Water is a liar. If you tell a story with water it cannot be trusted and it will wash away in the first hard rain or in the tears of a long good cry. And stories told in blood and stone stick longer by far. Finbar Tanner is telling a story to his son, Isaac. It is a story of love, desire and sacrifice. It is a story of blood and water and stones. It is a story of the deeper currents that flow within a man's heart. It is a story of the sea.
The United States imprisons more than two million men and women in federal prisons and city, county, and state jails. More than 150,000 individuals are incarcerated in each of the states of California and Texas. Calling attention to the flaws in the justice system, The Mysterious Story of Gitano Cervantes tells the stories of five men housed in Swest state units. Author Finbar Manghan, who has served as a volunteer chaplain in the prisons, looks at the cases of the five men who have been prison residents for a combined period of seventy years. Two are white, two are black, and one is Hispanic. Three of them claim to be innocent, while two admit their guilt; the sentences of the latter are such that they will almost certainly die in prison. One is innocent beyond any reasonable doubt. The experiences of all of them have been tragic. The Mysterious Story of Gitano Cervantes addresses a host of issues related to the men's stories, including false imprisonment, medical mistreatment, misrepresentation of self due to life's humiliations, mental harassment, medical bungling, and betrayal. Manghan reviews the court and prison experiences of these men and explores the need for reform throughout the criminal justice system in America.
Each story stands alone but also makes up the vivid picture of life in Dublin's newly refurbished Finbar's Hotel . . . funny and poignant' Sunday Mirror 'Finbar's Hotel is back, this time with a stellar cast of women writers and a lick of paint . . . But what's it all about? Well, it would be all too easy to give the game away, so let's just say that there's a hilarious reworking of the old immaculate conception theme, a bittersweet confrontation between a daughter and her loopy father, a poignant encounter involving a long-married couple, and a cracking finish . . . it doesn't matter who wrote what: together they've produced a playful, light, highly entertaining book' Irish Times 'Beneath the humour, whimsy and outright craziness, Ladies' Night at Finbar's Hotel hits at the shallowness of current social pretensions and offers a cautious optimism about women's lives today' Times Literary Supplement
In 1981, six children in the small village of Medjugorje claimed that Our Lady had appeared to them. Since then millions of pilgrims have traveled from across the world to pray in this special place. In conversation with Finbar O'Leary, Vicka, one of the six, tells of her special relationship with Our Lady and relays many of the messages which she says the `Queen of Peace' has given to her. Vicka also discusses her own sufferings and the journeys on which Our Lady has brought her.
Daughter of the Forest is a testimony to an incredible author's talent, a first novel and the beginning of a trilogy like no other: a mixture of history and fantasy, myth and magic, legend and love. Lord Colum of Sevenwaters is blessed with six sons: Liam, a natural leader; Diarmid, with his passion for adventure; twins Cormack and Conor, each with a different calling; rebellious Finbar, grown old before his time by his gift of the Sight; and the young, compassionate Padriac. But it is Sorcha, the seventh child and only daughter, who alone is destined to defend her family and protect her land from the Britons and the clan known as Northwoods. For her father has been bewitched, and her brothers bound by a spell that only Sorcha can lift. To reclaim the lives of her brothers, Sorcha leaves the only safe place she has ever known, and embarks on a journey filled with pain, loss, and terror. When she is kidnapped by enemy forces and taken to a foreign land, it seems that there will be no way for her to break the spell that condemns all that she loves. But magic knows no boundaries, and Sorcha will have to choose between the life she has always known and a love that comes only once. Juliet Marillier is a rare talent, a writer who can imbue her characters and her story with such warmth, such heart, that no reader can come away from her work untouched. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A breathtaking debut about the power of women, witchcraft, fury, revenge and the ties that bind us. In 17th-century England, civil war rages and witches have become pawns in a plot to oust the king. Red-haired Evey does not want to be a witch, but she cannot deny the magick coursing through her veins. After witnessing the brutal murder of her mother by witch-hunters, Evey vows to avenge her and track down the killers. Fury burns in her bright and strong. But she has promised her mother that she will keep Dill, her little sister, safe. As the lust for blood and retribution rises to fever pitch, will Evey keep true to the bonds of sisterhood and to the magick that is her destiny? Finbar Hawkins is a visceral, lyrical, dazzling new voice in storytelling. PRAISE FOR WITCH: 'Raw, mystical and beautifully told, Witch is the story of a young woman's self-discovery in a hostile world. A striking debut.' - Kirsty Applebaum, author of The Middler 'Bold, original, powerful story-telling. This story of fierce love, anger and revenge, war and witch hunts, is tense and bloody and compelling.' - Julia Green, author of The House of Light 'Witch is a rare thing, a book both brilliant and original, as strange and dark as it is beautiful.' - Chris Vick, author of CILIP Carnegie shortlisted Girl.Boy.Sea
Irish Theatre in the Twenty-First Century is the first in-depth study of the subject. It analyses the ways in which theatre in Ireland has developed since the 1990s when emerging playwrights Martin McDonagh, Conor McPherson, and Enda Walsh turned against the tradition of lyrical eloquence with a harsh and broken dramatic language. Companies such as Blue Raincoat, the Corn Exchange, and Pan Pan pioneered an avant-garde dramaturgy that no longer privileged the playwright. This led to new styles of production of classic Irish works, including the plays of Synge, mounted in their entirety by Druid. The changed environment led to a re-imagining of past Irish history in the work of Rough Magic and ANU, plays by Owen McCafferty, Stacey Gregg, and David Ireland, dramatizing the legacy of the Troubles, and adaptations of Greek tragedy by Marina Carr and others reflecting the conditions of modern Ireland. From 2015, the movement #WakingTheFeminists led to a sharpened awareness of gender. While male playwrights showed a toxic masculinity on the stage, a generation of female dramatists including Carr, Gregg, and Nancy Harris gave voice to the experiences of women long suppressed in conservative Ireland. For three separate periods, 2006, 2016, 2020-2, the author served as one of the judges for the Irish Times Irish Theatre Awards, attending all new productions across the island of Ireland. This allowed him to provide the detailed overview of the 'state of play' of Irish theatre in each of those times which punctuate the book as one of its most innovative features. Drawing also on interviews with Ireland's leading theatre makers, Grene provides readers with a close-up understanding of Irish theatre in a period when Ireland became for the first time a fully modernized, secular, and multi-ethnic society.
Join in the Final Adventures of the Wise Child, Juniper and Colman! Set in very early Christian times, Colman is a spellbinding fantasy of a faraway age, when the mystical and the commonplace walked hand in hand. The healer, Juniper, and her apprentice, Wise Child, are accused of witchcraft and forced to flee their small town. Wise Child's devoted cousin, Colman, escapes with them. This is his story of their arrival to the land of Juniper's birth, where she is, in fact, a princess.
THE STORY: In a bar in rural Ireland, the local men swap spooky stories in an attempt to impress a young woman from Dublin who recently moved into a nearby haunted house. However, the tables are soon turned when she spins a yarn of her own.
