed a terrible mistake." . Check it out!.
Essays on morality, mortality, and much more from the New York Times–bestselling author of The Selfish Gene and The God Delusion. This early collection of essays from renowned evolutionary biologist Richard Dawkins is an enthusiastic declaration, a testament to the power of rigorous scientific examination to reveal the wonders of the world. In these essays, Dawkins revisits the meme, the unit of cultural information that he named and wrote about in his groundbreaking work, The Selfish Gene. Here also are moving tributes to friends and colleagues, including a eulogy for novelist Douglas Adams, author of The Hitchhiker’s Guide to the Galaxy; correspondence with fellow biologist Stephen Jay Gould; commentary on the events of 9/11; and visits with the famed paleoanthropologists Richard and Meave Leakey at their African wildlife preserve. Ending with a vivid note to Dawkins’s ten-year-old daughter, reminding her to remain curious, ask questions, and live the examined life, A Devil’s Chaplain is a fascinating read by “a man of firm opinions, which he expresses with clarity and punch” (Scientific American).
"A definitive portrait of the madness of big-time moviemaking" (Newsweek), now the basis for the new season of TCM's hit podcast, "The Plot Thickens" and featuring a new afterword by the author When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities, both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade. She shadowed the film from its early stages through the last of the eviscerating reviews, and met everyone from the actors to the technicians to the studio executives. They'd all signed on for a blockbuster, but there was a sense of impending doom from the start--heart-of-gold characters replaced Wolfe's satiric creations; affable Tom Hanks was cast as the patrician heel; Melanie Griffith appeared mid-shoot with new, bigger breasts. With a keen eye and ear, Salamon shows us how the best of intentions turned into a legendary Hollywood debacle. The Devil's Candy joins John Gregory Dunne's The Studio, Steven Bach's Final Cut, and William Goldman's Adventures in the Screen Trade as a classic for anyone interested in the workings of Hollywood. With a new afterword profiling De Palma ten years after the movie's devastating flop (and this book's best-selling publication), Julie Salamon has created a riveting insider's portrait of an industry where art, talent, ego, and money combine and clash on a monumental scale.
Paul Rice flies out to California for a lucrative job offer from Ted Blair, an attorney presently cruising along the coast on his yacht. Paul is asked to find a man. Mordecai Reese. It sounded simple enough, so he takes the case on. but later learns that there was a whole lot that Blair didn’t tell him, like Blair was acting in behalf of his Catholic Church Cardinal brother, who really wants the book Reese took from a Neo-Nazi living in America, a book plundered by the Nazis during World War II, when they were obsessed with the Occult. This particular book was supposedly written by a cloistered monk with the help of the Devil and later printed unknowingly by Gutenberg. Over the centuries the book stayed in the hands of the Catholic Church until the Nazis took it from them, and now Reese had it. Paul soon discovers that everyone wants to own the book including the Catholic Church, who wanted it back, some Neo-Nazis skinheads, a very attractive woman named Abigail Azazel, who represented the Nephilim, and of course Blair and Reese. The only rub was that those who possessed the book and opened it suddenly died.
'ONE OF OUR VERY BEST WRITERS' Sunday Times 'A tour de force' The Times 'Intoxicating' Daily Telegraph 'Devilishly delightful' New York Times Book Review 'Beautifully and compellingly written' Sunday Express 'Audacious' Times Literary Supplement The bestselling classic tale of a woman scorned, from a much-loved British author Ruth Patchett never thought of herself as particularly devilish. Rather the opposite in fact - simply a tall, not terribly attractive woman living a quiet life as a wife and mother in a respectable suburb. But when she discovers that her husband is having a passionate affair with the lovely romantic novelist Mary Fisher, she is so seized by envy that she becomes truly diabolic. Within weeks she has burnt down the family home, collected the insurance, made love to the local drunk and embarked on a course of destruction and revenge. A blackly comic satire of the war of the sexes, The Life and Loves of a She Devil is the fantasy of the wronged woman made real. PRAISE FOR FAY WELDON 'She's a Queen of Words' Caitlin Moran 'A national treasure' Literary Review 'The literary equivalent of a stiff drink, a dip in the Atlantic in January, a pep talk by a mildly sadistic coach' New York Times 'Times have changed and Weldon is one of the people who have changed them' The Times 'One of the great lionesses of modern English literature' Harper's Bazaar 'Fay Weldon's voice is as unmistakeable as her acerbic wit' Financial Times
Cocaine production, demand and sales has become an increasing problem in the Western Hemisphere. Motivation to purchase this narcotic by dealers, despite its high prices, and their capability to get the processed product to eager end buyers, has caused a high volume of illegal trafficking. Mexico, in particular, has been deluged by a severe intensive drug war. Because of the many deaths resulting from this conflict, that county now maintains the unenviable position as the number one nation in our hemisphere attempting to cope with severe cocaine problems. The nation of Colombia experienced this highly undesirable situation back in tee 19905. Pablo Escobar, that country's drug king, became 50 powerful, that at times he virtually ruled the nation. But this power eventually became his undoing. Right-wing opponents from the Las Pepes death squads killed him in 1993. Although, Colombia became more stable after that occurrence, a left wing organization emerged to take on the right's counter activities. They are known as the Farqs, They are still able to maintain a hold on the power involved with cocaine. Concerning DEALING WITH THE DEVIL, Jack Broderick, the CIA station Chief in Peru, earns his keep by impeding the drug influences mentioned above. He does an amazing job by enlisting a hard boiled agent, Brian Koltai, from the U.S. Together, they prevent another costly war from occurring in the Andes like the one that had taken place twenty years earlier.