First-Century Gospel Storytellers and Audiences
First-Century Gospel Storytellers and Audiences

Author: Thomas E. Boomershine

Publisher: Wipf and Stock Publishers

Published: 2022-07-29

Total Pages: 283

ISBN-13: 1666733822

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These essays explore the reconception of the Gospels as first-century compositions of sound performed for audiences by storytellers rather than the anachronistic picture of a series of texts read by individual readers. The new paradigm implicit in these initial experiments is based on the recent realization that the majority of persons—85 to 95 percent—were illiterate and experienced the Jesus stories as members of audiences. Either from memory or from memorized manuscripts, the evangelists performed the Gospels as an evening’s entertainment of two to four hours. The audiences were predominantly addressed as Hellenistic Judeans who lived in the aftermath of the Roman-Jewish war. When heard whole, the Gospels were vivid experiences of the central character of Jesus. These studies of audience address and the interactions between first-century storytellers and audiences reveal a dynamic performance literature that functioned as scripts for an ever-expanding network of storytelling proclamations whose envisioned horizon was the whole world. When the Gospels were told at one time from beginning to end, they invited the listeners to move from being peripherally interested or initially opposed to Jesus to identifying themselves as disciples of Jesus and believers in him as the Messiah.

First-Century Gospel Storytellers and Audiences
First-Century Gospel Storytellers and Audiences

Author: Thomas E. Boomershine

Publisher: Wipf and Stock Publishers

Published: 2022-07-29

Total Pages: 271

ISBN-13: 1666728799

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These essays explore the reconception of the Gospels as first-century compositions of sound performed for audiences by storytellers rather than the anachronistic picture of a series of texts read by individual readers. The new paradigm implicit in these initial experiments is based on the recent realization that the majority of persons--85 to 95 percent--were illiterate and experienced the Jesus stories as members of audiences. Either from memory or from memorized manuscripts, the evangelists performed the Gospels as an evening's entertainment of two to four hours. The audiences were predominantly addressed as Hellenistic Judeans who lived in the aftermath of the Roman-Jewish war. When heard whole, the Gospels were vivid experiences of the central character of Jesus. These studies of audience address and the interactions between first-century storytellers and audiences reveal a dynamic performance literature that functioned as scripts for an ever-expanding network of storytelling proclamations whose envisioned horizon was the whole world. When the Gospels were told at one time from beginning to end, they invited the listeners to move from being peripherally interested or initially opposed to Jesus to identifying themselves as disciples of Jesus and believers in him as the Messiah.

Character Theology
Character Theology

Author: Tom Steffen

Publisher: Wipf and Stock Publishers

Published: 2024-02-21

Total Pages: 313

ISBN-13: 1666778575

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Character Theology provides a natural, universal way for the world to engage God through his chosen cast of characters. As the media eras continue to change (oral to print to digital-virtual), too many Bible scholars, and consequently pastors and Bible teachers in the West and beyond, lack capability to effectively communicate Scripture to Millennials, Gen Z, and Gen Alpha. These generations find little if any relevance in the Christianity promoted by those stuck in modernity’s sticky abstract systematic theology. Character Theology relates, sticks, and transforms these generations. Why? Because people grasp and engage God most naturally and precisely through his interaction with biblical characters and their interaction with each other! Characters communicate the Creator’s characteristics. The roadmap to the recovery and expansion of Christianity in the twenty-first century will be through Bible characters.

Biblical Humor and Performance
Biblical Humor and Performance

Author: Peter S. Perry

Publisher: Wipf and Stock Publishers

Published: 2023-08-21

Total Pages: 289

ISBN-13: 1666711292

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What’s so humorous about the Bible? Quite a bit, especially if experienced with others! Nine biblical scholars explore their experiences of reading and hearing passages from the Bible and discovering humor that becomes clearer in performance. Each writer found clues in their chosen biblical text that suggested biblical authors expected an audience to respond with laughter. Performers have a powerful role in either bringing out or tamping down humor in the Bible. One audience may be more disposed to respond to humor than another. And each contributor found that experiencing humor changed the interpretation of the biblical passage. From Genesis to Revelation, this study uncovers the Bible’s potential for humor.

Sound Mapping the New Testament, Second Edition
Sound Mapping the New Testament, Second Edition

Author: Margaret E. Lee

Publisher: Wipf and Stock Publishers

Published: 2022-08-22

Total Pages: 435

ISBN-13: 1532681747

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In the ancient world, writings were read aloud, heard, and remembered. But modern exegesis assumes a silent text. According to Margaret Lee & Brandon Scott, the disjuncture between ancient and modern approaches to literature obscures the beauty and meaning in writings such as the New Testament. Further, the structure of an ancient Greek composition derives first from its sounds and not from the meaning of its words. They argue that sound analysis, analysis of the signifier and its audible dimension, is crucial to interpretation. Sound Mapping the New Testament explores writing technology in the Greco-Roman world, then turns to ancient Greek literary criticism for descriptions of grammar as a science of sound and literary composition as a woven fabric of speech. Based on these perspectives and a close analysis of writings from the four gospels, Paul, and Q, Sound Mapping the New Testament advances a theory of sound analysis that will enable modern readers to hear the New Testament afresh. The second edition reprints the first edition with a new introduction that reviews a decade of sound mapping scholarship and argues for the continued necessity of sound mapping for New Testament interpretation.

