Film Music: A Very Short Introduction

Film Music: A Very Short Introduction

Author: Kathryn Kalinak

Publisher: Oxford University Press

Published: 2010-03-11

Total Pages: 162

ISBN-13: 0199707979

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Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.


Hindi Film Songs and the Cinema

Hindi Film Songs and the Cinema

Author: Anna Morcom

Publisher: Routledge

Published: 2017-07-05

Total Pages: 306

ISBN-13: 1351563742

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Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed aspurely commercial this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India‘s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience.


Hindi Film Song

Hindi Film Song

Author: Ashok Damodar Ranade

Publisher: Bibliophile South Asia

Published: 2006

Total Pages: 458

ISBN-13: 9788185002644

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The Music of the Lord of the Rings Films

The Music of the Lord of the Rings Films

Author: Doug Adams

Publisher: Alfred Publishing Company

Published: 2010

Total Pages: 401

ISBN-13: 9780739071571

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Presents the complete account of the making of the Lord of the Rings trilogy music score, and includes extensive music examples, original manuscript scores, and glimpses into the creative process from the composer.


Coldplay for Classical Piano

Coldplay for Classical Piano

Author: Phillip Keveren

Publisher: Hal Leonard Corporation

Published: 2015-10-01

Total Pages: 147

ISBN-13: 1495053164

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(Piano Solo Personality). Phillip Keveren takes on Coldplay with these 14 arrangements in classical piano style. Songs include: Amsterdam * Atlas * Christmas Lights * Clocks * Everything's Not Lost * Fix You * In My Place * Magic * Paradise * A Sky Full of Stars * Speed of Sound * Trouble * Viva La Vida * We Never Change.


AKASHVANI

AKASHVANI

Author: All India Radio (AIR), New Delhi

Publisher: All India Radio (AIR),New Delhi

Published: 1983-11-01

Total Pages: 56

ISBN-13:

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"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 01 NOVEMBER, 1983 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 56 VOLUME NUMBER: Vol. LIV, No. 35 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-53 ARTICLE: 1. Hindi as a World Language (A Discussion ) 2. George Abraham Grierson 3. Tragic Potentialities Of Bhavabhuti 4. Mental Illness 5. Book Review : Village by The Sea by Anita Desai, Reviewed by M. Chalapathi Rao AUTHOR: 1. Prof. Malik Mohammed 2. Prof. Vijayendra Snatak 3. Dr. A.N. Banerjea 4. Dr. P. T. Chandramouli 5. Dr. C. M. Kulshreshtha KEYWORDS : 1. Hindi Language 2. Critical Assessment 3. Heights Of Pathos 4. Common Causes, Schizophrenia 5. Indian Drama Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.


The Concise Garland Encyclopedia of World Music

The Concise Garland Encyclopedia of World Music

Author: Garland Encyclopedia of World Music

Publisher: Routledge

Published: 2013-02

Total Pages: 651

ISBN-13: 1136095942

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The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set.To purchase the set please go to:http://www.routledge.com/9780415972932.


Film and Television Music

Film and Television Music

Author: Warren M. Sherk

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9780810876866

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Music has played a critical component in the success of films. This volume compiles over 100 years of writings devoted to the subject of film and television music and its practitioners.


Unsettled Scores

Unsettled Scores

Author: Sally Bick

Publisher: University of Illinois Press

Published: 2019-12-20

Total Pages: 242

ISBN-13: 025205167X

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The Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach—and edify—the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in their own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Copland's music for Of Mice and Men and Eisler's score for Hangmen Also Die! Bick illuminates the different ways the composers treated a film score as means of expressing their political ideas on society, capitalism, and the human condition. She also delves into Copland's and Eisler's often conflicted attempts to adapt their music to fit Hollywood's commercial demands, an enterprise that took place even as they wrote hostile critiques of the film industry.