"This volume contains three new screenplays by the writer-director of the prize-winning films Nothing But a Man, The Plot Against Harry, Vengeance is Mine and Pilgrim, Farewell." --Book Jacket.
This book mainly describes the early film industries in Bangkok, Hong Kong, Singapore, Canton, Chinese society in San Francisco; some chapters still talk about Hong Kong heritages and sceneries from 1930s to 1950s.
This little book aims to help you figure out how to get your story told on big screens or small. It offers nearly thirty years of observation of how things happen in the business of entertainment. Dr. Ken Atchity's Hollywood experience ranges from writing to managing to producing; he's seen Hollywood from nearly every angle.
In the media, migrants are often portrayed as criminals; they are frequently dehumanized, marginalized, and unable to share their experiences. Telling Migrant Stories explores how contemporary documentary film gives voice to Latin American immigrants whose stories would not otherwise be heard. The essays in the first part of the volume consider the documentary as a medium for Latin American immigrants to share their thoughts and experiences on migration, border crossings, displacement, and identity. Contributors analyze films including Harvest of Empire, Sin país, The Vigil, De nadie, Operation Peter Pan: Flying Back to Cuba, Abuelos, La Churona, and Which Way Home, as well as internet documentaries distributed via platforms such as Vimeo and YouTube. They examine the ways these films highlight the individual agency of immigrants as well as the global systemic conditions that lead to mass migrations from Latin American countries to the United States and Europe. The second part of the volume features transcribed interviews with documentary filmmakers, including Luis Argueta, Jenny Alexander, Tin Dirdamal, Heidi Hassan, and María Cristina Carrillo Espinosa. They discuss the issues surrounding migration, challenges they faced in the filmmaking process, the impact their films have had, and their opinions on documentary film as a force of social change. They emphasize that because the genre is grounded in fact rather than fiction, it has the ability to profoundly impact audiences in a way narrative films cannot. Documentaries prompt viewers to recognize the many worlds migrants depart from, to become immersed in the struggles portrayed, and to consider the stories of immigrants with compassion and solidarity. Contributors: Ramón Guerra | Lizardo Herrera | Jared List | Esteban Loustaunau | Manuel F. Medina | Ada Ortúzar-Young | Thomas Piñeros Shields | Juan G. Ramos | Lauren Shaw | Zaira Zarza A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez
Get ready to spot hundreds of things you've never seen before across a wide range of films, in this brand new book from the creator of Den Of Geek. From the small references and inspirations, through to clues, hidden meanings and moments in frame that you may have simply missed, this indispensable guide is both a love letter to cinema, and a jam-packed treasure trove that no film fan will want to miss!
Many films and novels defy our ability to make sense of the plot. While puzzling storytelling, strange incongruities, inviting enigmas and persistent ambiguities have been central to the effects of many literary and cinematic traditions, a great deal of contemporary films and television series bring such qualities to the mainstream—but wherein lies the attractiveness of perplexing works of fiction? This collected volume offers the first comprehensive, multidisciplinary, and trans-medial approach to the question of cognitive challenge in narrative art, bringing together psychological, philosophical, formal-historical, and empirical perspectives from leading scholars across these fields.
This book “Movie Stories” focuses on: (A) In addition to produce Siamese films and Teochew opera films, Siam (Thailand) also produced Cantonese romance film "Love Redeemed (湄江情浪)" in 1930s; (B) Singapore has been produced silent comedy film “New Friend (新客)” in 1920s; (C) Mr. Lay Min-wei (黎民偉) and Ms. Au Ho (歐荷) tell you more about the Hong Kong film industry in 1920s; (D) Japanese shot a propaganda film “The Battle of Hong Kong (香港攻略戰)” in 1942, let the author shows you its details; (E) Some anecdotes about sexy actress Ms. Lee Yi-nian (李綺年); (F) The earliest Hong Kong cable TV - Rediffusion Television (RTV, 麗的映聲); (G) Hong Kong earliest amusement parks, such as Yee Yuen (怡園), Yue Yuen (榆園(愉園)), Tai Pak Lau (太白樓), Ming Yuen (名園), Lee Garden (利園)… ; (H) The photograph studio difference between Bangkok and Hong Kong; (I) Both existing Macau and Sham Chun airports are not the original one; (J) Instant noodles is not invented by Japanese; Hong Kong people have been produced and sold "Pak Kut Noodle (百吉麵)" before WWII.