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Author: Michael Newbury
Publisher: Stanford University Press
Published: 1997
Total Pages: 276
ISBN-13: 9780804728584
DOWNLOAD EBOOKThrough studies of such writers as Hawthorne, Melville, and Stowe, this book shows how the increased demand for salable entertainment fostered a new consciousness of authorship as a commercial and professional mode of work in the first half of the nineteenth century in America.
Author: Anne E. Boyd
Publisher: JHU Press
Published: 2010-01-01
Total Pages: 326
ISBN-13: 1421401770
DOWNLOAD EBOOKBefore the Civil War, American writers such as Catharine Maria Sedgwick and Harriet Beecher Stowe had established authorship as a respectable profession for women. But though they had written some of the most popular and influential novels of the century, they accepted the taboo against female writers, regarding themselves as educators and businesswomen. During and after the Civil War, some women writers began to challenge this view, seeing themselves as artists writing for themselves and for posterity. Writing for Immortality studies the lives and works of four prominent members of the first generation of American women who strived for recognition as serious literary artists: Louisa May Alcott, Elizabeth Stuart Phelps, Elizabeth Stoddard, and Constance Fenimore Woolson. Combining literary criticism and cultural history, Anne E. Boyd examines how these authors negotiated the masculine connotation of "artist," imagining a space for themselves in the literary pantheon. Redrawing the boundaries between male and female literary spheres, and between American and British literary traditions, Boyd shows how these writers rejected the didacticism of the previous generation of women writers and instead drew their inspiration from the most prominent "literary" writers of their day: Emerson, James, Barrett Browning, and Eliot. Placing the works and experiences of Alcott, Phelps, Stoddard, and Woolson within contemporary discussions about "genius" and the "American artist," Boyd reaches a sobering conclusion. Although these women were encouraged by the democratic ideals implicit in such concepts, they were equally discouraged by lingering prejudices about their applicability to women.
Author: David Dowling
Publisher: University of Iowa Press
Published: 2014-05-14
Total Pages: 231
ISBN-13: 1587298341
DOWNLOAD EBOOKIn the 1840s and 1850s, as the market revolution swept the United States, the world of literature confronted for the first time the gaudy glare of commercial culture. Amid growing technological sophistication and growing artistic rejection of the soullessness of materialism, authorship passed from an era of patronage and entered the clamoring free market. In this setting, romantic notions of what it meant to be an author came under attack, and authors became professionals. In lively and provocative writing, David Dowling moves beyond a study of the emotional toll that this crisis in self-definition had on writers to examine how three sets of authors—in pairings of men and women: Harriet Wilson and Henry David Thoreau, Fanny Fern and Walt Whitman, and Rebecca Harding Davis and Herman Melville—engaged with and transformed the book market. What were their critiques of the capitalism that was transforming the world around them? How did they respond to the changing marketplace that came to define their very success as authors? How was the role of women influenced by these conditions? Capital Letters concludes with a fascinating and daring transhistorical comparison of how two superstar authors—Herman Melville in the nineteenth century and Stephen King today—have negotiated the shifting terrain of the literary marketplace. The result is an important contribution to our understanding of print culture and literary work.
Author: Jennifer Lee Goloboy
Publisher: Bloomsbury Publishing USA
Published: 2008-10-23
Total Pages: 257
ISBN-13: 1598840665
DOWNLOAD EBOOKThis volume in the Perspectives in American Social History series reveals the long reach of the Industrial Revolution into the work lives and self-perceptions of average Americans. Industrial Revolution: People and Perspectives offers a well-informed look at the impact of new labor practices in the 1800s. It analyzes this pivotal moment in the broader context of the nation's economic development, measuring its consequences for Americans as both workers and consumers in all regions of the country. Industrial Revolution examines what industrialization meant for American artisans, women workers, slaves, and manufacturers. It shows how this new working world led to sharpening class divisions and expanded consumerism. Throughout, groundbreaking social historians draw on 19th-century primary documents and the latest research to show how the Industrial Revolution transformed the life the average American.
Author: Mary Gibson
Publisher: Univ. of Tennessee Press
Published: 2014-08-30
Total Pages: 193
ISBN-13: 1621900517
DOWNLOAD EBOOKChallenging traditional gender expectations, thousands of girls of Gibson's generation not only aspired to public careers as writers, artists, educators, and even doctors but also began to experiment with new forms of "female masculinity" in attitude, bearing, behavior, dress, and sexuality--a pattern only gradually domesticated by the nonthreatening image of the "tomboy." Some, such as Gibson, at once realized and reenacted their dreams on the pages of antebellum story papers. This first modern scholarly edition of Mary Gibson's early fiction features ten tales of teenage girls (seemingly much like Gibson herself) who fearlessly appropriate masculine traits, defy contemporary gender norms, and struggle to fulfill high worldly ambitions.
Author: Katie McGettigan
Publisher: University of New Hampshire Press
Published: 2017-11-07
Total Pages: 298
ISBN-13: 1512601381
DOWNLOAD EBOOKIn this imaginative book, Katie McGettigan argues that Melville's novels and poetry demonstrate a sustained engagement with the physical, social, and economic materiality of industrial and commercial forms of print. Further, she shows that this "aesthetics of the material text," central both to Melville's stylistic signature and to his innovations in form, allows Melville to explore the production of selfhood, test the limits of narrative authenticity, and question the nature of artistic originality. Combining archival research in print and publishing history with close reading, McGettigan situates Melville's works alongside advertising materials, magazine articles, trade manuals, and British and American commentary on the literary industry to demonstrate how Melville's literary practice relies on and aestheticizes the specific conditions of literary production in which he worked. For Melville, the book is a physical object produced by particular technological processes, as well as an entity that manifests social and economic values. His characters carry books, write on them, and even sleep on them; they also imagine, observe, and participate in the buying and selling of books. Melville employs the book's print, paper, and binding - and its market circulations - to construct literary figures, to shape textual form, and to create irony and ambiguity. Exploring the printed book in Melville's writings brings neglected sections of his poetry and prose to the fore and invites new readings of familiar passages and images. These readings encourage a reassessment of Melville's career as shaped by his creative engagements with print, rather than his failures in the literary marketplace. McGettigan demonstrates that a sustained and deliberate imaginative dialogue with the material text is at the core of Melville's expressive practice and that, for Melville, the printed book served as a site for imagining the problems and possibilities of modernity.
