Auggie is starting his first year at Wroxall College. It’s a punishment, and he’s determined to make his way through the year, prove himself, and earn the right to go back home. Theo is a grad student recovering from a terrible car accident. He’s lost his husband and their daughter, and he’s trying to figure out how to keep going. When both are tangled up in a murder, though, they have to set their personal problems aside and work together—first to clear their names, and then, when the killer turns his attention on them, to survive. But what might really kill them is finishing a seminar together on King Lear.
The perfect gift for all new parents! The Baby Book is the ideal place to record all the special moments and memories from the first three years of your child’s life. As well as details of the birth, parents and siblings, you can record all the firsts (sitting, crawling, walking, teeth), favourites (toys, books, friends, music) and events, with space for notes and photographs and charts to record growth. An expandable pocket at the back allows you to hold on to keepsakes and an elastic enclosure keeps everything in place.
When Auggie Lopez returns to Wroxall College, he’s determined that his second year will be different from the chaos he faced as a freshman. He’s living in the Sigma Sigma house, he’s got a good group of friends, and his social media presence is growing. Meeting a hot older guy on move-in day is just the cherry on top. All he has to do now is avoid getting dragged into another murder. That last part, though, turns out to be easier said than done, especially when Auggie’s ex-roommate, Orlando, asks for help. Orlando’s brother Cal has gone missing, and Orlando wants Auggie to find him. Auggie knows he’ll need help, but recruiting his friend—and crush—Theo is not as straightforward as he expects. While Auggie was gone for the summer, Theo has started dating someone, and neither Theo nor Auggie knows how to handle the shift in their relationship. Finding Orlando’s brother dead only makes their situation more complicated. Although the police are quick to write off the homicide as a drug deal gone wrong, Auggie and Theo aren’t so sure, and Orlando begs them to keep investigating. To learn the truth, Auggie and Theo will have to untangle a web of lies while keeping each other safe from a killer who is determined to stop them. As Auggie and Theo dig deeper, they realize that Cal was a stranger even to the people who thought they knew him. And Auggie and Theo both begin to fear that they are also strangers to each other.
There are 2,000 verbal differences between the text of the First Quarto of Shakespeare's Richard III (1597) and the version in the First Folio (1623). In this Quarto edition the text is accompanied by a collation of variant readings and substantial textual notes. Peter Davison argues that Shakespeare's company, the Lord Chamberlain's Men, used a memorially reconstructed text of Richard III during a touring performance of the play, and that text provided the manuscript for the 1597 Quarto. The result is a breakthrough in textual studies.
Why do certain works of art make it into the canon while others just enjoy a brief moment of recognition, if at all? How do moments produce monuments, and why are monuments erased from our cultural memory in only a moment? - Taking into account these cultural processes of creating, storing, remembering and forgetting that are omnipresent and have an immense influence on how we perceive artefacts and cultural events, the articles in this collection analyze the phenomenon of cultural production, transmission and reception from various angles, drawing on approaches from both literary and cultural studies. With its transdisciplinary approach, this book uniquely responds to an everyday cultural phenomenon that so far has not received such wide-ranging attention.