American Furniture in the Metropolitan Museum of Art

American Furniture in the Metropolitan Museum of Art

Author: Frances Gruber Safford

Publisher: Metropolitan Museum of Art

Published: 2007

Total Pages: 465

ISBN-13: 1588392333

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The Metropolitan Museum's preeminent collection of early colonial furniture is expertly documented in this long-awaited publication. It covers the full spectrum of furniture forms made during the 17th and early 18th centuries--from chairs and other seating to tables, boxes, various types of chests and cupboards, and desks. Each of the 141 objects is thoroughly described with detailed information on provenance, construction, condition, inscriptions, dimensions, and materials. Photographed anew in color for this volume, each piece is explicated in terms of the styles and craftsmanship of the period and is evaluated in light of comparative pieces in public and private collections throughout the country. One appendix contains photographic details of construction and decorative elements, and another has drawings of joints and moldings.


Understanding International Art Markets and Management

Understanding International Art Markets and Management

Author: Iain Robertson

Publisher: Routledge

Published: 2005-10-26

Total Pages: 297

ISBN-13: 1134300484

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This groundbreaking text brings together experts in the field of visual art markets to answer some fundamental questions: Is art a good investment? Why is the art market dominated by America and Western Europe? Where are the key emerging markets and what are the next good buys in art? Providing readers with an understanding of the challenges facing art market 'makers' (dealers, auctioneers, collectors and artists) and the decision-making process experienced by market 'players' and investors, this exciting text merges the key theories with examples of practice in a highly accessible style. Written by an international array of experts from the US, the UK and China, this book is essential reading for all those studying or interested in art markets and management.


Samplers & Samplermakers

Samplers & Samplermakers

Author: Mary Jaene Edmonds

Publisher: Rizzoli International Publications

Published: 1991

Total Pages: 176

ISBN-13:

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"American classrooms have gone largely unrecorded, these astonishing embroideries which are usually signed, dated, and even sometimes inscribed with the names of the towns in which they were worked and the names of the embroiderers' teachers serve as historic documents, attesting to the existence of colonial education for women. There is a story behind each of the nearly eighty samplers illustrated in this book"--Insleaves.


Just for Nice

Just for Nice

Author: Richard S. Machmer

Publisher: University of Pennsylvania Press

Published: 1991

Total Pages: 96

ISBN-13:

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This book documents an exhibition at the Historical Society of Berks County, March 26, 1991, through September 21, 1991.


American Silver in the Art Institute of Chicago

American Silver in the Art Institute of Chicago

Author: Art Institute of Chicago

Publisher: Yale University Press

Published: 2016-01-01

Total Pages: 269

ISBN-13: 030022236X

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The history of American silver offers invaluable insights into the economic and cultural history of the nation itself. Published here for the first time, the Art Institute of Chicago's superb collection embodies innovation and beauty from the colonial era to the present. In the 17th century, silversmiths brought the fashions of their homelands to the colonies, and in the early 18th, new forms arose as technology diversified production. Demand increased in the 19th century as the Industrial Revolution took hold. In the 20th, modernism changed the shape of silver inside and outside the home. This beautifully illustrated volume presents highlights from the collection with stunning photography and entries from leading specialists. In-depth essays relate a fascinating story about eating, drinking, and entertaining that spans the history of the Republic and trace the development of the Art Institute's holdings of American silver over nearly a century.


First in the Homes of His Countrymen

First in the Homes of His Countrymen

Author: Lydia Mattice Brandt

Publisher: University of Virginia Press

Published: 2016-12-14

Total Pages: 420

ISBN-13: 0813939267

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Over the past two hundred years, Americans have reproduced George Washington’s Mount Vernon plantation house more often, and in a greater variety of media, than any of their country’s other historic buildings. In this highly original new book, Lydia Mattice Brandt chronicles America’s obsession with the first president’s iconic home through advertising, prints, paintings, popular literature, and the full-scale replication of its architecture. Even before Washington’s death in 1799, his house was an important symbol for the new nation. His countrymen used it to idealize the past as well as to evoke contemporary--and even divisive--political and social ideals. In the wake of the mid-nineteenth century’s revival craze, Mount Vernon became an obvious choice for architects and patrons looking to reference the past through buildings in residential neighborhoods, at world’s fairs, and along the commercial strip. The singularity of the building’s trademark piazza and its connection to Washington made it immediately recognizable and easy to replicate. As a myriad of Americans imitated the building’s architecture, the Mount Vernon Ladies’ Association carefully interpreted and preserved its fabric. Purchasing the house in 1859 amid intense scrutiny, the organization safeguarded Washington’s home and ensured its accessibility as the nation’s leading historic house museum. Tension between popular images of Mount Vernon and the organization’s "official" narrative for the house over the past 150 years demonstrates the close and ever-shifting relationship between historic preservation and popular architecture.In existence for roughly as long as the United States itself, Mount Vernon’s image has remained strikingly relevant to many competing conceptions of our country’s historical and architectural identity.