DigiCat Publishing presents to you this special edition of "Four Mystery Plays" by Rudolf Steiner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Rudolf Steiner wrote four mystery dramas intended to portray the spiritual path of self-knowledge as described by spiritual science, or Anthroposophy. Those plays are not merely symbolic but realistic depictions in a spiritual sense. In this book, Steiner describes how "The Portal of Initiation" (the first of his dramas) portrays the intense and tempestuous inner events of initiation as experienced by a young painter. He explains the spiritual background of this character's "karmic" tests and higher guidance. He also discusses the Rosicrucian nature of this play, as well as the "symbolism and fantasy" of the second drama, "The Soul's Probation." Steiner also emphasizes the power of certain fairy tales and poetry for bridging the gap between the spiritual and material worlds. As one of the mystery dramas shows, this is especially valuable for those who tend to be intellectuals. Rudolf Steiner portrayed much of the wisdom of his spiritual science in the mystery dramas and intended them to graphically depict what he taught all his life. As he said, "If people will exert themselves...to work with the drama, I will not have to give any more lectures for a long time." THE LECTURES: Self-knowledge as Portrayed in the Rosicrucian Mystery, The Portal of Initiation (Basel, Sept. 17, 1910) On the Rosicrucian Mystery, The Portal of Initiation (Berlin, Oct. 31, 1911) Symbolism and Phantasy in Relation to the Mystery Drama The Soul's Probation (Berlin, Dec. 19, 1911)
Through considerable detective work, this work sets out to show that Julius Caeser was the first play performed at the new Globe Theatre on 12 June 1599. Drawing on many areas of expertise, which are rarely allied in Shakespeare scholarship to such an extent, including biblical, liturgical, social and theatrical history, the author sheds new light not only on Julius Caeser but on a variety of accepted beliefs. These include: why Hamlet was not crowned king when his father died; why Brutus would not swear to murder Caeser; why the Elizabethan authorities retained the Julian calender; and why the orthodox dates of the first composition of both Twelfth Night and Hamlet can be called into question.
Witness for the prosecution, by A. Christie.--Dial "M" for murder, by F. Knott.--Sleuth, by A. Shaffer.--The letter, by W. S. Maugham.--Child's play, by R. Marasco.--Arsenic and old lace, by J. Kesselring.--Angel Street, by P. Hamilton.--Bad seed, by M. Anderson.--Dangerous corner, by J. B. Priestley.--Dracula, by H. Deane and J. L. Balderston.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Rudolf Steiner said of his mystery dramas--written between 1910 and 1913--that they contain the whole essence of Anthroposophy and that if, through some unlikely chance, only these dramas were to survive, the essential content of Anthroposophy would nevertheless be preserved. Steiner's dramas powerfully portray the complex processes of reincarnation and karma. In them, we are led to inhabit the living landscape of the human soul and spirit, where suprasensory beings weave destinies. Here we find a connection with the spiritual reality of human life itself by following the dramatic interplay of the joy and sorrow, struggle and striving of a group of individuals attempting to apply spiritual knowledge to their practical lives and relationships. To read, watch, or act in these plays is an initiation experience. In The Souls' Awakening--Steiner's fourth mystery drama--an enlightened entrepreneur appoints a scientist, a historian, and an artist to use their spiritual perceptions to transform his business into one that serves spiritual as well as practical needs. A long-standing colleague objects, and a series of conflicts and crises develops. As the plot unfolds, we follow the characters on a journey that moves from business meetings through various states of consciousness, into worlds known before birth and previous lives in Egypt. This classic translation by Ruth and Hans Pusch was revised for this volume by Ruth Pusch. Included is Hans Pusch's "Thoughts on the Seal," in which he discusses the Rosicrucian meaning of the seal represented on the cover. This book is a translation of "Der Seelen Erwachen," published as part four of Vier Mysteriendramen The Four Mystery Dramas), which includes "The Portal of Initiation"; "The Soul's Probation"; "The Guardian of the Threshold"; and "The Souls' Awakening."
A collection of ten detective, mystery, and thriller plays first produced in the mid-twentieth century, several of which were later adapted into motion pictures.
A murdered heiress, a missing necklace, and a train full of shifty, unusual, and suspicious characters leaves Daisy and Hazel with a new mystery to solve in this third novel of the Wells & Wong Mystery series. Hazel Wong and Daisy Wells are taking a vacation across Europe on world-famous passenger train, the Orient Express—and it’s clear that each of their fellow first-class travelers has something to hide. Even more intriguing: There’s rumor of a spy in their midst. Then, during dinner, a bloodcurdling scream comes from inside one of the cabins. When the door is broken down, a passenger is found murdered—her stunning ruby necklace gone. But the killer has vanished, as if into thin air. The Wells & Wong Detective Society is ready to crack the case—but this time, they’ve got competition.
