With the advent of new and inexpensive photographic technology emerging in the United States during the mid-19th century, communication by postcard became a very popular way to exchange travel stories, news, and gossip over the centuries. Seen through the eyes of vintage postcards, this new book features a history of Findlay and Hancock County, Ohio. Captured here in over 200 vintage images is the development of this quintessential Midwest town, from its origins as a rural farming region to the prosperous community it is today. Following the experiences and correspondence of Findlay's visitors and residents, readers will witness almost first-hand the trials and tribulations of the city's inhabitants at the turn of the century, including images of its thriving downtown, lost buildings, furious storms, and developing industries.
What happens when you can’t see that the man you married is actually the one you love? For her whole life Nina Findlay has been in a love triangle with two Italian brothers, Paolo, whom she married, and Luca, with whom she was always in love and who remained her best friend throughout her marriage. Now Nina faces the future alone—estranged from Luca and separated from Paolo, she escapes to the tiny Greek island where she honeymooned twenty-five years earlier. After an accident she finds herself in the hospital telling her life story to an eagerly attentive doctor. As their conversations unfold she comes to understand the twists and turns of her romantic life and the unconscious influence of her parents’ marriage on her own.
A definitive biography of a twentieth century gay author whose work has recently been rediscovered and enjoys a cult following. One of the most iconoclastic twentieth-century American novelists, James Purdy penned original and sometimes shocking works about those on the margins of American society, exploring small towns, urban life, failure, alienation, sexuality, and familial relations. In his own life, Purdy was a compelling if eccentric figure, declared an authentic American genius by Gore Vidal. James Purdy: Life of a Contrarian Writer is the first full-length biography of the gay American novelist, story writer, playwright, and poet. Michael Snyder has spent over a decade plumbing the mysteries of Purdy's career and personal life, including interviews with those who knew him. From his roots in northwestern Ohio, Purdy moved to the world of Bohemian artists and jazz musicians in Chicago in the late 1930s and 1940s, travelled in Spain, studied in Mexico, enlisted in the Army Air Corps, worked for the National Security Agency, and taught in Cuba and at a Wisconsin college for nearly a decade. All the while, he aspired to become a writer, but struggled to publish. Only when friends financed the private printing of his work did he find a champion in poet Dame Edith Sitwell, who helped get him published in England, which led to publication in the United States. After moving to New York in 1957, he spent nearly fifty years writing in Brooklyn Heights. Although Purdy's critical reputation peaked in the 1960s and he never enjoyed a bestseller, his often queer and edgy content found a diverse following that included Tennessee Williams, Langston Hughes, William Carlos Williams, Dorothy Parker, Edward Albee, Jonathan Franzen, John Waters, and many LGBTQ readers. Difficult and often contrarian, Purdy sometimes hampered his own career as he sought recognition from a conservative, cliquey New York publishing world. Conveying the potency and influence of Purdy's fierce artistic integrity, vision, and self-definition as a truth-teller, this groundbreaking literary biography recovers the life of a highly talented writer with a persistent cult following.
Conceived and settled as a colony for aging Union veterans at the end of the 19th century, the town of Fitzgerald holds a unique place in Georgia's history. In deep pine forests warmed by a mild South Georgia climate, opportunity presented itself to P.H. Fitzgerald, an Indanapolis attorney who devised a plan to bring the veterans into what had once been enemy territory. The result is a town that grew and prospered, where men and women from all walks of life and from all parts of the nation live and work together in harmony. Together, they have built homes, businesses, churches, schools, and railroads-all preserved on vintage postcards, photographs, and historical documents highlighted within these pages.
By 1912, there were 54 amusement parks in Ohio. The parks came in all sizes, and featured such attractions as the Flying Ponies carousel, the Chute-the-Chutes water ride, and the Cyclone, Racer, and Dip-the-Dips roller coasters. Some, like Cleveland's White City, seemed to be courted by bad luck from the beginning, and folded after only a few disappointing seasons. Others, like Youngstown's Idora Park, enjoyed long lives and fostered beloved memories, but eventually closed down in the 1960s, 70s and 80s. A few, like Sandusky's Cedar Point, have grown to be considered among the greatest amusement parks in the world. But most are now forgotten.
The Postcard’s Radical Openness offers a groundbreaking exploration of what this multifaceted, double-sided open card entails and how it has affected our being in the world. With a holistic approach, it focuses on studying the postcard’s specific way of being and performing, a particular ontology that opens up what is constitutively implicated in such an apparently trivial artifact. The book, organized into four parts, meticulously unveils the postcard’s political, technological, aesthetic, and ethical dimensions, ending with a coda correlating the postcard’s radical openness to G. Klimt’s painting, Nuda Veritas (1899) in reference to the scope of truth. By examining the postcard’s complex worldwide history, its socio-cultural significance, and its global effect, the book reveals hidden stories shedding light on its impact on photography, printing, marketing, trade, and business practices and exposes the aesthetic, communicative, and ethical qualities that lie behind the enormous success of postcards at the turn of the 20th century. This comprehensive study is positioned as a thought-provoking invitation to scholars and students interested in material culture, media studies, and human interactions, as well as to history enthusiasts, art lovers, and postcard collectors. Offering a distinctive contribution, the book not only fills a void in the literature but also encourages readers to question and reflect on the transformative power inherent in the postcard's 'radical openness,' presenting a novel and unparalleled analysis of this seemingly trivial yet culturally significant object.
Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for 20 years, and here is the cream of his collection - his boring postcards. With no introduction or commentary of any kind, Parr's boring postcards are reproduced straight. They are exactly what they say they are, namely boring picture postcards showing boring photographs of boring places, presumably for boring people to buy to send to their boring friends. All of them are shot in Britain, taking us on a boring tour of its motorways, ring roads, traffic interchanges, bus stations, pedestrian precincts, factories, housing estates, airports, caravan sites, convalescent homes and shopping centres. Some attempt to idealize their subjects, only to fail dismally. Others lack any apparent purpose or interest, but the resultant collection of photographic images is wholly compelling. Boring Postcardsis multi-layered: a commentary on British architecture, social life and identity, a record of a folk photography which is today being appropriated by the most fashionable photographers (including Parr), an exercise in sublime minimalism and, above all, a richly comic photographic entertainment.
