his illustrated publication is the outcome of the conference 'Ming: Courts and Contacts 1400-1450' held October 9-October 11, 2014 and that accompanied the British Museum's major exhibition Ming: 50 years that changed China (September 2014-January 2015). The scope of the exhibition and conference focused on Ming dynasty China in the years 1400 to 1450.
The Six Dynasties Period (220-589 CE) is one of the most complex in Chinese history. Written by leading scholars from across the globe, the essays in this volume cover nearly every aspect of the period, including politics, foreign relations, warfare, agriculture, gender, art, philosophy, material culture, local society, and music. While acknowledging the era's political chaos, these essays indicate that this was a transformative period when Chinese culture was significantly changed and enriched by foreign peoples and ideas. It was also a time when history and literature became recognized as independent subjects and religion was transformed by the domestication of Buddhism and the formation of organized Daoism. Many of the trends that shaped the rest of imperial China's history have their origins in this era, such as the commercial vibrancy of southern China, the separation of history and literature from classical studies, and the growing importance of women in politics and religion.
This exhibition catalogue offers a magnificent, thorough study of 90 objects from the Qianlong Garden in Beijing's Forbidden City. Objects include wall paintings, furniture, architectural fittings, ceramics, and stone. They have been on public view infrequently and only in the Qianlong Garden, which is now undergoing a 20-year restoration under the lead of the World Monuments Fund and Beijing's Palace Museum. The garden is a two-acre tract consisting of 27 buildings, their contents, and a mature landscape--the whole complex is characterized as a "multi-layered artwork." Following an introduction by Elliott (Harvard), Berliner (Peabody Essex Museum) presents the general characteristics of scholar and emperor gardens, and the early gardens of Emperor Qianlong, along with a minute analysis of the Qianlong Garden. Yuan Hongqi (Palace Museum), Liu Chang (Tsinghua Univ., Beijing), and Henry Tzu Ng (World Monuments Fund) treat the garden's subsequent history. Interlaced throughout are superb illustrations of the objects and the garden, followed by a catalogue with small illustrations of objects, and their curatorial data; a chronology; a comparative, annotated time line; maps; glossary; and Chinese pronunciation guide. This must-buy publication is a model of sensitive scholarship that places the garden and its objects in an understandable, universal context. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. K. Haworth.
Ask anyone what single object they associate with China and the most common answer will be a Ming vase. Probably without even knowing the dates of the Ming dynasty (1368-1644), people are aware of the fragility of its porcelain, its rarity and value. But porcelain is just one part of the story of one of the most glorious epoques of China's past. By focusing on the significant years of the early Ming dynasty and through the themes of court people and their lives, extraordinary developments in culture, the military, religion, diplomacy and trade, this book brings the wider history of this fascinating period to colourful life.
An important, original study of the (previously denied) cultural contribution of the barbarians to China, and of the trade northward. Focuses on the Han period. The artifacts, abundantly and well- illustrated (200 illus., 40 in color), document the goods and support the argument. Published by the