The Forgotten Compass
The Forgotten Compass

Author: Werner H. Kelber

Publisher: Wipf and Stock Publishers

Published: 2022-09-21

Total Pages: 291

ISBN-13: 1725278359

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As form criticism arose, the French anthropologist Marcel Jousse developed a hermeneutical paradigm, global in scope and prescient in its vision but opposed to the philological paradigm of biblical studies. While the philological methodology came to define modernity's biblical hermeneutics, Jousse's rhythmically energized paradigm was marginalized and largely forgotten. Although Jousse has left relatively few traces in writing, many of his more than one thousand lectures, delivered at four different academic institutions in Paris between 1931 and 1957, have been edited and translated into English by Edgard Sienaert. The Forgotten Compass surveys Jousse's views on biblical tradition and scholarship, documenting the relevance of his paradigm for current biblical studies. What distinguishes Jousse's paradigm is that it is firmly established within the orbit of ancient communications and deeply rooted in Jewish tradition. The Forgotten Compass challenges readers to come to appreciate the print Bible's lack of fluency in the very sensibilities privileged by Jousse's paradigm and to raise consciousness about the multivocal, multisensory culture in which the biblical traditions emerged and from which they drew their initial nourishment.

Interpreting the Gospel and Letters of John
Interpreting the Gospel and Letters of John

Author: Sherri Brown

Publisher: Wm. B. Eerdmans Publishing

Published: 2017-07-18

Total Pages: 371

ISBN-13: 1467446815

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Accessible, comprehensive, and up-to-date, Interpreting the Gospel and Letters of John is an ideal text for students new to the discipline of biblical studies. Sherri Brown and Francis J. Moloney present a broad overview of the story of Christianity arising out of its Jewish foundations and proceed to guide readers expertly through the contents of the Gospel and Letters of John. Maintaining that Johannine literature is best understood against the background of the Old Testament covenant metaphor, Brown and Moloney focus on the central role of covenant in the narrative of John's Gospel and highlight the Evangelist's use of fulfillment language. Helpful sidebars, maps, questions for review, and further-reading lists are placed throughout the text, making this volume well suited for classroom use.

Preaching John's Gospel
Preaching John's Gospel

Author: Dave Bland

Publisher: Chalice Press

Published: 2008

Total Pages: 178

ISBN-13: 0827230818

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This title from Fleer and Bland is again designed specifically for preachers. Combining essays from top scholars and sermons from respected homileticians, Preaching John's Gospel includes contributors from a wide variety of Mainline and Evangelical denominations who value the role of scripture in faith development and preaching. Developed from the Rochester Sermon Seminar, the book is divided into two parts: The first includes essays on preaching the gospel of John, and is structured around the work of Gail O'Day's guiding essay "Preaching with John: Preaching as an Act of Friendship." The second half of the book consists of ten sermons from specific texts that incorporate the theoretical underpinnings of the book's first section. The essays and sermons are bound together by the same question: How can we draw our congregations into the world John has imagined for us? Contributors include: Gail O'Day, Richard B. Hays, Gregory Stevenson, Thomas H. Olbricht, Tom Boomershine, D'Esta Love, Alyce M. McKenzie, David Fleer, Dave Bland, and others.

Embodied Performance
Embodied Performance

Author: Sarah Agnew

Publisher: Wipf and Stock Publishers

Published: 2020-09-22

Total Pages: 282

ISBN-13: 1725257866

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Embodied Performance presents a methodology by which performer-interpreters can bring their intuitive interpretations to the scholarly conversations about biblical compositions. It may not be comfortable, for scholarship is out of practice in listening to emotion and intuition. It may not be the only way to bring the fullness of human meaning making into scholarly discussions. It is a beginning, as Sarah Agnew, storyteller and scholar, places herself as the subject and object under examination, observing her practice as a biblical storyteller making meaning through embodied performance, and develops a coherent method rigorously tested with an Embodied Performance Analysis of Romans. Follow Sarah's story as she searches within Biblical Performance Criticism for such a method, before determining the need to strike out in a new direction from within an already innovative field. All biblical scholars are complex human beings, making meaning through their embodiment, their emotions, their embeddedness in community. Embodied Performance Analysis offers a way to attend to and incorporate the full range of human meaning making in our engagement with biblical compositions, for richer discussion closer to the intent of the compositions themselves.

Proclaiming the Gospel
Proclaiming the Gospel

Author: Whitney Shiner

Publisher: Bloomsbury Publishing USA

Published: 2003-10-30

Total Pages: 239

ISBN-13: 0826462200

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Scholars have long understood that the texts we now know as the Gospels were read aloud in the Greco-Roman world, but few have actually envisioned what a performance of the Gospel of Mark would have been like in the first century and how it would have shaped the experience of its audience. Proclaiming the Gospel shows us. Oral performances in the New Testament world were lively affairs. In the performance of Greco-Roman theater, readers lose their voices from the stress of emotional passages. Audiences cheer for philosophers as if at a rock concert, and in law courts, they are paid for their responses. Storytellers compete for attention with jugglers, and some speakers must fend off hostile crowds. Congregations at churches and synagogues cheer as if at the theater. Shiner reveals the ways that Mark wrote his Gospel to compete in this arena and how his audiences would have responded: applause for the miracles of Jesus, then an altogether different response at the cross. Whitney Shiner is Assistant Professor of Christian Origins at George Mason University, Fairfax, Virginia, and the author of Follow Me: Disciples in markan Rhetoric.