Author: Jerome McGann
Publisher: LSU Press
Published: 2012-12-19
Total Pages: 284
ISBN-13: 0807150266
DOWNLOAD EBOOKEdgar Allan Poe (1809--1849) has long occupied the position of literary outsider. Dismissed as unrepresentative of the main currents of antebellum culture, Poe commented incisively -- in fiction and nonfiction -- on nationalism, science, materialism, popular taste, and cultural ideology. Opposing the pressure to write nationalistic "American" tales or from a restricted New England perspective, he produced a body of work held in greater international esteem than that of any of his U.S. contemporaries. In Poe and the Remapping of Antebellum Print Culture, scholars explore Poe's anti-nationalistic Americanism as they redefine the outlines of antebellum print culture and challenge ideas that situate Poe at the margins of national thought and cultural activity. The contributors offer fresh perspectives on an often-maligned author, including essays on Poe's preoccupation with celebrity, his fascination with metropolitan crime and mystery, his impact as an observer of racial fear, his role as an eccentric cultural icon, and his fluctuating reputation in our own era. They also argue for new digital approaches that facilitate remapping of print culture. Contributors: Anna Brickhouse, Betsy Erkkila, Jennifer Rae Greeson, Leon Jackson, J. Gerald Kennedy, Maurice S. Lee, Jerome McGann, Scott Peeples, Leland S. Person, and Eliza Richards
Author: Sylvia J. Cook
Publisher: Oxford University Press
Published: 2008-01-30
Total Pages: 303
ISBN-13: 0199716617
DOWNLOAD EBOOKWorking Women, Literary Ladies explores the simultaneous entry of working-class women in the United States into wage-earning factory labor and into opportunities for mental and literary development. It is the first book to examine the fascinating exchange between the work and literary spheres for laboring women in the rapidly industrializing America of the nineteenth and early twentieth centuries. As women entered the public sphere as workers, their opportunities for intellectual growth expanded, even as those same opportunities were often tightly circumscribed by the factory owners who were providing them. These developments, both institutional and personal, opened up a range of new possibilities for working-class women that profoundly affected women of all classes and the larger social fabric. Cook examines the extraordinary and diverse literary productions of these working women, ranging from their first New England magazine of belles lettres, The Lowell Offering, to Emma Goldman's periodical, Mother Earth; from Lucy Larcom's epic poem of female factory life, An Idyl of Work, to Theresa Malkiel's fictional account of sweatshop workers in New York, The Diary of a Shirtwaist Striker. This vital new book traces the hopes and tensions generated by the expectations of working-class women as they created a wholly new way of being alive in the world.
Author: Andreas Beer
Publisher: Springer
Published: 2016-10-07
Total Pages: 218
ISBN-13: 3319283529
DOWNLOAD EBOOKThis book investigates how the encounter between the U.S. filibuster expedition in 1855-1857 and Nicaraguans was imagined in both countries. The author examines transnational media and gives special emphasis to hitherto neglected publications like the bilingual newspaper El Nicaraguense. The study analyzes filibusters’ direct influence on their representations and how these form the basis for popular collective memories and academic discourses.
Author: Lawrence Buell
Publisher: Harvard University Press
Published: 2014-02-10
Total Pages: 501
ISBN-13: 0674727487
DOWNLOAD EBOOK“Magisterial . . . make[s] you suddenly see new things in familiar books . . . brilliant analyses of a dozen or so front-runners in the Great American Novel sweepstakes.” —Michael Dirda, Virginia Quarterly Review The idea of “the great American novel” continues to thrive almost as vigorously as in its nineteenth-century heyday, defying more than 150 years of attempts to dismiss it as amateurish or obsolete. In this landmark book, the first in many years to take in the whole sweep of national fiction, Lawrence Buell reanimates this supposedly antiquated idea, demonstrating that its history is a key to the dynamics of national literature and national identity itself. The dream of the G.A.N., as Henry James nicknamed it, crystallized soon after the Civil War. In fresh, in-depth readings of selected contenders from the 1850s onward in conversation with hundreds of other novels, Buell delineates four “scripts” for G.A.N. candidates and their themes, illustrated by such titles as The Scarlet Letter, The Great Gatsby, Invisible Man, Uncle Tom’s Cabin, Beloved, Moby-Dick, and Gravity’s Rainbow—works dwelling on topics from self-invention to the promise and pitfalls of democracy. The canvas of the great American novel is in constant motion, reflecting revolutions in fictional fashion, the changing face of authorship, and the inseparability of high culture from popular. As Buell reveals, the elusive G.A.N. showcases the myth of the United States as a nation perpetually under construction. “Engaging and provocative . . . ultimately affirms the importance of literature to a nation’s sense of itself.” —Sarah Graham, Times Literary Supplement “Rich in critical insight . . . Buell wonders if the GAN isn’t stirring again in surprising new developments in science fiction. An impressively ambitious literary survey.” —Booklist (starred review)
